The Joke’s On You!

Damn! I wish that this coronavirus pandemic were just an elaborate prank. That would have been awesome. Self-isolation hasn’t changed my life one iota. It does mean that some friends are now unemployed, bored, with nothing to do. So, they want to collaborate with me, again, playing rock and noise. At least that motivates me to get more stuff done. So, I’m actually a little happier with that aspect of this. The empty streets and parking lots are a bit of apocalyptic fantasy fulfillment for me, too, without the zombies or vampires.

I am spending some time taking stock of the progress in my various projects. It helps me to re-evaluate and refine my workflow, from time to time. The changing landscape caused by COVID-19 is a pretty good reason to plan out a new approach to everything, right now. Many venues, comic book shops, book stores, art galleries, etc. are not going to make it through the effects of this pandemic. The economy, and everything it touches, are going to be drastically transformed. The old models of doing everyday activities, of making and performing our art, are not going back to business-as-usual. The next couple of months are going to be VERY interesting.

People are stuck at home, with nothing to do. So, I hope to produce more completed work to post online. That is where the audience is going to be, for awhile. Maybe when this plague blows over we will be out playing house parties or something, until regular venues can make a comeback.

Anyway, I will share some music from my collection with you. This is Local H and Britney Spears, each doing Toxic. I have been in a Britney Spears mood lately. Dunno why.

SpaceCat Blog: Happy Late New Year!

Planet 9 Film Fest 2019 @ Ant Hall in Hamtramck, Michigan

Yeah, yeah, yeah. I’m late again. What else is new? It has been a LONG time since my last original post. I will summarize a bit.

Planet 9 Film Fest went well in October. Got to meet up with friends I haven’t seen in awhile. Saw some creative movies and great bands again.

Halloween, Thanksgiving, Christmas, and New Year’s Eve all went well. Mostly, it was dinner with family at my grandmother’s house.

Unfortunately, there was a death in my family, my great aunt. Shortly afterward, a friend of twenty years also died. I’m getting older. Everybody is dying.

There have been very few mechanical problems with my car during the past year, thank god. I’ve managed to stay on top of things like that. Thankfully, I don’t have to commute every day to a shitty job I hate, anymore, with little time or energy left to work on music & art. So, it turned out, disability was a blessing in disguise.

For me, creativity is how I keep my sanity. It is more of a compulsion than a hobby. Gotta get the demons out of my head, somehow. Trouble is, it is easier to get started than to finish anything. Distractions and mental instability are frequent problems. Then, I get upset at myself for not meeting my own self-imposed expectations and deadlines. I have to figure out how I can get out of my own way. Occasionally, I’ll try different things I’ve discovered that seem to work, temporarily, until I backslide again. This usually happens when I forget my meds and don’t get enough sleep. Then, I struggle to get back on track with everything again. It is very hard to focus when this happens. Maybe there isn’t a permanent fix to this.

I’ve had many projects partially completed for a long time now. Most of the work is already done. But, to get things finished I have had to learn (the hard way) to slow down and just do one thing at a time, instead of piling on everything at once. I’m terrible at multi-tasking.

One positive thing to come from all these delays is that I have gone back to some things I’ve done and made improvements. So, Theee Urban Spacecat #3 looks a lot better than it did before. There still isn’t enough completed music to go with it, though. Same goes for issues #4, 5, 6, and 7.

With the next cassette-zine issue being recorded, I am working on more material that I can perform live by myself. I would like to prepare my car to travel a lot in the next couple of months, play some local shows, and eventually go on a mini-tour to New York and back. I HATE booking venues, though. It is not something that I look forward to. Bottom line, I want to insure that everything goes smoothly and I, at least, don’t lose any money or kill my car in the process. If it is just me and one other person coming along, that should keep the overhead low.

I have been making some neato t-shirts & stuff. So, that has been a nice creative outlet, for me. If it can also generate a little revenue that would be pretty awesome. I had hoped that YouTube could be a viable source of income. But, all the policy and algorithm changes they’ve made makes that feel very unlikely. The FTC COPPAcolypse is approaching, too. So, many content creators may be forced out. Who knows? I’m watching to see how this fiasco plays out.

I’m just gonna keep doing what I do, in my little corner. I’ll put some of it out there somehow, eventually.

2019… So Far, So Good… I Guess.

Almost done........................
Almost done…………………….

Time still flies when you aren’t having any fun. I am absolutely certain that time speeds up as you age. That is why old people wear clothes that are out of style. It was still in fashion just a minute ago, for them.

I was planning to include a vlog today, since vlogging is meant to be half of these posts. But, honestly, I don’t have anything worth videotaping right now. I also don’t have any new paintings to show.

2019 is speeding by, just like the past few years have. WTF is wrong with me? Besides the usual shit? Things actually are going pretty okay right now. I had a few rough months between December and February. That mess is finally settled, notwithstanding my growing piles of debt.

I have a list of folks waiting for Theee Urban SpaceCat cassette-zine. I have been digging through stacks of demo tapes and gigabytes of incomplete data trying to finish it. I have enough material already done for a complete issue or two… or three. But, I have spread it out over several zines. I didn’t like the way it was when I compiled it all together. So, I am filling each issue, finishing each song, one-at-a-time. A friend suggested that I do this to get myself focused, instead of hopping all over the place like I usually do. Get one thing done. Then, move on to the next thing. This approach seems to be pushing the process along, I suppose. Creating the equivalent of two double albums every few months is kinda hard when doing it all alone and you keep shooting yourself in the foot. Everything is absurdly late getting it out.

I asked around about getting my mixes mastered. But, I cannot afford to do it, not entire albums anyway. I might have one or two singles mastered for radio… maybe. The rest will just have to be a raw mix.

I am waiting for the government to process some of my tax shit, so I can finish setting up the business side of things. They’re still catching up from the Trumptard shutdown a few weeks ago. It has delayed everything. I’m never happy dealing with that sort of stuff. But, I anxiously want to get it done and out of the way.

Here is a Daniel Johnston song from my record collection for you. I get the same feeling myself sometimes. I am always starting my life over again… and again… and again… and again….

20th Anniversary + Birthday

Happy 20th Anniversary Birthday

I forgot to mention in the video that I received a hard copy of the comic book I contributed to, finally. It is called Heartman and was written & published by David Leibe-Hart, of Tim and Eric Awesome Show, Great Job! He invited 48 artists, including myself, to illustrate his story.

David Leibe-Hart - Heartman Comic

Further information can be found here.

I’m making a long-term creative decision, a new policy:

  • Say nothing.
  • Get it done, first.
  • Talk about it, later

This was something that Thomas Edison learned, the hard way, after making promises about his new inventions that took longer than expected for him to bring to fruition. He eventually stopped doing that and just surprised people, after the fact.

Since I am often delayed by external forces (money, supplies, equipment, etc.), as well as personal issues, it makes me look bad. It looks to everyone else like all I that do is talk about what I’m “gonna do” and not actually get anything done. I can’t really blame anyone for having that perception. Since I don’t show everything that I do and I discard unfinished work. Stress exacerbates my mental health problems. That cuts into a lot of my productivity, too. Finding internal balance is a personal high priority, if I want to get out of my own way. Managing where I focus my attention, I have found, is much more important than when I schedule it. Although, having a schedule is important, too, or I wouldn’t get ANYTHING done.

Another new policy that I am implementing is:

  • No collaborations without a deadline.

I was told that this is one of my mistakes when working with others. It is too open-ended. People require deadlines to get them off of their ass, apparently. That might be true. Unless someone says something to me, I will probably work alone and take forever doing it. There is that problem with focusing, again. I am still open to collabs. Don’t get me wrong. But, I think establishing a time frame for projects would make them go along faster. I’m usually easy to schedule because I have more free time available than everybody else. We just need to work around the other commitments of interested participants.

I am figuring out how to go about collaborations, using my new policies.
I don’t want to pressure anyone too much.
Keep it fun.
But, still have a predictable process on a schedule.
So, okay, here is what I have got:

I will keep on doing what I do, alone.
I shouldn’t say any more about that.
The less the better.
When it is done, you will know.

If someone wants to work on a track with me I will set my thing aside and work on the collab, instead.
Somehow, I will turn it into something.
I will try to take no longer than a week to finish it, more or less, and return a copy of the finished mix.
You can do whatever you want with it.
The finished track will go into the next Island of Misfit Noise video or album project.
I haven’t figured out how I’m gonna do that, yet
I guess when we have enough completed material gathered, it will just go out.

What do you think?
Does it sound like a plan?

New Comic Book Available!

timanderic_cc_402_pt2-02

Hello, I received a message from David Liebe Hart, from the Tim & Eric Awesome Show Great Job! He finally raised enough funds to publish the comic book that I and others contributed to several months ago. The text is below, if you are interested.


Hello friends of David.  We are excited to announce the Kickstarter campaign for our comic book, Heartman, starring David as the superhero who, along with his sidekick Chip, must save the universe from his evil nemesis Dr. Pain.  Each of the beautiful 44 pages is illustrated by a different artist including DLH himself.  With about 5 days to go we’ve reached our goal to raise enough money to order 250 full-color, finely crafted copies for $1500.  You can order your David-signed copy now.  There are also some exclusive rewards for donating extra $.  https://www.kickstarter.com/projects/884844058/david-liebe-hart-of-tim-and-eric-in-heartman-comic

August’s west coast tour will go from San Diego CA to Bellingham WA, and will have David joined by a 3-piece space-rock band led by Mo Troper.  September-October’s tour, ranging from Las Vegas to Detroit to Boise, will feature me, Jonah, playing David’s backing music and video projection, along with support acts Chip The Black Boy and Whatever Your Heart Desires.  Details and tickets for all the shows will gradually be updated at http://ArtByLiebeHart.com/shows in the coming weeks, but at the bottom of this I’ll paste complete details for the August shows.
And your subscriber’s exclusive this month is an alternate version of the song “Martin Lawrence Show Dream” from the forthcoming David & Jad Fair album – http://hartandhartmann.com/martin%20lawrence%20show%20dream%20-%20draft2.mp3
❤ Jonah
for David Liebe Hart

LOS ANGELES CA 8/5
The Virgil, 4519 Santa Monica Blvd, $10 advance, $12 door, 8pm (7pm doors), 21+
Support: Adult Karate, Martin Martins, R. Clown
 
SAN DIEGO CA 8/6
Queen Bee’s, 3925 Ohio St, $10 advance, $12 door, 9pm (8pm doors), all ages
Support: Legion X, The Gay Agenda
 
PALM SPRINGS CA 8/7
Ace Hotel, 701 E Palm Canyon Dr, FREE, 9pm, 21+
 
SANTA CRUZ CA 8/8
Blue Lagoon, 923 Pacific Ave, $8 advance, $10 door, 9pm (8pm doors), 21+
Support: TBA
 
SAN FRANCISCO CA 8/9
Knockout, 3223 Mission St, $10 advance, $12 door, 9pm (8pm doors), 21+
Support: Chaki, Tabor Mountain, Eric Cash
 
SACRAMENTO CA 8/10
Highwater, 1910 Q St, $10 advance, $12 door, 9pm (8pm doors), 21+
Support: Skrrt, Vandalaze, Awkward Cougar, Mike Calvin, Mars Parker
 
ARCATA CA 8/11
The Miniplex @ Richard’s Goat, 401 I St, $10 advance, $12 door, 9pm, 21+
Support: Dr. Foxmeat, TBA
 
MEDFORD OR 8/12
Johnny B’s, 120 E 6th St, $10 advance, $12 door, 8pm (7pm doors), 21+
Support: Iconoplasty, The Juniper Berries, Sound Of The Skeptic
 
EUGENE OR 8/14
Secret location TBA, $8 advance, $10 door, 
Support: Steak Richardson, Turtlenecked
 
SALEM OR 8/15
The Space, 1128 Edgewater St NW, $10 advance, $12 door, 6:30pm (6pm doors), all ages
Support: Chief Crow & The Flat Earthworms, Percy Lounge, Vortex Remover
 
PORTLAND OR 8/16
Star Theater, 13 NW 6th Ave, $10 advance, $12 door, 8pm, 21+
Support: Nasalrod, Dim Wit, Tig Bitty, Jay Shingle
 
OLYMPIA WA 8/17
Le Voyeur, 404 4th Ave E, $8 advance, $10 door, 7:55pm (7:30 doors), all ages
Support: The Deceptives, Sunstang, Skrill Meadow, Bananas Foster
 
SEATTLE WA 8/18
Highline Bar, 210 Broadway E, $12 advance, $14 door, 9pm, 21+
Support: Hangry Hayrabs, Porn Bloopers
 
BELLINGHAM WA 8/19
Bellingham Alternative Library, 519 E Maple St, $10 advance, $12 door, 8:30pm (7:30 doors), all ages
Support: TBA
 
SPOKANE WA 8/20
Big Dipper, 171 S Washington St, $8 advance, $10 door, 7:30pm (7pm doors), 18+
Support: Itchy Kitty, Bandit Train, The Midnight Goats

Making Movies, For the Hell of It

horror

I don’t remember how long I have been interested in filmmaking. I’ve always loved movies, of every kind. You can combine every other artform together into it, if you are creative. I never had ambitions to be an actor, though. I fell into that by accident.

As a young child living in Detroit, I fantasized about becoming a stuntman. This could be because of the then-popularity of daredevil Evel Knievel, action films like Hooper (1978), and TV shows like The Fall Guy My favorite stuntman was the legendary Dar Robinson. His untimely death after shooting Lethal Weapon (1987) permanently put an end to that idea, for me. Though, I had become far more interested in playing music by then.

The size of a film’s budget or the skill of the actors involved were never really a big deal to me, if the script was still good. A bad actor in a great movie will still get by. But, a great actor in a bad movie is totally screwed (That philosophy can be applied to so many other things). Nonetheless, I still watch a lot of cheesy bad movies, seeking out their redeeming qualities.

I don’t remember how I got into underground independent films. It may have been through watching funky old horror, science fiction, and grindhouse movies on local UHF stations as a kid (before cable TV came along). The VHS revolution in the 1980’s also opened up a whole new universe of adventurous filmmakers, no longer restricted by studio gatekeepers. My mom would bring home all sorts of insane stuff she found at mom & pop video stores. Her taste in low-budget weird movies probably rubbed off on me a lot. I grew an increasing appreciation for DIY directors / producers making their visions a reality against all odds.

The Island of Misfit Noise has evolved from a 1990’s rock band into a 21st Century multimedia project, based around making videos and movies instead of performing live. I guess, in that way,  it shares some similarities to The Banana SplitsThe Archies, or Green Jellö. Not having a permanent band makes it an ideal vehicle to try new things out and bring in different collaborators. There is also less pressure figuring out how to do everything onstage, in front of an audience.

I have no idea how to do film distribution or anything technical. It is all learn-as-I-go. I have no budget or crew. I use whatever stuff I can get for free. Does it look like cheap crap? Probably. Will anybody ever see it? Maybe. Maybe not. But, it will get done and be out there for those who are curious. It may take awhile to finish without access to those things, though.

My short video “I Dream of SpaceCat” was a good learning experience, not just in producing content. But, also in presentation to an audience. I hope to do more.