I forgot to mention in the video that I received a hard copy of the comic book I contributed to, finally. It is called Heartman and was written & published by David Leibe-Hart, of Tim and Eric Awesome Show, Great Job! He invited 48 artists, including myself, to illustrate his story.
I’m making a long-term creative decision, a new policy:
Get it done, first.
Talk about it, later
This was something that Thomas Edison learned, the hard way, after making promises about his new inventions that took longer than expected for him to bring to fruition. He eventually stopped doing that and just surprised people, after the fact.
Since I am often delayed by external forces (money, supplies, equipment, etc.), as well as personal issues, it makes me look bad. It looks to everyone else like all I that do is talk about what I’m “gonna do” and not actually get anything done. I can’t really blame anyone for having that perception. Since I don’t show everything that I do and I discard unfinished work. Stress exacerbates my mental health problems. That cuts into a lot of my productivity, too. Finding internal balance is a personal high priority, if I want to get out of my own way. Managing where I focus my attention, I have found, is much more important than when I schedule it. Although, having a schedule is important, too, or I wouldn’t get ANYTHING done.
Another new policy that I am implementing is:
No collaborations without a deadline.
I was told that this is one of my mistakes when working with others. It is too open-ended. People require deadlines to get them off of their ass, apparently. That might be true. Unless someone says something to me, I will probably work alone and take forever doing it. There is that problem with focusing, again. I am still open to collabs. Don’t get me wrong. But, I think establishing a time frame for projects would make them go along faster. I’m usually easy to schedule because I have more free time available than everybody else. We just need to work around the other commitments of interested participants.
I am figuring out how to go about collaborations, using my new policies.
I don’t want to pressure anyone too much.
Keep it fun.
But, still have a predictable process on a schedule.
So, okay, here is what I have got:
I will keep on doing what I do, alone.
I shouldn’t say any more about that.
The less the better.
When it is done, you will know.
If someone wants to work on a track with me I will set my thing aside and work on the collab, instead.
Somehow, I will turn it into something.
I will try to take no longer than a week to finish it, more or less, and return a copy of the finished mix.
You can do whatever you want with it.
The finished track will go into the next Island of Misfit Noise video or album project.
I haven’t figured out how I’m gonna do that, yet
I guess when we have enough completed material gathered, it will just go out.
No, I’m not talking about your cousin who drives a Mercedes, has his own insurance business, and always picks up the tab when you go out for beers. I’m talking about super-rich people: the Walton family, the Koch brothers and, yes, the Trumps. I’m talking about people who continue to make money off the backs of the poor while convincing those same people to remain loyal no matter what. But the truth is they are never going to share or trickle down their money to you — regardless of how white you are, how loyal you are, or how much you support their companies or their politicians.
When a family like the Waltons, worth over $50 billion — that’s billion with a “b” — are fine knowing their employees are collecting food stamps to survive and they do nothing about it, that speaks volumes. It says loud and clear: I don’t fucking care about you!
When Donald Trump was willing to close down and bankrupt multiple small businesses because he couldn’t be bothered to pay his bills, all while living in a gilded penthouse and flying around New York City in a helicopter, that screamed: I don’t fucking care about you!
Creating jobs isn’t a thing to be praised.
Creating well-paying jobs is. Billion-dollar corporations like Walmart and McDonald’s don’t create healthy economies. They create mass poverty. Anyone can create a job. I’ll pay you $1 an hour to clean my house, do lawn care and general maintenance Monday through Friday for eight hours a day. There, I created a job. Have I contributed anything to society? No. Have I boosted the economy? No. All I’ve done is put one person in poverty.
“Job-creation” is nothing more than a catchphrase that politicians use to get votes. It doesn’t mean anything. Let’s say there is a small town with 500 people and a factory opens and pays minimum wage. If the company hires everyone in the area, the result will not be a thriving community. It will be a community of 500 poor people. Yes, the factory technically created jobs, but it also spread poverty. Never forget they need us more than we need them. Without us working their low-paying jobs, they have nothing. Make them pay fairly for your labor. Make them create well-paying jobs.
Black and Brown people are not the reason you’re poor, rich white people are the reason you‘re poor.
Corporations siphon money from profits to share with stockholders, upper management, and CEOs, leaving everyone else, regardless of color, scrambling at the bottom for crappy pay. The owner of the factory is the reason you are poor, not the person of color working beside you for the same wage. Don’t be angry at the immigrant trying to make a better life. Be pissed off at the company who exploits both of you so they can pay lower wages and maximize profits.
There is NO such thing as a “Welfare Queen.”
There never was. Politicians made this up. It is propaganda designed to make you think people of color are lazy and want a free ride at your expense. If you resent them, you are more likely to vote to eliminate programs that benefit them but could also benefit your own family. Generations and generations of white people have been programmed to be racist even if it’s to their own detriment. By helping to keep people of color down, you keep yourself down — and that’s how politicians want it. Consider how the GIF below uses racist propaganda to persuade you to think negatively about people who need government assistance. (And no, one example of a person buying steaks with food stamps does not prove the entire welfare system is corrupt.)
The “War on Drugs” and “The War on Crime” are fake.
These programs target minority communities and keep the private prison system making billions. As collateral damage, poor whites sometimes get sucked into the system, but not enough that anyone cares. Poor people are funneled through the prison system with plea deals. Incarcerated people work for pennies a day in a modern-day slave trade, making products for billion-dollar corporations.
The rehabilitation system has almost no programs for actual rehabilitation because the system wants ex-convicts to fail. It’s how they keep the money pouring in. The propaganda of these fake wars tries to convince white people that black and brown people commit more crimes, that white people should fear them, and that prison is where they belong. If you allow yourself to be brainwashed by racism, the system will continue to prey on poor people of all colors. Rich people hire lawyers to get out of prison time. Poor people are scared and pressured into plea deals. And no one cares until it happens to them.
Stop listening to people who say you need to boot-strap your way up, especially if they have never had to boot-strap their way anywhere.
This is a myth wealthy people have been telling poor people for centuries. It’s a way to keep poor and working-class people grinding away at jobs that create more wealth for them, not you. It’s a way to pit working class people and poor people against each other. Instead of showing each other compassion and joining together, we look down on anyone we see as “not working hard enough” — even when that mentality keeps us down too. Working hard is admirable; being made to feel lazy or less than because you lack equal opportunity is manipulation.
Rich people don’t have some magical way of thinking that makes them rich. They aren’t better, smarter, or more creative than poor people. They have more money, and more money offers greater opportunities. That’s it.
I’m not suggesting people shouldn’t try to better their lives. Never give up. What I’m saying is stop beating yourself up because you face a longer, tougher road to succeed than someone who was born into wealth and privilege. And try to have compassion for those who are struggling to make ends meet. Beating people down who are already exhausted isn’t just unfair — it’s cruel.
Wealthy white people love to see poor people fighting among ourselves.
If we dislike each other over things like race, sexual orientation, and religion, then we aren’t paying attention to what the billionaires and politicians are doing. They want you to get riled up over wedding cakes, who uses what bathroom, and what to say at Christmas time. By pumping out media stories that make you think you are losing something, or that your lifestyle is in danger, they can keep you focused on stuff that really makes no difference in your life.
I’ll put it like this: if I offered you $5 more per hour at your job on the condition you do not insert yourself in matters that don’t concern you, like gay couples getting married, would you accept it? Here’s another way to look at it: would you rather have a $100 Christmas bonus, or a $1000 Holiday bonus? When we take a step back, get honest, and ask ourselves if we genuinely care how other people live, the answer is usually no. We get fired up over the onslaught of shocking headlines, and that’s exactly what people in power want.
Rich people have convinced working class people that unions are bad.
Workers are stuck in low-paying jobs without the power to walk out and negotiate for better wages and benefits. News outlets (owned by rich people) frame stories of union walkouts as if workers are lazy or greedy. They often show workers of color on picket lines to reinforce the notion that black and brown people want “something for nothing.” That is one way to minimize wages for workers and maximize payouts to stockholders and CEOs.
If a CEO makes $120 million a year, in one year he or she has enough so they never have to work again for the rest of their life. They never have to work another day, and neither do their grandkids or great-grandkids. The entire family is set. Do you think they care if the company goes belly up? Why would they when they’ve got theirs? If you lose your job are you set? Corporations spend a great deal of time peddling fear in workers that the most important thing is the “health” of the company above all else. That’s just a tricky way to convince workers to take less, so those at the top can take more. What’s the best way to achieve that? Split up unions and take away workers’ power. There is power in numbers, and they know it, and do everything they can to keep us from seeing it. Remember: without your labor, they have nothing!
When the show Friends became a runaway hit it came time for the actors to renegotiate their contracts. David Schwimmer, who played Ross, went to the rest of the cast and suggested that, instead of negotiating individually, which could lead to resentment if some were paid more than others, they should negotiate as a single group. The result was the entire cast was paid the same for the run of the show. It was equal and fair, and no one left the show because of hurt feelings or resentment. That’s a union.
There is a myth that raising the minimum wage would allow unskilled workers to make as much as skilled workers and that wouldn’t be fair.
Again, this is more spinning of tales so that wealthy CEOs can keep worker pay at an all-time low while they make billions. The truth is if minimum wage went up, skilled wages would go up too. How? Let’s say you are an EMT working for $15.00 an hour and the minimum wage goes up. Now everyone working in retail and fast food is making the same as you. Pretty insulting, right? Wrong. That’s what corporations want you to think so you will fight to keep other poor people down. If the minimum wage rose to $15, you could get a job anywhere for the same pay. That would give you leverage to negotiate a higher wage by saying, essentially, “There is now an abundance of jobs paying what I make. I can leave and take one of those jobs unless you pay me more for my added skills.” Your skills are now worth more. Instead of $15, you may get $20, but you’ll never get the $20 if you keep fighting to keep others down. Lifting others lifts you up too.
Continuing to support politicians who give tax breaks to the rich is never going to make your life better.
When a company gains billions in tax breaks, the people at the top get multi-million-dollar bonuses. Workers at the bottom may (if they are incredibly lucky) get $1000 after 20 years of service. That’s $50 a year! A one-time bonus of a $1000 will do nothing to change a working person’s life. At best, it will alleviate a bit of stress for one month. One month for 20 years! Meanwhile, CEOs and other top executives are wondering if they should buy a yacht or another vacation home. While poor people are cheering over being thrown slop, the rich are pigging out at the buffet table.
If poor and working-class people stop fighting each other and band together, we have the numbers to make real change. Rich people know this, and it terrifies them. If we suddenly start demanding better wages, they may have to give up a bit of profit. If we start demanding health care and quality education, they may have to pay a bit more in taxes. If we start treating each other with respect and equality, they can no longer use fear, homophobia, racism, and propaganda to distract us.
We have the power. Now we need to stop giving it away.
Hello, I received a message from David Liebe Hart, from the Tim & Eric Awesome Show Great Job! He finally raised enough funds to publish the comic book that I and others contributed to several months ago. The text is below, if you are interested.
Hello friends of David. We are excited to announce the Kickstarter campaign for our comic book, Heartman, starring David as the superhero who, along with his sidekick Chip, must save the universe from his evil nemesis Dr. Pain. Each of the beautiful 44 pages is illustrated by a different artist including DLH himself. With about 5 days to go we’ve reached our goal to raise enough money to order 250 full-color, finely crafted copies for $1500. You can order your David-signed copy now. There are also some exclusive rewards for donating extra $. https://www.kickstarter.com/projects/884844058/david-liebe-hart-of-tim-and-eric-in-heartman-comic
August’s west coast tour will go from San Diego CA to Bellingham WA, and will have David joined by a 3-piece space-rock band led by Mo Troper. September-October’s tour, ranging from Las Vegas to Detroit to Boise, will feature me, Jonah, playing David’s backing music and video projection, along with support acts Chip The Black Boy and Whatever Your Heart Desires. Details and tickets for all the shows will gradually be updated at http://ArtByLiebeHart.com/shows in the coming weeks, but at the bottom of this I’ll paste complete details for the August shows.
I don’t remember how long I have been interested in filmmaking. I’ve always loved movies, of every kind. You can combine every other artform together into it, if you are creative. I never had ambitions to be an actor, though. I fell into that by accident.
As a young child living in Detroit, I fantasized about becoming a stuntman. This could be because of the then-popularity of daredevil Evel Knievel, action films like Hooper (1978), and TV shows like The Fall Guy My favorite stuntman was the legendary Dar Robinson. His untimely death after shooting Lethal Weapon (1987) permanently put an end to that idea, for me. Though, I had become far more interested in playing music by then.
The size of a film’s budget or the skill of the actors involved were never really a big deal to me, if the script was still good. A bad actor in a great movie will still get by. But, a great actor in a bad movie is totally screwed (That philosophy can be applied to so many other things). Nonetheless, I still watch a lot of cheesy bad movies, seeking out their redeeming qualities.
I don’t remember how I got into underground independent films. It may have been through watching funky old horror, science fiction, and grindhouse movies on local UHF stations as a kid (before cable TV came along). The VHS revolution in the 1980’s also opened up a whole new universe of adventurous filmmakers, no longer restricted by studio gatekeepers. My mom would bring home all sorts of insane stuff she found at mom & pop video stores. Her taste in low-budget weird movies probably rubbed off on me a lot. I grew an increasing appreciation for DIY directors / producers making their visions a reality against all odds.
The Island of Misfit Noise has evolved from a 1990’s rock band into a 21st Century multimedia project, based around making videos and movies instead of performing live. I guess, in that way, it shares some similarities to The Banana Splits, The Archies, or Green Jellö.Not having a permanent band makes it an ideal vehicle to try new things out and bring in different collaborators. There is also less pressure figuring out how to do everything onstage, in front of an audience.
I have no idea how to do film distribution or anything technical. It is all learn-as-I-go. I have no budget or crew. I use whatever stuff I can get for free. Does it look like cheap crap? Probably. Will anybody ever see it? Maybe. Maybe not. But, it will get done and be out there for those who are curious. It may take awhile to finish without access to those things, though.
My short video “I Dream of SpaceCat” was a good learning experience, not just in producing content. But, also in presentation to an audience. I hope to do more.
I thought I would give you some GOOD news, for a change.
My van has been returned and drives better than it did before. My aunt loaned me enough money for the tire. I think they tightened something up to stop the wheel from wobbling. It helps. But, I got an estimate for repairs to the damaged tie rod and related issues that still need fixing. I do not think I can do this by myself. It looks like more than I can handle. The van still has trouble starting up. Someone said that the teeth on the starter may be worn out. I have a new one to replace it with. I couldn’t get the old one off. It is too tight and I’m not strong enough. But, it doesn’t have as much of a transmission problem as it did before. That could just be because they added enough fluid to it, finally.
My bank account balance is not in the red for the first time in months! I think I’m finally catching up, at least a little bit.
I’ve gotten a bunch of new pen pal letters, lately. I’m looking forward to replying to all of this mail. I’ve also been mentioned by some very prominent YouTubers, lately (Wow!). Maybe I’ll get more traffic on my site.
I have found and fixed my webcam problem. It was a system glitch. Not sure yet if I will include a vlog with today’s blog. Maybe I will post one after I finish this new painting I’m working on.
Today’s song from my collection is a Nirvana cover by Flipper. Enjoy!
Vehicle repair has been the bane of my existence, for decades. I can usually only afford cheap transportation. So, I get nickel-and-dimed to death keeping them running. On the rare occasions that I have had decent quality cars, they always got totalled within a year. My current ride, a 1994 Chevy Astro Van, has been with me for four years. That is a pretty long time compared to most of the others I have owned, which were replaced very frequently. I’ve made a few modifications, like taking out the rear seats and discarding some panels. But, that is an ongoing process. I had hoped to prepare it for full-time living, for extended periods of time, should I suddenly become homeless. I’m paranoid like that.
I bought it in 2014, from an aunt’s neighbor, for $700. It had been dormantly parked in her driveway, untouched, for several years. I knew it would cost me a lot more, over time. When I bought it, it already had a bent frame, oil leaks, radiator problems, and a thousand other things wrong with it. Most of those I STILL haven’t fixed. Then, there are more pieces falling apart all of the time.
A few days ago I had a flat tire, again. The same wheel keeps going flat. I have replaced that tire at least five times, by now. The rim was inspected and I was told that it was okay. So, I just kept replacing tires when the old ones gave out. This tire kept getting low every couple of days and I would air it up at a nearby Belle Tire before it went completely flat. But, this last time, I tried to inflate the tire and it was totally shredded! I had no way to get the van home without bending the holy fuck out of the wheel. So, I went inside and told them my problem. I also told them about the wheel wobbling all of the time, possibly due to a bad tie rod or ball joint. So, maybe they will look at that, too. It could cost a few hundred dollars. But, either way, I have no money… AT ALL, to pay for it. I applied for credit there, hoping to make payment arrangements. Haven’t heard back from them, yet, about the van or the credit. I’m not very optimistic.
I asked if they would check my transmission. But, they don’t do transmissions. I’m still hoping that it is something minor I can fix by myself.
Things like this keep me perpetually in a bad mood. As negative as I always am, I don’t need much to already be in one and this doesn’t help. I’m trying to take my mind off of it with music & art. I opened a Ko-Fi account online, specifically for such repairs, if anybody wants to chip in a few bucks. There are no obligations. It isn’t a monthly pledge service, like Patreon. I’m only using it for specific goals – in this case, fixing the van.
Guess I will get back to work and leave you alone. Later.
I’ve been kinda busy lately, helping my aunt and ex-gf move. I was also not feeling well for a week or so. Then, my van broke down. I’m behind on my projects, including providing this month’s MP3 for Patrons. I’m doing my best to catch up.
I received a small batch of comics, recently, that I contributed to. It’s called Five O’Clock Shadow. This is issue #25. I’m including them with orders and donations on my Bandcamp page, while they last.
I am recording a bunch of exclusive music for my supporters on Patreon, as well as contributions to The Residents, David Liebe Hart (“Tim and Eric Awesome Show, Great Job!”), and some new collaborators who want to put a band or something together with me. Lots of stuff going on!
Issues of “Theee Urban SpaceCat” Cassette-Zine have been held back for an absurd amount of time, mostly for financial reasons. I’m always broke. Just to get them out there in some form, , I will be releasing the first couple of issues digitally (PDF & MP3). They may get printed physically at a later time. But, look on the bright side. At least you can download them instantly instead of waiting by your mailbox.
Another project that I’m working on is a series of paintings, each including a compact disc of unique material. I will show them for you on future videos. Plus, there is all of the other art that I’m making every day. So, perhaps good things are happening.
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