Tank Girl

Last year was the 30th anniversary of the British comic book Tank Girl. There wasn’t much mention of it in the press, that I remember. It is a classic cult comic. So, why not? Admittedly, the 1995 movie stunk.

It only made $6 million against a $25 million budget. That is an apt metaphor for the post-Nirvanamania alternative craze of the 1990’s. Mega-corporations foolishly believed that they could reproduce “the next Nirvana” by slapping “grunge” or “alternative” on everything. They bought up hundreds of independent labels and signed artists left and right, regardless of any talent or experience they may possess. It doesn’t work like that. Mostly, they failed spectacularly.

But, nonetheless, I liked the idea of adapting this comic into a movie. Comic book movies are HUGE now, compared to the 1990’s. Can’t somebody else give it ago? Hey Hollywood, throw some money my way! I’ll do it!

One thing that I actually LIKED about the original movie was the animated sequences. So, firstly, animate the entire thing. Co-creator Jamie Hewlett went on to form the virtual band Gorillaz. It would be a natural fit for him to direct. And don’t wimp out with a PG version. Go for a solid R-rating. It could be badass as Heavy Metal (1981).

Second, it needs better casting. Lori Petty? Blecchh! Stay true to the source material and get an Australian cast. This takes place in a post-apocalyptic Australia. Maybe include a few Brits or Americans in certain roles. But, c’mon, Ice-T as a kangaroo? Are you shitting me? Eddie Izzard plays a great villain. Get him. I kinda liked that the fascist water company ruled everything in the original. Keep that. Put Eddie in charge. Make him a middle management Darth Vader for a multi-national monopoly.

The original soundtrack had a few good tunes. I could see staying with that sort of tone; punk rock, hip-hop, metal, indie pop, etc. Courtney Love chose songs for the original. Get Quentin Tarantino’s music supervisor to do the reboot.

If Hollywood insists on bombarding us with reboots, don’t ruin perfectly good movies PLEASE! Reboot movies that had a good premise, but were shit produced, and fix them. There is no shortage of them. Comic book movies are BIG now. So, it isn’t even much of a gamble anymore. I bet that any independent studio could do a decent job of it with a small budget. Jamie Hewlett’s success with the Gorillaz could almost guarantee a bigger budget with a few well-known actors. Someone make this happen!

2019… So Far, So Good… I Guess.

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Almost done…………………….

Time still flies when you aren’t having any fun. I am absolutely certain that time speeds up as you age. That is why old people wear clothes that are out of style. It was still in fashion just a minute ago, for them.

I was planning to include a vlog today, since vlogging is meant to be half of these posts. But, honestly, I don’t have anything worth videotaping right now. I also don’t have any new paintings to show.

2019 is speeding by, just like the past few years have. WTF is wrong with me? Besides the usual shit? Things actually are going pretty okay right now. I had a few rough months between December and February. That mess is finally settled, notwithstanding my growing piles of debt.

I have a list of folks waiting for Theee Urban SpaceCat cassette-zine. I have been digging through stacks of demo tapes and gigabytes of incomplete data trying to finish it. I have enough material already done for a complete issue or two… or three. But, I have spread it out over several zines. I didn’t like the way it was when I compiled it all together. So, I am filling each issue, finishing each song, one-at-a-time. A friend suggested that I do this to get myself focused, instead of hopping all over the place like I usually do. Get one thing done. Then, move on to the next thing. This approach seems to be pushing the process along, I suppose. Creating the equivalent of two double albums every few months is kinda hard when doing it all alone and you keep shooting yourself in the foot. Everything is absurdly late getting it out.

I asked around about getting my mixes mastered. But, I cannot afford to do it, not entire albums anyway. I might have one or two singles mastered for radio… maybe. The rest will just have to be a raw mix.

I am waiting for the government to process some of my tax shit, so I can finish setting up the business side of things. They’re still catching up from the Trumptard shutdown a few weeks ago. It has delayed everything. I’m never happy dealing with that sort of stuff. But, I anxiously want to get it done and out of the way.

Here is a Daniel Johnston song from my record collection for you. I get the same feeling myself sometimes. I am always starting my life over again… and again… and again… and again….

Choose Your Destiny (or It Will Be Chosen For You)

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Pickle Rick is BADASSSSSS!

Making mistakes are inevitable. You learn what you can from them and try not to make the same ones twice. But, as I’ve been told, I “never know when to quit.” I guess there are upsides and downsides to that. I’m persistent.

I’ve always hated the business side of art & music. There are some aspects that I don’t mind doing myself. But, most of it I’ve always left for someone else to handle (booking shows, collecting the door, etc.). I’m just really bad at it. But, as a club owner once told comedian / performance artist Andy Kaufman, “This is show-business. Show… Business! Show…Business! Without the business, there’s no show.” It took a very long time to beat that into my head. But, I still relied too much on others to get things done.

I’ve always known how important it is to have backup gear; strings, cords, cables, picks, etc. But, I never considered having a backup for other contingencies. A friend would set up a show for me and I’d prepare to get by at that one show. If something went wrong, though, I’d be fucked. I’ve been stood up by bandmates at booked gigs. I’ve had important pieces of equipment fail. If something CAN go wrong, it usually does.

I was, recently, reading a blog explaining the pros and cons of touring alone vs touring with a band. It got me thinking about how I can better prepare myself. I should ALWAYS have a backup plan ready for when shit goes wrong, “Always have a plan A, B, C, and D.” If an offer comes along and I don’t have a backup plan for it, then I probably shouldn’t accept it. I’m not ready. The best way to avoid this from happening is to DIY all of the work, as much as possible. If I’m bad at it, then I’ll learn how to get better. I’ve always been bad with cars, but eventually I had to learn shit or it didn’t get done…period.

If I’m setting up a show by myself, I can control the variables and take precautions. If bandmates flake out or cannot show up, I can still do it alone. If a piece of equipment fails, I can do something else instead. Whatever happens, I got this.

Part of this mindset is influenced by my “prepping hobby” or whatever you want to call it. I liked the TV show “Doomsday Preppers”, while it lasted. Sure, there were lots of nutcases on there with too much money to waste and not enough common sense. But, the general principle is a sound one, “Be prepared…for anything.” It got our grandparents through the Great Depression. The pioneers survived travelling across the wilderness because they prepared for it. Shit’s gonna happen, inevitably. What are you gonna do? Cry about it? No. If something needs to be done, get it done. No one else will do it. Think ahead, then you won’t have to worry as much.

I have repairs & replacements that need to be taken care of. But, I would like to set up a few mini-tours down the Midwest or The East Coast. Whether that is with a group or alone (or both) I’d like to somehow make that happen. If I can secure a decent-priced rental van and insurance with Roadside Assistance it would make a world of difference. Would it be a deal-breaker if I can’t? I’m not sure.

Another thing that has taken me a very long time to learn is, “If you can’t do it the way that you want to do it, find another way to do it. Then, do it anyway.” Being stubbornly perfectionist can really hold you back. I’ve had to learn that the hard way. I’ve had some great ideas which would have been fantastic to see materialize, “only if…” It’s always some details that prevented it from happening, when I could have done it in some other fashion and at least gotten SOMETHING done – instead of nothing.

This kinda goes back to my point of being more self-reliant. I’ve often needed someone around to break me out of my depression,  get me motivated, and to bounce ideas off of. If I had simply recorded & performed everything myself, all along, I could have accomplished so much more! I thought that I NEEDED other people to do things. But, I really only WANTED them. That is a big difference. It is a huge mistake to wait for anyone for anything, if you can avoid it. “Don’t wait around for help, because it isn’t coming.” Otherwise, you’ll be sitting there, forever, Waiting For Godot.

One of my favorite cartoons is “Rick & Morty.” I think that the best episode, so far, has been “Pickle Rick.” In this episode, the title character (transformed into a limbless pickle) is physically helpless, trapped down a sewer drain, but manages to save his own life through sheer ingenuity and persistence. Just like one of my other favorite TV characters, MacGyver. He could have simply despaired there at the bottom of the sewer, hopelessly crying to himself, until the rats and roaches ate his lifeless corpse. But, instead, he used his environment to escape and survive. I’m a little envious that I don’t have more positive moments like that myself. It is something to strive for, though.

pickle rick toilet
PICKLE RICK!!!

Tatsuya Yoshida, John Cage, and Boxes of Tapes

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I do not know where all of my old tapes are. Here are a few. Despite my reputation as a pack rat, I do discard and lose a lot of important things. There is still a lot here to dig through, some dating back to the 1970’s. There are more recent ones laying around from making memos to myself, quick jams, meeting up to jam with various musicians, etc.

I learned to read music in elementary school. I forgot how, though, after years of just jamming with bands who couldn’t read. Also, transcribed music never felt like an accurate representation of “music”, to me. I always visualized music in waves, shapes, and colors, like a rainbow oscilloscope!

John Cage wrote music kind of like that. I preferred how he wrote down music. It just made more sense to me than traditional transcribed music.

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Tatsuya Yoshida seems to have been influenced by Cage a lot. He even wrote a tribute song, composed in John Cage’s style. Of course Tatsuya Yoshida’s biggest influence would seem to be Christian Vander and Magma. His group, Ruins, borrows Magma‘s compositional style almost completely, adapting it to fit a drum & bass duo.

Tatsuya Yoshida
From Wikipedia, the free encyclopedia

Tatsuya Yoshida (吉田達也 Yoshida Tatsuya?) (born in Kitakami, Iwate is a Japanese musician; drummer and composer who is the only consistent member of the renowned progressive rock duo Ruins, as well as Koenji Hyakkei. He is also a member of the progressive rock trios Korekyojinn and Daimonji. Outside of his own groups, Yoshida is renowned for his tenure as drummer in the indie progressive group YBO2, a band also featuring guitarist KK Null, whom he also joins in the current line up of Zeni Geva and he has played drums in a late edition of Samla Mammas Manna. He has been cited as “[the] indisputable master drummer of the Japanese underground”.
Along with his participation in bands, he has also released several solo recordings.

I like the “cut & paste” style of composing. It offers a lot of freedom. I mean, it is nice when a complete song just hits you all at once. But, that seldom happens when playing in a group. I would be lucky if I found a really good drummer that I found a good groove with. Maybe composing alone will help me write more easily. I have plenty of raw material that I can draw from.

No Budget

Russ Meyer

I like cheepnis.

Maybe it is growing up on a steady diet of bad movies and shitty TV shows.

We would go to the drive-in back when they had double features, triple features, all nighters, etc.

When home video tapes and cable TV became a thing, my mom got us to watch some the worst movies ever made.

So bad, they’re good… and went back around to being bad again.

Some of the films used on Mystery Science Theater 3000 are Shakespeare, by comparison.

I used to stay up late and try to watch midnight movies on TV, before cable came along.

Then, there was The Ghoul and Sir Graves Ghastly for cool weekend shows.

Ed Wood, Roger Corman, Herschell Gordon Lewis, John Waters, Lloyd Kaufman, Richard Kern, Nick Zedd, Russ Meyer, it’s all good.

I Fixed My Mood Ring

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Don’t look at my ugly face.

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I Fixed My Mood Ring!

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20150930_003524 I found an extra set of strings and replaced the old ones, FINALLY! They were deader than dead. They were Beetlejuice Night of The Living Dead. I cleaned-up the crud around the pickups while I was at it, too.

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Not everything was sold by my grandmother. I still had this one PA and the cabinets from the other one. I didn’t have anywhere to store the cabs. So, I donated them to my grandmother’s church.

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Three projector screens were also left behind. That is okay. I may still use them if I can get some projectors. The big industrial monochrome projector and stand got sold. But, it was only in green color. I would prefer to get full-color replacements. Also, the industrial projector was very big and heavy, requiring a steel stand to be put into position. I need something lighter and more portable.

Super Action Kung-Fu Power Rock & Roll!

beatles toon

In the 1990’s, there were a number of bands who styled themselves as cartoonish action heroes, complete with a theatrical image and fictional backstory (GWAR, Supernova, The Aquabats, The Cocktails, The Amino Acids, Man or Astroman?).

I am not sure if this is the legacy of KISS or The Monkees.

The nice thing about these groups is that they are fun, for starters, and make additional income for the artist through merchandising. I wrote about merchandising before. Yes, there is a dark side to avoid. But, there is also potential to have a lot of fun with it. Comic book culture thrives on it. Go to any comic-con and check out the mountains of stuff available for almost any property. I cannot help that the inner geek in me likes collecting things. I blame Star Trek and record collecting for getting me started on that.

Mog Stunt Team were one of these groups, and were also close friends of mine.

I liked their music and whole schtick. But, I always felt like they put most of their energy into an image and not their music. I believed that I could write better songs, for sure. Bassist / vocalist Kenny Mugwump must have sensed this on some level, because he often asked for my opinion about stuff and wanted my input. I regret that I never asked to join their group. But, I was a bit intimidated. These were old pros with management, years of experience in a number of bands, touring, getting signed to labels, etc. I was just this weird kid who hung around a lot and helped when they needed a favor.

I kinda forgot about these sort of groups for awhile, then realized that The Aquabats were still kicking, and had their own TV show for two seasons! Christ, how did I miss THAT? I did a little research and discovered that the lead Aquabat, Christian Jacobs, was a former 1980’s child actor. He tried making a go of The Aquabats band for a couple of years in the 1990’s, unsuccessfully. In 1998 they made a failed Aquabats TV pilot with Bobcat Goldthwait. In 1999, he tried pitching Yo Gabba Gabba! to the networks instead. After belatedly appearing on the internet for a few years, it was a big success. Afterward, he was asked what his next project would be. So, he simply dusted off his VHS recording of The Aquabats! Super Show! and tried that again 15 years after it was originally made. Ta-Dah!

Anyway, I thought it might be interesting to make The Island of Misfit Noise sort of like these groups. The IOMN movie certainly shares some of the same influences. I don’t want to wear costumes onstage or anything like that. But, I think that I could create different characters that we could make toys out of and stuff like that. Sorta like The Archies or Josie and The Pussycats. That could be fun.

This abomination actually had a TV show!

As a kid growing up in the 1970’s-1980’s, I knew even then that most of the cartoons on TV were just half-hour commercials for toys. It was a little annoying, sometimes. I mean, c’mon, they made a TV show about a talking Rubik’s Cube! Really?! The Teenage Mutant Ninja Turtles were one of these shows. Literally, the show was only made so they could make toys. But, damn if it wasn’t still a good show! I think the fact that they had already developed it as a successful comic book for a few years gave them the chance to flesh out the characters more.

Anyway, I still look forward to writing songs with anyone who wants to add them into this. Not sure what will come of it. But, we will see.