The Joke’s On You!

Damn! I wish that this coronavirus pandemic were just an elaborate prank. That would have been awesome. Self-isolation hasn’t changed my life one iota. It does mean that some friends are now unemployed, bored, with nothing to do. So, they want to collaborate with me, again, playing rock and noise. At least that motivates me to get more stuff done. So, I’m actually a little happier with that aspect of this. The empty streets and parking lots are a bit of apocalyptic fantasy fulfillment for me, too, without the zombies or vampires.

I am spending some time taking stock of the progress in my various projects. It helps me to re-evaluate and refine my workflow, from time to time. The changing landscape caused by COVID-19 is a pretty good reason to plan out a new approach to everything, right now. Many venues, comic book shops, book stores, art galleries, etc. are not going to make it through the effects of this pandemic. The economy, and everything it touches, are going to be drastically transformed. The old models of doing everyday activities, of making and performing our art, are not going back to business-as-usual. The next couple of months are going to be VERY interesting.

People are stuck at home, with nothing to do. So, I hope to produce more completed work to post online. That is where the audience is going to be, for awhile. Maybe when this plague blows over we will be out playing house parties or something, until regular venues can make a comeback.

Anyway, I will share some music from my collection with you. This is Local H and Britney Spears, each doing Toxic. I have been in a Britney Spears mood lately. Dunno why.

SpaceCat Blog: Happy Late New Year!

Planet 9 Film Fest 2019 @ Ant Hall in Hamtramck, Michigan

Yeah, yeah, yeah. I’m late again. What else is new? It has been a LONG time since my last original post. I will summarize a bit.

Planet 9 Film Fest went well in October. Got to meet up with friends I haven’t seen in awhile. Saw some creative movies and great bands again.

Halloween, Thanksgiving, Christmas, and New Year’s Eve all went well. Mostly, it was dinner with family at my grandmother’s house.

Unfortunately, there was a death in my family, my great aunt. Shortly afterward, a friend of twenty years also died. I’m getting older. Everybody is dying.

There have been very few mechanical problems with my car during the past year, thank god. I’ve managed to stay on top of things like that. Thankfully, I don’t have to commute every day to a shitty job I hate, anymore, with little time or energy left to work on music & art. So, it turned out, disability was a blessing in disguise.

For me, creativity is how I keep my sanity. It is more of a compulsion than a hobby. Gotta get the demons out of my head, somehow. Trouble is, it is easier to get started than to finish anything. Distractions and mental instability are frequent problems. Then, I get upset at myself for not meeting my own self-imposed expectations and deadlines. I have to figure out how I can get out of my own way. Occasionally, I’ll try different things I’ve discovered that seem to work, temporarily, until I backslide again. This usually happens when I forget my meds and don’t get enough sleep. Then, I struggle to get back on track with everything again. It is very hard to focus when this happens. Maybe there isn’t a permanent fix to this.

I’ve had many projects partially completed for a long time now. Most of the work is already done. But, to get things finished I have had to learn (the hard way) to slow down and just do one thing at a time, instead of piling on everything at once. I’m terrible at multi-tasking.

One positive thing to come from all these delays is that I have gone back to some things I’ve done and made improvements. So, Theee Urban Spacecat #3 looks a lot better than it did before. There still isn’t enough completed music to go with it, though. Same goes for issues #4, 5, 6, and 7.

With the next cassette-zine issue being recorded, I am working on more material that I can perform live by myself. I would like to prepare my car to travel a lot in the next couple of months, play some local shows, and eventually go on a mini-tour to New York and back. I HATE booking venues, though. It is not something that I look forward to. Bottom line, I want to insure that everything goes smoothly and I, at least, don’t lose any money or kill my car in the process. If it is just me and one other person coming along, that should keep the overhead low.

I have been making some neato t-shirts & stuff. So, that has been a nice creative outlet, for me. If it can also generate a little revenue that would be pretty awesome. I had hoped that YouTube could be a viable source of income. But, all the policy and algorithm changes they’ve made makes that feel very unlikely. The FTC COPPAcolypse is approaching, too. So, many content creators may be forced out. Who knows? I’m watching to see how this fiasco plays out.

I’m just gonna keep doing what I do, in my little corner. I’ll put some of it out there somehow, eventually.

2019… So Far, So Good… I Guess.

Almost done........................
Almost done…………………….

Time still flies when you aren’t having any fun. I am absolutely certain that time speeds up as you age. That is why old people wear clothes that are out of style. It was still in fashion just a minute ago, for them.

I was planning to include a vlog today, since vlogging is meant to be half of these posts. But, honestly, I don’t have anything worth videotaping right now. I also don’t have any new paintings to show.

2019 is speeding by, just like the past few years have. WTF is wrong with me? Besides the usual shit? Things actually are going pretty okay right now. I had a few rough months between December and February. That mess is finally settled, notwithstanding my growing piles of debt.

I have a list of folks waiting for Theee Urban SpaceCat cassette-zine. I have been digging through stacks of demo tapes and gigabytes of incomplete data trying to finish it. I have enough material already done for a complete issue or two… or three. But, I have spread it out over several zines. I didn’t like the way it was when I compiled it all together. So, I am filling each issue, finishing each song, one-at-a-time. A friend suggested that I do this to get myself focused, instead of hopping all over the place like I usually do. Get one thing done. Then, move on to the next thing. This approach seems to be pushing the process along, I suppose. Creating the equivalent of two double albums every few months is kinda hard when doing it all alone and you keep shooting yourself in the foot. Everything is absurdly late getting it out.

I asked around about getting my mixes mastered. But, I cannot afford to do it, not entire albums anyway. I might have one or two singles mastered for radio… maybe. The rest will just have to be a raw mix.

I am waiting for the government to process some of my tax shit, so I can finish setting up the business side of things. They’re still catching up from the Trumptard shutdown a few weeks ago. It has delayed everything. I’m never happy dealing with that sort of stuff. But, I anxiously want to get it done and out of the way.

Here is a Daniel Johnston song from my record collection for you. I get the same feeling myself sometimes. I am always starting my life over again… and again… and again… and again….

20th Anniversary + Birthday

Happy 20th Anniversary Birthday

I forgot to mention in the video that I received a hard copy of the comic book I contributed to, finally. It is called Heartman and was written & published by David Leibe-Hart, of Tim and Eric Awesome Show, Great Job! He invited 48 artists, including myself, to illustrate his story.

David Leibe-Hart - Heartman Comic

Further information can be found here.

I’m making a long-term creative decision, a new policy:

  • Say nothing.
  • Get it done, first.
  • Talk about it, later

This was something that Thomas Edison learned, the hard way, after making promises about his new inventions that took longer than expected for him to bring to fruition. He eventually stopped doing that and just surprised people, after the fact.

Since I am often delayed by external forces (money, supplies, equipment, etc.), as well as personal issues, it makes me look bad. It looks to everyone else like all I that do is talk about what I’m “gonna do” and not actually get anything done. I can’t really blame anyone for having that perception. Since I don’t show everything that I do and I discard unfinished work. Stress exacerbates my mental health problems. That cuts into a lot of my productivity, too. Finding internal balance is a personal high priority, if I want to get out of my own way. Managing where I focus my attention, I have found, is much more important than when I schedule it. Although, having a schedule is important, too, or I wouldn’t get ANYTHING done.

Another new policy that I am implementing is:

  • No collaborations without a deadline.

I was told that this is one of my mistakes when working with others. It is too open-ended. People require deadlines to get them off of their ass, apparently. That might be true. Unless someone says something to me, I will probably work alone and take forever doing it. There is that problem with focusing, again. I am still open to collabs. Don’t get me wrong. But, I think establishing a time frame for projects would make them go along faster. I’m usually easy to schedule because I have more free time available than everybody else. We just need to work around the other commitments of interested participants.

I am figuring out how to go about collaborations, using my new policies.
I don’t want to pressure anyone too much.
Keep it fun.
But, still have a predictable process on a schedule.
So, okay, here is what I have got:

I will keep on doing what I do, alone.
I shouldn’t say any more about that.
The less the better.
When it is done, you will know.

If someone wants to work on a track with me I will set my thing aside and work on the collab, instead.
Somehow, I will turn it into something.
I will try to take no longer than a week to finish it, more or less, and return a copy of the finished mix.
You can do whatever you want with it.
The finished track will go into the next Island of Misfit Noise video or album project.
I haven’t figured out how I’m gonna do that, yet
I guess when we have enough completed material gathered, it will just go out.

What do you think?
Does it sound like a plan?

New Comic Book Available!

timanderic_cc_402_pt2-02

Hello, I received a message from David Liebe Hart, from the Tim & Eric Awesome Show Great Job! He finally raised enough funds to publish the comic book that I and others contributed to several months ago. The text is below, if you are interested.


Hello friends of David.  We are excited to announce the Kickstarter campaign for our comic book, Heartman, starring David as the superhero who, along with his sidekick Chip, must save the universe from his evil nemesis Dr. Pain.  Each of the beautiful 44 pages is illustrated by a different artist including DLH himself.  With about 5 days to go we’ve reached our goal to raise enough money to order 250 full-color, finely crafted copies for $1500.  You can order your David-signed copy now.  There are also some exclusive rewards for donating extra $.  https://www.kickstarter.com/projects/884844058/david-liebe-hart-of-tim-and-eric-in-heartman-comic

August’s west coast tour will go from San Diego CA to Bellingham WA, and will have David joined by a 3-piece space-rock band led by Mo Troper.  September-October’s tour, ranging from Las Vegas to Detroit to Boise, will feature me, Jonah, playing David’s backing music and video projection, along with support acts Chip The Black Boy and Whatever Your Heart Desires.  Details and tickets for all the shows will gradually be updated at http://ArtByLiebeHart.com/shows in the coming weeks, but at the bottom of this I’ll paste complete details for the August shows.
And your subscriber’s exclusive this month is an alternate version of the song “Martin Lawrence Show Dream” from the forthcoming David & Jad Fair album – http://hartandhartmann.com/martin%20lawrence%20show%20dream%20-%20draft2.mp3
❤ Jonah
for David Liebe Hart

LOS ANGELES CA 8/5
The Virgil, 4519 Santa Monica Blvd, $10 advance, $12 door, 8pm (7pm doors), 21+
Support: Adult Karate, Martin Martins, R. Clown
 
SAN DIEGO CA 8/6
Queen Bee’s, 3925 Ohio St, $10 advance, $12 door, 9pm (8pm doors), all ages
Support: Legion X, The Gay Agenda
 
PALM SPRINGS CA 8/7
Ace Hotel, 701 E Palm Canyon Dr, FREE, 9pm, 21+
 
SANTA CRUZ CA 8/8
Blue Lagoon, 923 Pacific Ave, $8 advance, $10 door, 9pm (8pm doors), 21+
Support: TBA
 
SAN FRANCISCO CA 8/9
Knockout, 3223 Mission St, $10 advance, $12 door, 9pm (8pm doors), 21+
Support: Chaki, Tabor Mountain, Eric Cash
 
SACRAMENTO CA 8/10
Highwater, 1910 Q St, $10 advance, $12 door, 9pm (8pm doors), 21+
Support: Skrrt, Vandalaze, Awkward Cougar, Mike Calvin, Mars Parker
 
ARCATA CA 8/11
The Miniplex @ Richard’s Goat, 401 I St, $10 advance, $12 door, 9pm, 21+
Support: Dr. Foxmeat, TBA
 
MEDFORD OR 8/12
Johnny B’s, 120 E 6th St, $10 advance, $12 door, 8pm (7pm doors), 21+
Support: Iconoplasty, The Juniper Berries, Sound Of The Skeptic
 
EUGENE OR 8/14
Secret location TBA, $8 advance, $10 door, 
Support: Steak Richardson, Turtlenecked
 
SALEM OR 8/15
The Space, 1128 Edgewater St NW, $10 advance, $12 door, 6:30pm (6pm doors), all ages
Support: Chief Crow & The Flat Earthworms, Percy Lounge, Vortex Remover
 
PORTLAND OR 8/16
Star Theater, 13 NW 6th Ave, $10 advance, $12 door, 8pm, 21+
Support: Nasalrod, Dim Wit, Tig Bitty, Jay Shingle
 
OLYMPIA WA 8/17
Le Voyeur, 404 4th Ave E, $8 advance, $10 door, 7:55pm (7:30 doors), all ages
Support: The Deceptives, Sunstang, Skrill Meadow, Bananas Foster
 
SEATTLE WA 8/18
Highline Bar, 210 Broadway E, $12 advance, $14 door, 9pm, 21+
Support: Hangry Hayrabs, Porn Bloopers
 
BELLINGHAM WA 8/19
Bellingham Alternative Library, 519 E Maple St, $10 advance, $12 door, 8:30pm (7:30 doors), all ages
Support: TBA
 
SPOKANE WA 8/20
Big Dipper, 171 S Washington St, $8 advance, $10 door, 7:30pm (7pm doors), 18+
Support: Itchy Kitty, Bandit Train, The Midnight Goats

Making Movies, For the Hell of It

horror

I don’t remember how long I have been interested in filmmaking. I’ve always loved movies, of every kind. You can combine every other artform together into it, if you are creative. I never had ambitions to be an actor, though. I fell into that by accident.

As a young child living in Detroit, I fantasized about becoming a stuntman. This could be because of the then-popularity of daredevil Evel Knievel, action films like Hooper (1978), and TV shows like The Fall Guy My favorite stuntman was the legendary Dar Robinson. His untimely death after shooting Lethal Weapon (1987) permanently put an end to that idea, for me. Though, I had become far more interested in playing music by then.

The size of a film’s budget or the skill of the actors involved were never really a big deal to me, if the script was still good. A bad actor in a great movie will still get by. But, a great actor in a bad movie is totally screwed (That philosophy can be applied to so many other things). Nonetheless, I still watch a lot of cheesy bad movies, seeking out their redeeming qualities.

I don’t remember how I got into underground independent films. It may have been through watching funky old horror, science fiction, and grindhouse movies on local UHF stations as a kid (before cable TV came along). The VHS revolution in the 1980’s also opened up a whole new universe of adventurous filmmakers, no longer restricted by studio gatekeepers. My mom would bring home all sorts of insane stuff she found at mom & pop video stores. Her taste in low-budget weird movies probably rubbed off on me a lot. I grew an increasing appreciation for DIY directors / producers making their visions a reality against all odds.

The Island of Misfit Noise has evolved from a 1990’s rock band into a 21st Century multimedia project, based around making videos and movies instead of performing live. I guess, in that way,  it shares some similarities to The Banana SplitsThe Archies, or Green Jellö. Not having a permanent band makes it an ideal vehicle to try new things out and bring in different collaborators. There is also less pressure figuring out how to do everything onstage, in front of an audience.

I have no idea how to do film distribution or anything technical. It is all learn-as-I-go. I have no budget or crew. I use whatever stuff I can get for free. Does it look like cheap crap? Probably. Will anybody ever see it? Maybe. Maybe not. But, it will get done and be out there for those who are curious. It may take awhile to finish without access to those things, though.

My short video “I Dream of SpaceCat” was a good learning experience, not just in producing content. But, also in presentation to an audience. I hope to do more.

Okie-Dokie Lokie

everything will be ok

Hi folks,

I thought I would give you some GOOD news, for a change.

My van has been returned and drives better than it did before. My aunt loaned me enough money for the tire. I think they tightened something up to stop the wheel from wobbling. It helps. But, I got an estimate for repairs to the damaged tie rod and related issues that still need fixing. I do not think I can do this by myself. It looks like more than I can handle. The van still has trouble starting up. Someone said that the teeth on the starter may be worn out. I have a new one to replace it with. I couldn’t get the old one off. It is too tight and I’m not strong enough. But, it doesn’t have as much of a transmission problem as it did before. That could just be because they added enough fluid to it, finally.

My bank account balance is not in the red for the first time in months! I think I’m finally catching up, at least a little bit.

I’ve gotten a bunch of new pen pal letters, lately. I’m looking forward to replying to all of this mail. I’ve also been mentioned by some very prominent YouTubers, lately (Wow!). Maybe I’ll get more traffic on my site.

I have found and fixed my webcam problem. It was a system glitch. Not sure yet if I will include a vlog with today’s blog. Maybe I will post one after I finish this new painting I’m working on.

Today’s song from my collection is a Nirvana cover by Flipper. Enjoy!

 

 

 

 

Happy Thanksgiving

I’ve been kinda busy lately, helping my aunt and ex-gf move. I was also not feeling well for a week or so. Then, my van broke down. I’m behind on my projects, including providing this month’s MP3 for Patrons. I’m doing my best to catch up.

I received a small batch of comics, recently, that I contributed to. It’s called Five O’Clock Shadow. This is issue #25. I’m including them with orders and donations on my Bandcamp page, while they last.

I am recording a bunch of exclusive music for my supporters on Patreon, as well as contributions to The Residents, David Liebe Hart (“Tim and Eric Awesome Show, Great Job!”), and some new collaborators who want to put a band or something together with me. Lots of stuff going on!

Issues of “Theee Urban SpaceCat” Cassette-Zine have been held back for an absurd amount of time, mostly for financial reasons. I’m always broke. Just to get them out there in some form, any form, I will be releasing the first couple of issues digitally (PDF & MP3). They may get printed physically at a later time. But, look on the bright side. At least you can download them instantly instead of waiting by your mailbox.

Another project that I’m working on is a series of paintings, each including a compact disc of unique material. I will show them for you on future videos. Plus, there is all of the other art that I’m making every day. So, perhaps good things are happening.

▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄

 

 

 

Please Share, Like, and Subscribe!!!

Send me some mail (drawings, pictures, souvenirs, letters etc.):

Mike Nobody

c/o Theee Urban SpaceCat

P.O. Box 1201

Taylor, MI 48180

USA

▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄

Follow on:

✓ Website https://mikenobody.com/

✓ Facebook https://www.facebook.com/MikeNobodyIs…

✓ Twitter https://twitter.com/MikeNobody

✓ Tumblr http://mikenobody.tumblr.com/

✓ Instagram https://www.instagram.com/mikedamnnob…

▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄

DOES MY CONTENT BRING VALUE TO YOUR LIFE?

If you want to support the channel and my other work,

you can pick up some music & merch by going to

★ Bandcamp https://mikenobody.bandcamp.com/

…become a patron

★ Patreon https://www.patreon.com/MikeNobody

…or you can make a donation:

★ PayPal https://www.paypal.me/MikeNobody

You can also support by sharing any

video you like on your social profiles.

Spread Mike Nobody far and wide!!!

Thanks,

Mike

\,,/(^_^)\,,/

Oh and if you’re a troll coming here to give me any shit…

ᶠᶸᶜᵏ♥ᵧₒᵤ

Making Something Out of Nothing

Dali mustache_zpsw9li7xxj

I’ve been drawing & painting since I could walk. My parents even tried persuading me to turn professional and go into advertising as a career. PFFFFFFFTT! Fuck that. I cannot think of a more surefire way to suck out and destroy any enjoyment from creativity than having a boss tell you what to do, and when. Furthermore, selling your soul to marketing agencies adds insult to injury.

Usually, my artwork was given to friends or destroyed and discarded. I started selling my art locally in the 1990’s. But, not really understanding how the professional art world works, I only sold items in person at music venues or record stores (wherever I happened to be). I have been reluctant about taking it any further than that.

I don’t really have a lot of room to keep anything. I rented a storage unit for about a year, until I could no longer afford it. So, if no one wants what I make, it often goes into the garbage. Maybe the rats and seagulls at the landfill can use it for a nest.

I’m finally dipping my toe into the “real” art world. I was offered to showcase some paintings. So, I figured maybe I should sell some. I have an account online at ArtPal. There isn’t much there, yet. I’m only beginning, just now. But, I will continue to put pieces up there if it interests anybody. I thought about it for a little bit and decided to do commissions, too. If it doesn’t work out, I will stop.

I made a few updates to my Patreon account rewards, since I’m doing this. Patrons can get discounts on merchandise and original artwork. Details will be listed with items as they are posted.

We will see where this goes, then.

Mike Nobody Eating A Hamburger

This is my tribute to Andy Warhol, on the 35th anniversary of his scene in the movie “66 Scenes From America” by danish filmmaker Jorgen Leth. The movie was shot in 1982 and has a total duration of 39 minutes. It consists of a series of shots (or moving postcards) that outline daily life  across the USA in the 1980’s.

Jorgen Leth did not know Warhol, but he was a bit obsessed with him so he definitely wanted to have him in his movie. Friends told Leth that he “should forget about it” and that he could never even approach Warhol.

Anyways – Leth was stubborn so when he came to New York for his movie he simply went to the “factory”, the building Warhol had rented to work at and despite all other claims simply managed to get to Warhol’s studio inside where he met Andy Warhol while he was currently working.

Leth just told Warhol about his movie and the idea of having Andy being one of the 66 scenes along with the highly “symbolic” burger. Warhol immediately liked the idea and agreed to the scene. Andy liked the scene as he said because it was such a real scene, something he would like to do.

So Andy Warhol agreed to come for filming a few days later.

Jorgen leth was a bit afraid that Warhol would not come. He had invited him to a photo studio in new York at 14th street/5th avenue that belonged to a friend of him.

Leth had his assistant buy some burgers and directly advised him to buy some in halfway neutral packaging as Leth was afraid that Warhol might reject some brands (Warhol always had an obsession with some of his favorite brands).

So Andy Warhol finally did arrive at the studio, of course along with his bodyguards, and when he saw the selection of burgers the assistant had brought he asked “Where is the McDonald’s?” and Leth – slightly in panic – was immediately like “I thought you would maybe not like to identify… “ and Warhol answered “no that is the most beautiful”. Leth offered to let his assistant quickly run to McDonald’s but Warhol refused like “No, never mind, I will take the Burger King.”

Directing the video was pretty simple. Leth said to him: “You simply have to eat this hamburger. And then after you finished, you have to eat it, after you finish you should just tell the camera, to the camera, my name is Andy Warhol, I have just eaten a hamburger. “

Leth was worried during the taking as he forgot to give Warhol a glass of water and the bottle of ketchup was brand new, so it was hard to get it out. But being a real Warhol there was only one take, one try, so Warhol pulled it through in just one take, roughly 5 minutes.

So, why a whopper from burger king?

A quote from Andy Warhol:

“What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it. “

 

▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄
───╔╗
───║║
╔══╣╚═╦══╦═╦══╗
║══╣╔╗║╔╗║╔╣║═╣
╠══║║║║╔╗║║║║═╣
╚══╩╝╚╩╝╚╩╝╚══╝
────────╔╗
────────║║
╔══╦═╗╔═╝║
║╔╗║╔╗╣╔╗║
║╔╗║║║║╚╝║
╚╝╚╩╝╚╩══╝
──────╔╗──────────╔╗
──────║║──────────║║
╔══╦╗╔╣╚═╦══╦══╦═╦╣╚═╦══╗
║══╣║║║╔╗║══╣╔═╣╔╬╣╔╗║║═╣
╠══║╚╝║╚╝╠══║╚═╣║║║╚╝║║═╣
╚══╩══╩══╩══╩══╩╝╚╩══╩══╝
Please Share, Like, and Subscribe!!!

Send me some mail (drawings, pictures, souvenirs, letters etc.):

Mike Nobody
c/o Theee Urban SpaceCat
P.O. Box 1201
Taylor, MI 48180
USA

▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄

Follow on:
✓ Website https://mikenobody.com/
✓ Facebook https://www.facebook.com/MikeNobodyIsHere
✓ Twitter https://twitter.com/MikeNobody
✓ Tumblr http://mikenobody.tumblr.com/
✓ Instagram https://www.instagram.com/mikedamnnobody/

▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄

DOES MY CONTENT BRING VALUE TO YOUR LIFE?
If you want to support the channel and my other work,
you can pick up some music & merch by going to
★ Bandcamp https://mikenobody.bandcamp.com/

…become a patron
★ Patreon https://www.patreon.com/MikeNobody

…or you can make a donation:
★ PayPal https://www.paypal.me/MikeNobody

You can also support by sharing any
video you like on your social profiles.
Spread Mike Nobody far and wide!!!

Thanks,

Mike

\,,/(^_^)\,,/

Oh and if you’re a troll coming here to give me any shit…

ᶠᶸᶜᵏ♥ᵧₒᵤ

Vlogging Update: May 2017

BIG EYES & MOUTH FIREPAINT.png

Hey y’all,

Sorry for the long absence.

My computer died.

I gave it to my aunt to work on.

She does IT work for the local school district.

Unable to fix it, she gave me another one that a school was getting rid of.

I tried to salvage what I could from the old one.

But, most of my programs and files were lost.

I’ve been searching for the missing software and restoring what I can.

My scanner/printer didn’t want to cooperate with the new computer.

I tried replacing it.

But, the replacements didn’t work either.

After a couple of days messing with it, I finally got it running.

My van has a million problems.

But, at least I got the front tire fixed that kept going flat.

I’ve replaced that tire THREE TIMES and it still kept going flat.

I thought maybe the rim was bent.

I had it looked at and they found a piece of metal lodged inside.

They patched it up.

Now, it shouldn’t be a problem anymore.

Only cost me $15 bucks (thank God)!

I tried to repay my grandmother $700 dollars I owe her.

She forgave some of it.

My ex forgave the $200 I owed her, too, since I’ve been helping her relocate and move her stuff.

Not sure how I’ll get my other debts paid.

But, I try not to get stressed out about it.

That really fucks up my creativity.

Groundhog Day

monitor

I was gonna record a vlog to go with this (including a new song!). But, I didn’t get around to it. I’ll try to get it out this weekend, maybe. I have been digging through my old practice tapes and recording new demos for a couple of months now. I am not happy with a lot of it. But, you always have to dig through a lot of shit to find anything useful. Since I haven’t put out anything in a long time, I have been contributing to other people’s projects. I was asked by Uncle Ghoulie to provide some artwork and sounds to Truth Porn MilitiaNo Budget Radio Podcast. So, that is cool. I will be getting that out soon. There have also been some zines and other things requesting my input. So, I haven’t been completely unproductive, I guess.

I’m really beginning to wonder if maybe I should just give away my notes & artwork to let someone else make my movies. At least then they would get produced SOMEHOW. Tim Burton had almost nothing to do with making Tim Burton’s The Nightmare Before Christmas, yet his name is still in the title. He just gave his old sketchbook to another director and said, “Here. Knock yourself out.” Good idea? Bad idea? I don’t know. But, it looks like if I’m gonna produce it, it will likely be a few years until it it is done. Even if I cut costs to the absolute bone and it looks like dogshit, I don’t think I can get it done.

I’m crossing my fingers and hoping that I can get Theee Urban SpaceCat finally going this month. I should have enough raw material for a few issues already. I’ve been continually painting, drawing, recording, writing, etc. It really comes down to paying for putting it out there. I’ll deal with other expenses later, if it becomes necessary.

After over a year of keeping my stuff in storage, lacking enough funds, I recently had to let go of my storage unit. I have downsized a lot of it. So, at least I can fit everything in my grandmother’s garage (between the Christmas decorations and patio furniture). She gave me a nice bookshelf that was no longer wanted. So, I finally have somewhere to keep what is left of my vinyl LPs. I was very disappointed to realize how much of my collection that I’ve sold off.

She also gave me a free pizza promotional card that she got in the mail from Domino’s Pizza. I later brought the pizza back to her house. She, my nephew Michael, and I enjoyed a large deluxe. Mmmmmm.

I gotta finish cleaning up here, soon. There is an apartment inspection coming Monday. The landlord is making sure that no bed bugs have returned. Thankfully, the place has been pest-free for a year now. As a matter of fact, it was during the bug extermination last winter that I began renting my storage unit. So, it lasted one whole year.

I just got a small loan to cover my rent problem (last month’s check bounced!). I needed to pay two month’s rent and late/returned check fees IMMEDIATELY or I would get evicted. I’m not sure how much more financial Jiu-Jitsu I can pull off before it finally catches up with me. The van has a lot of mechanical problems needing fixing. I still cannot afford to put insurance on it. I’m risking jail time for driving without it (a misdemeanor in Michigan!). I’m in debt to my eyeballs to doctors & hospitals, credit cards, collection agencies, etc.

I set up a Patreon account. Maybe, I can find a little help from some folks, to fix my money situation. It is a long shot, I guess. But, what have I got to lose? I will post music, videos, and other stuff for patrons that won’t get released anywhere else. I’ll be adding more bonuses for supporters (t-shirts, stickers, magnets, flamethrowers, meat cannons, etc.) when I have them available. Any assistance is appreciated! Thanks.

Become A Patron!

John Zorn

John Zorn BN-KF585_NYZORN_J_20150909160410

“All the various styles are organically connected to one another. I’m an additive person—the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can’t see the connections, but they are there.”~ John Zorn

Continuing in a pastiche-composition style as Frank Zappa (although neither actually invented it) avante-garde jazz composer John Zorn has always interested me, since I first heard about him in the 1980’s.

His early career in the 1970’s included playing modified duck calls into buckets of water, as well as his improvised saxophone performances.

That alone, piqued my curiosity enough as a teenager to investigate further.

“The Big Gundown”, an imaginative reworking of Ennio Morricone covers, was his first big “hit” record in 1985.

Ennio Morricone, himself, praised the album.

His later hardcore jazz groups Naked City and Painkiller really made me into a big fan.

He was also instrumental in the release of Carl Stalling’s Merry Melodies / Looney Toons  cartoon soundtrack recordings.

I am guessing that those projects are why Mr. Bungle chose him to produce their first album for Warner Bros. Records. in 1991.

I think I have to agree with Mr. Zorn’s philosophy of musical composition.

I was always an obsessive record collector.

Everything that I listened to felt interconnected on some level, even if they seemed separated on the surface.

William Shakespeare isn’t James Joyce or Dr. Seuss.

But, they all speak English.

Something like that.

 

 

Spring Has Sprung

20160328_110748

I was watching some YouTube videos lately.

I got very annoyed.

Other bands are doing stuff that I wanna do.

But, they keep beating me to it.

I hate when that shit happens.

Maybe it is just that everything has already been done to death and we keep repeating and reinterpreting what came before us.

I dunno.

I know that, financially, I am gonna be screwed for the foreseeable future.

I am robbing Peter to pay Paul for as long as I have to.

I seriously doubt that I will break even before summer begins.

I keep putting off working on and publishing the zine until I can get ahead a little.

But, that doesn’t look like it is going to happen very soon.

I may do a cheaper version, than what I had in mind, until it begins to pay for itself.

Just a thought.

I will probably raid my boxes of old tapes that I have in storage and dig around for some incomplete material to finish.

I have a lot of it, going back nearly forty years.

Since I have been tinkering with the analogue multi-track machine, maybe I will include some fresher stuff with it, too.

I dunno.

A guitarist whom I have not played with in years contacted me and is eager to jam again.

So, maybe he can give me a morale boost and help me get my shit done.

Maybe.

I am always willing to jam with other people if they are interested.

I need to find somewhere that I can paint and make loud noises too.

Maybe somebody can help me with that.

Bombs Away!

Valentine’s Day

Timmy Vulgar

Timmy Vulgar ca-f-humaneye

Life is funny sometimes. It lands some odd coincidences in my lap a lot, it seems.

I had never listened to The Clone Defects, although they have been around the Detroit scene for a number of years. I did not know that guitarist / vocalist Timmy Vulgar was also in a bunch of other local groups. He has been around the block as much as I have (and then some). I also did not know that he & I had met before, when he was in his first band The Epileptix. I still have their debut 7″ EP that I purchased from him. We talked about the band Chrome and guitarist Helios Creed a little bit. That is all that I remember from our encounter.

Anyway, I got an invitation on Facebook to see his most recent band Timmy’s Organism play at the UFO Factory next month. I did a little research, and dang! This is my kinda guy. Mostly, he plays a kind of psychedelic punk and employs the style of low budget freakishness that I am known for. If he ever needs a bassist, or wants to collaborate, I think I am up for it… if he is.

Timmy Vulgar tim

Tatsuya Yoshida, John Cage, and Boxes of Tapes

20151003_230249

I do not know where all of my old tapes are. Here are a few. Despite my reputation as a pack rat, I do discard and lose a lot of important things. There is still a lot here to dig through, some dating back to the 1970’s. There are more recent ones laying around from making memos to myself, quick jams, meeting up to jam with various musicians, etc.

I learned to read music in elementary school. I forgot how, though, after years of just jamming with bands who couldn’t read. Also, transcribed music never felt like an accurate representation of “music”, to me. I always visualized music in waves, shapes, and colors, like a rainbow oscilloscope!

John Cage wrote music kind of like that. I preferred how he wrote down music. It just made more sense to me than traditional transcribed music.

john cage 56john cage bild

Tatsuya Yoshida seems to have been influenced by Cage a lot. He even wrote a tribute song, composed in John Cage’s style. Of course Tatsuya Yoshida’s biggest influence would seem to be Christian Vander and Magma. His group, Ruins, borrows Magma‘s compositional style almost completely, adapting it to fit a drum & bass duo.

Tatsuya Yoshida
From Wikipedia, the free encyclopedia

Tatsuya Yoshida (吉田達也 Yoshida Tatsuya?) (born in Kitakami, Iwate is a Japanese musician; drummer and composer who is the only consistent member of the renowned progressive rock duo Ruins, as well as Koenji Hyakkei. He is also a member of the progressive rock trios Korekyojinn and Daimonji. Outside of his own groups, Yoshida is renowned for his tenure as drummer in the indie progressive group YBO2, a band also featuring guitarist KK Null, whom he also joins in the current line up of Zeni Geva and he has played drums in a late edition of Samla Mammas Manna. He has been cited as “[the] indisputable master drummer of the Japanese underground”.
Along with his participation in bands, he has also released several solo recordings.

I like the “cut & paste” style of composing. It offers a lot of freedom. I mean, it is nice when a complete song just hits you all at once. But, that seldom happens when playing in a group. I would be lucky if I found a really good drummer that I found a good groove with. Maybe composing alone will help me write more easily. I have plenty of raw material that I can draw from.

Mike Damn Nobody Returns!

Lightning Bolt Mindflayer Mindflayer-Earthunder-1

I think that, until I get some songs completed, I will accept new offers for gigs… performing improvised noise as Mike Damn Nobody again.

If I can get a new ShitKit started on, I will use it for percussion while I add other noises.

Max Grean (Uncle Ghoulie) said that he would help me to acquire an old gas tank from someone in Clarkston.

If I can get that, it will help me a lot.

I may do something akin to Black Pus (drums + vocals + noise), but perhaps more chaotic.

No Budget

Russ Meyer

I like cheepnis.

Maybe it is growing up on a steady diet of bad movies and shitty TV shows.

We would go to the drive-in back when they had double features, triple features, all nighters, etc.

When home video tapes and cable TV became a thing, my mom got us to watch some the worst movies ever made.

So bad, they’re good… and went back around to being bad again.

Some of the films used on Mystery Science Theater 3000 are Shakespeare, by comparison.

I used to stay up late and try to watch midnight movies on TV, before cable came along.

Then, there was The Ghoul and Sir Graves Ghastly for cool weekend shows.

Ed Wood, Roger Corman, Herschell Gordon Lewis, John Waters, Lloyd Kaufman, Richard Kern, Nick Zedd, Russ Meyer, it’s all good.

Super Action Kung-Fu Power Rock & Roll!

beatles toon

In the 1990’s, there were a number of bands who styled themselves as cartoonish action heroes, complete with a theatrical image and fictional backstory (GWAR, Supernova, The Aquabats, The Cocktails, The Amino Acids, Man or Astroman?).

I am not sure if this is the legacy of KISS or The Monkees.

The nice thing about these groups is that they are fun, for starters, and make additional income for the artist through merchandising. I wrote about merchandising before. Yes, there is a dark side to avoid. But, there is also potential to have a lot of fun with it. Comic book culture thrives on it. Go to any comic-con and check out the mountains of stuff available for almost any property. I cannot help that the inner geek in me likes collecting things. I blame Star Trek and record collecting for getting me started on that.

Mog Stunt Team were one of these groups, and were also close friends of mine.

I liked their music and whole schtick. But, I always felt like they put most of their energy into an image and not their music. I believed that I could write better songs, for sure. Bassist / vocalist Kenny Mugwump must have sensed this on some level, because he often asked for my opinion about stuff and wanted my input. I regret that I never asked to join their group. But, I was a bit intimidated. These were old pros with management, years of experience in a number of bands, touring, getting signed to labels, etc. I was just this weird kid who hung around a lot and helped when they needed a favor.

I kinda forgot about these sort of groups for awhile, then realized that The Aquabats were still kicking, and had their own TV show for two seasons! Christ, how did I miss THAT? I did a little research and discovered that the lead Aquabat, Christian Jacobs, was a former 1980’s child actor. He tried making a go of The Aquabats band for a couple of years in the 1990’s, unsuccessfully. In 1998 they made a failed Aquabats TV pilot with Bobcat Goldthwait. In 1999, he tried pitching Yo Gabba Gabba! to the networks instead. After belatedly appearing on the internet for a few years, it was a big success. Afterward, he was asked what his next project would be. So, he simply dusted off his VHS recording of The Aquabats! Super Show! and tried that again 15 years after it was originally made. Ta-Dah!

Anyway, I thought it might be interesting to make The Island of Misfit Noise sort of like these groups. The IOMN movie certainly shares some of the same influences. I don’t want to wear costumes onstage or anything like that. But, I think that I could create different characters that we could make toys out of and stuff like that. Sorta like The Archies or Josie and The Pussycats. That could be fun.

This abomination actually had a TV show!

As a kid growing up in the 1970’s-1980’s, I knew even then that most of the cartoons on TV were just half-hour commercials for toys. It was a little annoying, sometimes. I mean, c’mon, they made a TV show about a talking Rubik’s Cube! Really?! The Teenage Mutant Ninja Turtles were one of these shows. Literally, the show was only made so they could make toys. But, damn if it wasn’t still a good show! I think the fact that they had already developed it as a successful comic book for a few years gave them the chance to flesh out the characters more.

Anyway, I still look forward to writing songs with anyone who wants to add them into this. Not sure what will come of it. But, we will see.

Jobless Zine Tapes

FUN

I applied for another job again, Value World (aka Value Village).

Not sure if it will do any good.

They were the only place that required applicants to apply in person, instead of online like everywhere else.

I later walked to the store for pop & bread and actually did some housecleaning today, too.

Wow!

I’m on a roll.

♛ ★★★★★★★★★☆★☆★☆★☆☆★☆★☆★☆★☆★☆★★★★★★★★★ ♛

I am feeling kinda brave and pulled the Roland workstation out… seeing if I could operate it at all.

I may dig through some boxes of old tapes and see if there is anything that I wanna work on again.

I may lift some material directly from them for the zine.

Maybe.

I am thinking that I will just keep accumulating material as I go along.

Then, when I have enough cash to publish I will put a new issue out, hopefully every three to four months.

It would be easier if I had some extra income for this.

But, I am working with what I have for now.

Thee Urban SpaceCat CassetteZine may be printed by a company that did Death Cat comics, Ka-Blam is their name I think.

It seems like they work in all sorts of volumes with good quality.

The tapes may be recorded, mixed, mastered, and dubbed totally DIY, though.

I am undecided if I want to get them made at a duplicating plant or just dub them myself.

I guess it depends what the demand is for them.

If I get too many orders I will have to go with the duplicating plant.

I am making a distinction between the CassetteZine and the RecycleTapes, though.

The CassetteZine will use fresh normal bias cassettes, probably Sony.

They seem to be the most readily available.

RecycleTapes are hard copy recordings of Mike Damn Nobody’s noise albums, dubbed on reused tapes and re-labelled by me.

I may have to create new artwork for the older titles.

I cannot find the originals.

I was thinking of when I want to take my recordings into a legitimate studio.

Money is a factor, of course.

But, when I am ready, I am thinking that I may only release vinyl singles and EPs like that for awhile.

If they do well, I can compile them onto CDs later.

The Weirdos are an LA punk band from way-y-y back.

They released only vinyl singles for twenty years before they put out their first full-length album.

“Weird Al” Yankovic says that he will no longer release full length albums.

He is only doing singles now.

It seems like that is the direction that the music industry will be going, eventually.

I haven’t been in a record store for years.

So, it is a little tough for me to gauge.

♛ ★★★★★★★★★☆★☆★☆★☆☆★☆★☆★☆★☆★☆★★★★★★★★★ ♛

I am probably gonna upgrade my my video capture software and get a chromakey program added to it.

I need to get a green screen or some fluorescent green paint.

I have a few leftover projector screens that I could paint if I had something for fabric, that wouldn’t crack and peel off.

Hello!

“All the various styles are organically connected to one another. I’m an additive person—the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can’t see the connections, but they are there.” ~ John Zorn

“Cute, cool, and creepy”, is how I have been described by some folks.

Usually, I am classified by my contemporaries as an outsider artist-musician.

Davin Brainard (time Stereo) and Warren DeFever (His Name Is Alive) observed that I do not intentionally TRY to be perceived as weird, that I just naturally AM….. making comparisons to Wesley Willis and Daniel Johnston. I guess that I will just go along with those descriptions.

Outsider Artist / Musician;

  • Music, Art, and Zines
  • Videos, Movies, and Multi-Media
  • Voice, Tapes, and Noise
  • Bass, Baritone, and other Guitars
  • Keyboards, Computers, and Custom Instruments
  • Plunderphonics, Electronics and Junk Percussion

I enjoy creating what I refer to as “Prog-Punk Noise-Rock”, a strange pastiche of styles tied together. I have collaborated with plenty of other artists over the years with wide degrees of proficiency in many genres.

I have been obsessively into art and music my whole life; drawing, painting, playing with tape recorders and making noise. I built my first guitar from a badly beaten-up body & neck that I found in someone’s trash. A friend’s dad gave me the electrical guts from an unknown 1950’s guitar. Additional parts were improvised from pieces of found junk and purchased from a music store.

When I was a twelve year old kid, back in the 1980’s, I was just a runt of the Detroit hardcore punk / heavy metal scene . Lacking enough money to buy any good equipment, I purchased a cheap microphone at a pawn shop, built a homemade mic stand, and passed myself off as a vocalist. I sang in whatever groups that I could find, gaining experience and learning whatever that I could. Mostly, it was shitty cover bands, playing in basements, getting yelled at by uninvited drunks that we suck. Eventually, I improved my bass & guitar skills, playing in many short-lived groups that went nowhere.

I was a writer / photographer for The Jam Rag, a widely-read local music paper, while still a teenager and made friends with other artists along the way. During the 1990’s I was a cameraman, roadie, and occasional collaborator with Princess Dragon-Mom, Mog Stunt Team, His Name Is Alive, etc.. I also performed in a few experimental noise groups; Bionics, Edible Audio, Fresh Farm Raised Catfish, etc.

The Island of Misfit Noise began in the summer of 1998 with only Mystic MarshaKat and myself. She played keyboards & guitar (classically trained) and I played bass & guitar (mostly self-taught). Both of us were former members of N2-Submission, the backing band for our then-roommate The Impaler “Detroit’s Vampire Poet.” Our duo’s name changed a couple of times, before settling on the IOMN.  Other musicians came and went during a period of 15 years, with she & I being the only constant members of the group. She also left in early 2013. MarshaKat and I remain friends. She may continue to assist in some capacity, just not as a full-time band member.

I resurrected the IOMN as a recording project in late 2014, with collaborators from Michigan to Australia. We exchanged material back-and-forth until some music was completed. The style that we made is very freeform. A few collaborators from the IOMN have joined me in other projects. Some of them have experience in film & television and are producing low-budget movies with me.

MickeyBugsBand_1

♛ ★ ★ ★ ★ ★ ★ ☆ Prog ☆ Punk 🐱 Noise ☆ Rock ☆ ★ ★ ★ ★ ★ ★ ♛

Some of my current projects;

  • Island of Misfit Noise is an ongoing multimedia project, begun in 1998 as a musical group, with a constantly rotating membership. It has since expanded into no-budget film-making, music videos, and a series of comics. I will continue to add material to this as I go along, with additional collaborators. Live performances are very unlikely.
  • Theee Urban SpaceCat (Cassette-Zine) is a publication of my artwork, ramblings, stories, correspondences, miscellaneous found objects, music, commentary, and anything else packaged with a cassette tape of my recordings (compact disc optional)… whatever they may be. It is an outlet for all of my artistic endeavors, combined into one package, modeled after decades of correspondence with my friends.
  • Mike Damn Nobody is my experimental noise project; incorporating tape loops, circuit-bending, custom instruments, and anything else available. Live events have a more chaotic theatrical presentation than my other projects. Recordings are available on RecycleTapes (cassettes handmade from re-purposed materials) and digital download formats.
  • Mike Nobody is just me, by myself, performing somewhere with my crazy setup as a one-man-band. I’ll make that work, somehow, for now.
  • MykNobody is an alternate spelling sometimes used when I’m painting.

This post was a little long, containing influences, gear, personal info, etc.. It has been relocated to About / FAQ / PressDetails.

Subscribe to this blog and I will show & tell you more about the past, present, and future. If you want to check out upcoming events or new stuff available, and get some freebies, add yourself onto the mailing list in the sidebar. There are also fundraising links there for anybody who wants to support my creative efforts. More rewards are available for my Patrons.

Thanks!

Mike Nobody =^.^=

Run A Free BitTorrent Tracker On Google!

by Ernesto on September 10, 2009
With both the Pirate Bay and OpenBitTorrent trackers down at the moment, many people are unable to download torrents unless they enable DHT. Luckily there are a few backup trackers that people can use, and thanks to Google’s free App Engine, everyone can setup a tracker of their own in a few minutes.

In their defense, operators of BitTorrent sites often argue that they do nothing more than Google does. They offer a search platform for people to find content on the web, specifically torrent files. To a certain extent they are right, Google can be used to find torrent files in several ways.

For example, the mother of all search engines has a special search command that allows you to find torrent files scattered across the Internet.

Google’s custom search also allows everyone to create their own torrent search engine, and Google’s App Engine enables users to start a free torrent search engine for free by using Google’s servers.

It is quite clear that there are several ways to find torrents through Google. However, just finding torrents is not enough. In order to download content through BitTorrent successfully, one also needs a working tracker in order to locate those all-important peers. Luckily Google can help here too.

By using Google’s App Engine, everyone can run a tracker without having to invest a single dime in hardware or bandwidth. The only problem is making the tracker compatible with the App Engine, but thanks to the newly released Atrack software it is a piece of cake to set one up.

The Atrack Bittorrent tracker is designed to run on Google App Engine and its main goals are a minimal memory use, speed, low bandwidth usage and efficient CPU use. On top of this the tracker wont store any data at all, making it as secure as possible for its users.

“Atrack also aims to respect your privacy: other than what is needed for the most basic tracking, Atrack gathers no information whatsoever. Beyond that no aggregate statistics are kept of anything, and nothing is stored permanently anywhere, not even hashes and ip/ports,” the Atrack team writes.

So now everyone can set up a standalone BitTorrent tracker at no cost aside from the the time it takes to set things up. The Atrack software is released into the public domain, and a test tracker is up and running on Google’s App Engine.


Digg!

Financial Advice From Trekkie Monster



TREKKIE MONSTER:What you say?
BRIAN:
Kate wants to open a school for Monsters.
TREKKIE MONSTER:
School for Monsters? Me never hear of that!
(sung)
School for Monsters!
School for lonely little Monsters!
When me little,
going to school,
other children
think me not cool,
poking and pulling
at me fur…
Now me have therapist,
and work on this with her.
But me no need me therapy
if Monster School a reality!
(spoken)
Here! Me give you ten million dollars!
PRINCETON:
Trekkie! Where did you get all that money?!
TREKKIE MONSTER:
In volatile market, only stable investment is porn!


Digg!