Vlogging Update: May 2017

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Hey y’all,

Sorry for the long absence.

My computer died.

I gave it to my aunt to work on.

She does IT work for the local school district.

Unable to fix it, she gave me another one that a school was getting rid of.

I tried to salvage what I could from the old one.

But, most of my programs and files were lost.

I’ve been searching for the missing software and restoring what I can.

My scanner/printer didn’t want to cooperate with the new computer.

I tried replacing it.

But, the replacements didn’t work either.

After a couple of days messing with it, I finally got it running.

My van has a million problems.

But, at least I got the front tire fixed that kept going flat.

I’ve replaced that tire THREE TIMES and it still kept going flat.

I thought maybe the rim was bent.

I had it looked at and they found a piece of metal lodged inside.

They patched it up.

Now, it shouldn’t be a problem anymore.

Only cost me $15 bucks (thank God)!

I tried to repay my grandmother $700 dollars I owe her.

She forgave some of it.

My ex forgave the $200 I owed her, too, since I’ve been helping her relocate and move her stuff.

Not sure how I’ll get my other debts paid.

But, I try not to get stressed out about it.

That really fucks up my creativity.

Is There a Mike Nobody Sound, or Visual Style? Maybe.

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When I am jamming with other people, they motivate me and kinda help focus what I am doing.

So, I am always bouncing ideas back-and-forth with them, trying to see where their talents and interests are.

If half of the group is into a specific style of music, that gives me a vague reference to work from.

I know what will work and what won’t.
My improvisational skills are kinda crappy, I admit, though.

Ironically, I need people to get out of my way and let me work alone when I am writing original music.

Cutting & pasting jam sessions into songs kinda works.

If I have no one to work with at all, I am kind of at a loss.

The music can go in all sorts of different directions.

So, finding my own “sound” can be difficult sometimes.

I am trying to shape what I do into a cohesive sound of my own, without tying my hands too much.

I would like to maintain the freedom to play whatever that I want.

Near as I can figure it, I guess that I kinda sound a little like Beck with a weird bass setup and tapes, maybe.

My working process, and limited resources, probably have more to do with any style that I may have than anything else.

I don’t have a drummer.

So, for percussion I must rely on drum machines, keyboard sounds, and whatever found objects that I can bang on.

I do not have other band members.

So, I rely on recordings of myself on guitars, noises, and assorted samples, to fill out the sound.

Compositionally, I like the cut & paste approach of artists like Magma, Cardiacs, Omoide Hatoba, Boredoms, Melvins, Ruins, Mr. Bungle, Frank Zappa & The Mothers of Invention, John Zorn, Carl Stalling, etc. and “mixtape style” of the Butthole Surfers, Ween, Faith No More, David Bowie, The Beatles, Led Zeppelin, etc.

I like a mixture of Hi-Fi and Lo-Fi in recordings = Mid-Fi!

But, I prefer a specific squashed compression sound found on early Primus, Ween, and Butthole Surfers records.

I was able to ask guitarist / producer Paul Leary once about how he achieved that sound for the Butthole Surfers.

He said it was due to cheap tape recorders, and only having one microphone.

So, I think they recorded directly from their preamps a lot.

I know that Primus did.

That works great for me, since I only have shitty cheap microphones anyway.

Vocally, I have a kinda nasally high-pitched voice that I never liked.

Kind of a bit like Neil Young, Wayne Coyne (Flaming Lips), Kurt Cobain (Nirvana), Curt & Chris Kirkwood (Meat Puppets), Marc Bolan (T. Rex), etc.

Although, I try to give it a little bit of a Tom Waits-like growl on the lower end.

I guess that I compensate for my voice with cheap microphones and whatever vocal effects that are available, trying to bury it.

Visually, of course, everything is very cheap by necessity.

I like papier-mâché and cardboard props and sets.

Puppets and miniatures can be very useful, too.

Green screen, data-bending, and other cheap effects.

My mixed-media paintings and artwork kinda have a cheapniz aesthetic, too, I suppose.

I use stuff from thrift stores, hardware stores, dollar stores, and found materials a lot.

I tend to visualize the exterior world, the “real” world, in black & white colors.

A cold, decaying, dying, world.

The interior world, the world of the mind and imagination, by contrast is warmer and more colorful.

It is vast and endless.

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I will probably post more about my gear setup & playing techniques later.

Spring Has Sprung

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I was watching some YouTube videos lately.

I got very annoyed.

Other bands are doing stuff that I wanna do.

But, they keep beating me to it.

I hate when that shit happens.

Maybe it is just that everything has already been done to death and we keep repeating and reinterpreting what came before us.

I dunno.

I know that, financially, I am gonna be screwed for the foreseeable future.

I am robbing Peter to pay Paul for as long as I have to.

I seriously doubt that I will break even before summer begins.

I keep putting off working on and publishing the zine until I can get ahead a little.

But, that doesn’t look like it is going to happen very soon.

I may do a cheaper version, than what I had in mind, until it begins to pay for itself.

Just a thought.

I will probably raid my boxes of old tapes that I have in storage and dig around for some incomplete material to finish.

I have a lot of it, going back nearly forty years.

Since I have been tinkering with the analogue multi-track machine, maybe I will include some fresher stuff with it, too.

I dunno.

A guitarist whom I have not played with in years contacted me and is eager to jam again.

So, maybe he can give me a morale boost and help me get my shit done.

Maybe.

I am always willing to jam with other people if they are interested.

I need to find somewhere that I can paint and make loud noises too.

Maybe somebody can help me with that.

Bombs Away!

Valentine’s Day

The Island of Misfit Noise Movie and Comix

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Thus far, I hadn’t given the plot of our film much thought beyond the original premise that I gave TomCat Z. and John Pirog. I had assumed that we could just continue to add material until we had enough for a complete film. It is possible that we may still follow that method to some degree. It may be a financial necessity. But, it also occurred to me that having a few characters that we could build stories around wouldn’t be a bad idea, either. I mentioned the Teenage Mutant Ninja Turtles and all those 1990’s bands who styled themselves as superheroes for examples.

One of my big influences on The Island of Misfit Noise movie is Japanese Tokusatsu (特撮) shows like Ultraman, Giant Robot, and the Godzilla / Mothra franchises.

Oh yes, there will be giant fighting robots and monsters. There will be.

If this is a group of heroes getting into constant trouble, I could sorta model them after characters from Doctor Who, Star Trek, Lost In Space, Josie And The Pussycats, and Scooby Doo, Where Are You?, always arriving somewhere new and finding some shit to get into. If they are musicians, there will be four of them, like The Monkees or The Beatles. Each has their own character archetype, skills and abilities, like the Teenage Mutant Ninja Turtles or The Marx Brothers. When they get into deep shit beyond their capabilities, the giant robot comes to save them. Also, the robot is a fill-in drummer, because he keeps excellent time and doesn’t get tired. They are constantly losing and replacing drummers, like Spinal Tap.

Other big influences of mine is, of course, cheap B-movies and television programs. Sid & Marty Krofft‘s 1970’s Saturday morning children’s shows comes to mind as an excellent example. I even called the IOMN movie “H.R. Pufnstuf on crack”, once or twice.

So, there will be lots of green screen, cheap sets, cheap costumes, cheap, cheap, cheap. It is very likely that almost everything you see is gonna be made of cardboard, tinfoil, and papier-mâché if it isn’t something found or outright stolen.

Before we get started putting together any props or shit, I may publish the IOMN comics in my zine, Thee Urban SpaceCat. At the very least, it will give me an opportunity to work out some things that will eventually wind up in the movie. The Walking Dead TV series began as a comic. Hell, most of the movies out lately are based on comic books. They must be doing something right. It is also fitting, because the zine began as a concept for a comic book and I will probably be publishing through a printer that specializes in comic books. So, there is that too.

Tatsuya Yoshida, John Cage, and Boxes of Tapes

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I do not know where all of my old tapes are. Here are a few. Despite my reputation as a pack rat, I do discard and lose a lot of important things. There is still a lot here to dig through, some dating back to the 1970’s. There are more recent ones laying around from making memos to myself, quick jams, meeting up to jam with various musicians, etc.

I learned to read music in elementary school. I forgot how, though, after years of just jamming with bands who couldn’t read. Also, transcribed music never felt like an accurate representation of “music”, to me. I always visualized music in waves, shapes, and colors, like a rainbow oscilloscope!

John Cage wrote music kind of like that. I preferred how he wrote down music. It just made more sense to me than traditional transcribed music.

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Tatsuya Yoshida seems to have been influenced by Cage a lot. He even wrote a tribute song, composed in John Cage’s style. Of course Tatsuya Yoshida’s biggest influence would seem to be Christian Vander and Magma. His group, Ruins, borrows Magma‘s compositional style almost completely, adapting it to fit a drum & bass duo.

Tatsuya Yoshida
From Wikipedia, the free encyclopedia

Tatsuya Yoshida (吉田達也 Yoshida Tatsuya?) (born in Kitakami, Iwate is a Japanese musician; drummer and composer who is the only consistent member of the renowned progressive rock duo Ruins, as well as Koenji Hyakkei. He is also a member of the progressive rock trios Korekyojinn and Daimonji. Outside of his own groups, Yoshida is renowned for his tenure as drummer in the indie progressive group YBO2, a band also featuring guitarist KK Null, whom he also joins in the current line up of Zeni Geva and he has played drums in a late edition of Samla Mammas Manna. He has been cited as “[the] indisputable master drummer of the Japanese underground”.
Along with his participation in bands, he has also released several solo recordings.

I like the “cut & paste” style of composing. It offers a lot of freedom. I mean, it is nice when a complete song just hits you all at once. But, that seldom happens when playing in a group. I would be lucky if I found a really good drummer that I found a good groove with. Maybe composing alone will help me write more easily. I have plenty of raw material that I can draw from.