Today’s Blog

Music For The People

I haven’t posted much on my website blog in awhile. I have kept myself fairly occupied most of the time, despite outward appearances.

I’ve finally closed the door on The Island of Misfit Noise, as a recording group for good. It is still the title of a no-budget movie and comic book. But, for the purposes of collaborating with other musicians, it has outlived it’s usefulness. I will think of something else if I need it. I’m currently working on a new album with some friends and am keeping an eye out for available musicians to perform live with again.

My disability pay has not come yet. I’m annoyed. A mistake has been made by the Social Security Administration. I updated my account information with them over a month ago. But, they deposited this month’s payment into an account that is no longer active. I called their office and the bank. Hopefully, it will be straightened out soon. I need supplies to work on a few projects and it is holding me up. I have a lot of stuff to catch up on;

  • This week’s mail is ready to go out as soon as I get some postage.
  • My homemade drum kit (aka The ShitKit) is coming along really well. I need to get some parts from a hardware store to put it together.
  • I’m working on a short film to submit to a film festival next month. I need a few items for building props, sets, puppets, etc.
  • I have some incomplete paintings that require art supplies.
  • Someone is offering a free drafting table on Craigslist. I’m out of gas, though. Hopefully, it will still be there when I can refuel again.
  • I need funds to send my zines to the printers, if I am to have them ready in time for upcoming events.
  • I have VHS tapes that need to be transferred to my computer for editing. But, the VCR needs cleaning badly and I can’t find any tape head cleaners anywhere. I gotta get replacements.
  • Of course, there is also the matter of monthly bills and mundane household things; rent, phone, internet, debts, medications, food, dish soap, cat litter, paper towels, toilet paper, car insurance & license plate renewal, etc.

I recently sent out an email to those on my mailing list with a few details of upcoming events and a plea for financial support. I doubt that anybody will take me up on it. But, it never hurts to ask.

I’m writing a new horror story to be made into another low-budget movie, after “The Island of Misfit Noise” film is finished. It is a little more ambitious. It will actually require a REAL budget and not be made piecemeal like the IOMN.

Another project that I will undertake, a little bit later, is a compilation LP.  It will be funded collectively by the contributing artists. Everyone submits a song or two and their share of the budget to produce it. After the vinyl is pressed, everyone gets their percentage of the finished product, to sell at gigs. It is an old method of doing things, that I have participated in before. Another share of the records will be sent out for promotion, through radio and press.

But, before I embark on these and other projects, I need to finish up a couple of things and sort out my financial situation. I have enrolled in a debt consolidation program. So far, my credit cards seem to be under control. But, I have yet to get my payday loan debts arranged. I don’t believe that I can do that this month, because I have to buy a car insurance policy to renew my license plates. We will see how that comes along. Anyway, that is what I’m doing lately.

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Timmy Vulgar

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Life is funny sometimes. It lands some odd coincidences in my lap a lot, it seems.

I had never listened to The Clone Defects, although they have been around the Detroit scene for a number of years. I did not know that guitarist / vocalist Timmy Vulgar was also in a bunch of other local groups. He has been around the block as much as I have (and then some). I also did not know that he & I had met before, when he was in his first band The Epileptix. I still have their debut 7″ EP that I purchased from him. We talked about the band Chrome and guitarist Helios Creed a little bit. That is all that I remember from our encounter.

Anyway, I got an invitation on Facebook to see his most recent band Timmy’s Organism play at the UFO Factory next month. I did a little research, and dang! This is my kinda guy. Mostly, he plays a kind of psychedelic punk and employs the style of low budget freakishness that I am known for. If he ever needs a bassist, or wants to collaborate, I think I am up for it… if he is.

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The Island of Misfit Noise Movie and Comix

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Thus far, I hadn’t given the plot of our film much thought beyond the original premise that I gave TomCat Z. and John Pirog. I had assumed that we could just continue to add material until we had enough for a complete film. It is possible that we may still follow that method to some degree. It may be a financial necessity. But, it also occurred to me that having a few characters that we could build stories around wouldn’t be a bad idea, either. I mentioned the Teenage Mutant Ninja Turtles and all those 1990’s bands who styled themselves as superheroes for examples.

One of my big influences on The Island of Misfit Noise movie is Japanese Tokusatsu (特撮) shows like Ultraman, Giant Robot, and the Godzilla / Mothra franchises.

Oh yes, there will be giant fighting robots and monsters. There will be.

If this is a group of heroes getting into constant trouble, I could sorta model them after characters from Doctor Who, Star Trek, Lost In Space, Josie And The Pussycats, and Scooby Doo, Where Are You?, always arriving somewhere new and finding some shit to get into. If they are musicians, there will be four of them, like The Monkees or The Beatles. Each has their own character archetype, skills and abilities, like the Teenage Mutant Ninja Turtles or The Marx Brothers. When they get into deep shit beyond their capabilities, the giant robot comes to save them. Also, the robot is a fill-in drummer, because he keeps excellent time and doesn’t get tired. They are constantly losing and replacing drummers, like Spinal Tap.

Other big influences of mine is, of course, cheap B-movies and television programs. Sid & Marty Krofft‘s 1970’s Saturday morning children’s shows comes to mind as an excellent example. I even called the IOMN movie “H.R. Pufnstuf on crack”, once or twice.

So, there will be lots of green screen, cheap sets, cheap costumes, cheap, cheap, cheap. It is very likely that almost everything you see is gonna be made of cardboard, tinfoil, and papier-mâché if it isn’t something found or outright stolen.

Before we get started putting together any props or shit, I may publish the IOMN comics in my zine, Thee Urban SpaceCat. At the very least, it will give me an opportunity to work out some things that will eventually wind up in the movie. The Walking Dead TV series began as a comic. Hell, most of the movies out lately are based on comic books. They must be doing something right. It is also fitting, because the zine began as a concept for a comic book and I will probably be publishing through a printer that specializes in comic books. So, there is that too.

Mike Damn Nobody Returns!

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I think that, until I get some songs completed, I will accept new offers for gigs… performing improvised noise as Mike Damn Nobody again.

If I can get a new ShitKit started on, I will use it for percussion while I add other noises.

Max Grean (Uncle Ghoulie) said that he would help me to acquire an old gas tank from someone in Clarkston.

If I can get that, it will help me a lot.

I may do something akin to Black Pus (drums + vocals + noise), but perhaps more chaotic.

No Budget

Russ Meyer

I like cheepnis.

Maybe it is growing up on a steady diet of bad movies and shitty TV shows.

We would go to the drive-in back when they had double features, triple features, all nighters, etc.

When home video tapes and cable TV became a thing, my mom got us to watch some the worst movies ever made.

So bad, they’re good… and went back around to being bad again.

Some of the films used on Mystery Science Theater 3000 are Shakespeare, by comparison.

I used to stay up late and try to watch midnight movies on TV, before cable came along.

Then, there was The Ghoul and Sir Graves Ghastly for cool weekend shows.

Ed Wood, Roger Corman, Herschell Gordon Lewis, John Waters, Lloyd Kaufman, Richard Kern, Nick Zedd, Russ Meyer, it’s all good.

I Fixed My Mood Ring

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Don’t look at my ugly face.
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I Fixed My Mood Ring!
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20150930_003524 I found an extra set of strings and replaced the old ones, FINALLY! They were deader than dead. They were Beetlejuice Night of The Living Dead. I cleaned-up the crud around the pickups while I was at it, too.
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Not everything was sold by my grandmother. I still had this one PA and the cabinets from the other one. I didn’t have anywhere to store the cabs. So, I donated them to my grandmother’s church.
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Three projector screens were also left behind. That is okay. I may still use them if I can get some projectors. The big industrial monochrome projector and stand got sold. But, it was only in green color. I would prefer to get full-color replacements. Also, the industrial projector was very big and heavy, requiring a steel stand to be put into position. I need something lighter and more portable.

Comparative Anatomy

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Comparative Anatomy are another group that I have liked for many years. Their 2010 CD Mammalian is really good. I have been waiting ever since for a follow-up album, which never seems to come.

They are an experimental drum & bass band from Charlottesville, Virginia. Known for their elaborate costumes, absurd humor, simple but diverse textures and unique sound, the band has become known in the experimental and noise rock scenes for their outlandish performances. Their early work has been referred to by reviewers as a “patchwork, cut-up style” similar to bands like Mr. Bungle, but recently they have created their own unique sound with robotic sounding bass lines, frenzied loops of animal samples, and beat-focused drums. To date, they are the only band to consistently use animals for vocals, recording their sounds in a variety of settings and programming them to the music, often altering the sounds and layering them in their more recent work.

Comparative Anatomy started as an experiment in 2009 between the two main members, Sir Puffers Rabbinald the Third and Ron Chickenbaby. At this time, the band name was not yet chosen. The original line-up went through several guitars and one real drummer, all of who were eventually eliminated. After deciding to work alone, the group took a different route, eliminated guitars altogether and moved away from the quirky, death metal sound where they started as well as completely scrapping vocals. Their musical direction began to take an experimental, drum & dual-bass approach utilizing special tunings, a drum machine, and various samples from a variety of sources. They’re known for its odd humor, which relies heavily on absurdist and quasi-dadaist dialogs with the crowd and symbolism focusing totally on animals.

During live performances, Comparative Anatomy is known for wearing costumes, which were at first simple designs made with dismembered, stuffed animals, but eventually became elaborate and full-body pieces hand-made by the two main members featuring everything from top hats to black metal guantlets. In addition, their live act involves a set of films and animations created by the band that follow the music and are projected behind them on a giant screen.

Another cool thing about them that I like very much is that they tour in a refurbished ambulance, playing their music over the PA system as they approach their performances.

If you ever wonder what a Mike Nobody solo performance looks like, without a real band onstage, this probably isn’t far from it… minus the costumes.

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