This was originally intended for a compilation. But, I missed the deadline. So, I reworked it into something different, a bit longer, for an upcoming issue of “Theee Urban SpaceCat” #3 cassette-zine. I’m working on more material that I can perform live. But, this plunderphonics style track is still pretty good and I didn’t want to waste it.
Last year was the 30th anniversary of the British comic book Tank Girl. There wasn’t much mention of it in the press, that I remember. It is a classic cult comic. So, why not? Admittedly, the 1995 movie stunk.
It only made $6 million against a $25 million budget. That is an apt metaphor for the post-Nirvanamania alternative craze of the 1990’s. Mega-corporations foolishly believed that they could reproduce “the next Nirvana” by slapping “grunge” or “alternative” on everything. They bought up hundreds of independent labels and signed artists left and right, regardless of any talent or experience they may possess. It doesn’t work like that. Mostly, they failed spectacularly.
But, nonetheless, I liked the idea of adapting this comic into a movie. Comic book movies are HUGE now, compared to the 1990’s. Can’t somebody else give it ago? Hey Hollywood, throw some money my way! I’ll do it!
One thing that I actually LIKED about the original movie was the animated sequences. So, firstly, animate the entire thing. Co-creator Jamie Hewlett went on to form the virtual band Gorillaz. It would be a natural fit for him to direct. And don’t wimp out with a PG version. Go for a solid R-rating. It could be badass as Heavy Metal (1981).
Second, it needs better casting. Lori Petty? Blecchh! Stay true to the source material and get an Australian cast. This takes place in a post-apocalyptic Australia. Maybe include a few Brits or Americans in certain roles. But, c’mon, Ice-T as a kangaroo? Are you shitting me? Eddie Izzard plays a great villain. Get him. I kinda liked that the fascist water company ruled everything in the original. Keep that. Put Eddie in charge. Make him a middle management Darth Vader for a multi-national monopoly.
The original soundtrack had a few good tunes. I could see staying with that sort of tone; punk rock, hip-hop, metal, indie pop, etc. Courtney Love chose songs for the original. Get Quentin Tarantino’s music supervisor to do the reboot.
If Hollywood insists on bombarding us with reboots, don’t ruin perfectly good movies PLEASE! Reboot movies that had a good premise, but were shit produced, and fix them. There is no shortage of them. Comic book movies are BIG now. So, it isn’t even much of a gamble anymore. I bet that any independent studio could do a decent job of it with a small budget. Jamie Hewlett’s success with the Gorillaz could almost guarantee a bigger budget with a few well-known actors. Someone make this happen!
Time still flies when you aren’t having any fun. I am absolutely certain that time speeds up as you age. That is why old people wear clothes that are out of style. It was still in fashion just a minute ago, for them.
I was planning to include a vlog today, since vlogging is meant to be half of these posts. But, honestly, I don’t have anything worth videotaping right now. I also don’t have any new paintings to show.
2019 is speeding by, just like the past few years have. WTF is wrong with me? Besides the usual shit? Things actually are going pretty okay right now. I had a few rough months between December and February. That mess is finally settled, notwithstanding my growing piles of debt.
I have a list of folks waiting for Theee Urban SpaceCat cassette-zine. I have been digging through stacks of demo tapes and gigabytes of incomplete data trying to finish it. I have enough material already done for a complete issue or two… or three. But, I have spread it out over several zines. I didn’t like the way it was when I compiled it all together. So, I am filling each issue, finishing each song, one-at-a-time. A friend suggested that I do this to get myself focused, instead of hopping all over the place like I usually do. Get one thing done. Then, move on to the next thing. This approach seems to be pushing the process along, I suppose. Creating the equivalent of two double albums every few months is kinda hard when doing it all alone and you keep shooting yourself in the foot. Everything is absurdly late getting it out.
I asked around about getting my mixes mastered. But, I cannot afford to do it, not entire albums anyway. I might have one or two singles mastered for radio… maybe. The rest will just have to be a raw mix.
I am waiting for the government to process some of my tax shit, so I can finish setting up the business side of things. They’re still catching up from the Trumptard shutdown a few weeks ago. It has delayed everything. I’m never happy dealing with that sort of stuff. But, I anxiously want to get it done and out of the way.
Here is a Daniel Johnston song from my record collection for you. I get the same feeling myself sometimes. I am always starting my life over again… and again… and again… and again….
I forgot to mention in the video that I received a hard copy of the comic book I contributed to, finally. It is called Heartman and was written & published by David Leibe-Hart, of Tim and Eric Awesome Show, Great Job! He invited 48 artists, including myself, to illustrate his story.
Further information can be found here.
I’m making a long-term creative decision, a new policy:
- Say nothing.
- Get it done, first.
- Talk about it, later
This was something that Thomas Edison learned, the hard way, after making promises about his new inventions that took longer than expected for him to bring to fruition. He eventually stopped doing that and just surprised people, after the fact.
Since I am often delayed by external forces (money, supplies, equipment, etc.), as well as personal issues, it makes me look bad. It looks to everyone else like all I that do is talk about what I’m “gonna do” and not actually get anything done. I can’t really blame anyone for having that perception. Since I don’t show everything that I do and I discard unfinished work. Stress exacerbates my mental health problems. That cuts into a lot of my productivity, too. Finding internal balance is a personal high priority, if I want to get out of my own way. Managing where I focus my attention, I have found, is much more important than when I schedule it. Although, having a schedule is important, too, or I wouldn’t get ANYTHING done.
Another new policy that I am implementing is:
- No collaborations without a deadline.
I was told that this is one of my mistakes when working with others. It is too open-ended. People require deadlines to get them off of their ass, apparently. That might be true. Unless someone says something to me, I will probably work alone and take forever doing it. There is that problem with focusing, again. I am still open to collabs. Don’t get me wrong. But, I think establishing a time frame for projects would make them go along faster. I’m usually easy to schedule because I have more free time available than everybody else. We just need to work around the other commitments of interested participants.
I am figuring out how to go about collaborations, using my new policies.
I don’t want to pressure anyone too much.
Keep it fun.
But, still have a predictable process on a schedule.
So, okay, here is what I have got:
I will keep on doing what I do, alone.
I shouldn’t say any more about that.
The less the better.
When it is done, you will know.
If someone wants to work on a track with me I will set my thing aside and work on the collab, instead.
Somehow, I will turn it into something.
I will try to take no longer than a week to finish it, more or less, and return a copy of the finished mix.
You can do whatever you want with it.
The finished track will go into the next Island of Misfit Noise video or album project.
I haven’t figured out how I’m gonna do that, yet
I guess when we have enough completed material gathered, it will just go out.
What do you think?
Does it sound like a plan?
One of my biggest strengths (and weaknesses) is persistence. I have been told several times that I “don’t know when to quit.” That can be either a good thing or a bad thing, I guess, depending on the circumstances. I may have setbacks, which slow me down, change how I do things, or have to fight with my own brain, sometimes. But, I still keep trying.
A really cool drummer guy has unfriended me on FB and dropped out of our FB group. Admittedly, it is entirely my fault. I have been lost in my own headspace again, losing touch with everybody for too long. He feels like I have used and neglected him, which wasn’t my intention at all. I honestly get fixated on one thing or another and lose track of everything else. It happens to me all of the time. Does that make me a bad person or just a bad friend?
My social skills are shit and my behavior can sometimes be erratic.
So, I don’t think being in bands long-term are ever gonna work out for me.
It never does. But, the music scene is just about the only social life that I have, playing with other musicians, performing at gigs, etc. So, I guess doing short-term projects with other people is the only way I’m going to remain active in that community. I mean, I’m stubborn. I know this shit isn’t going to work out. But, I keep doing it anyway. Maybe admitting that, to myself, is the only way for me to move forward with anything.
I’ve been kinda busy lately, helping my aunt and ex-gf move. I was also not feeling well for a week or so. Then, my van broke down. I’m behind on my projects, including providing this month’s MP3 for Patrons. I’m doing my best to catch up.
I received a small batch of comics, recently, that I contributed to. It’s called Five O’Clock Shadow. This is issue #25. I’m including them with orders and donations on my Bandcamp page, while they last.
I am recording a bunch of exclusive music for my supporters on Patreon, as well as contributions to The Residents, David Liebe Hart (“Tim and Eric Awesome Show, Great Job!”), and some new collaborators who want to put a band or something together with me. Lots of stuff going on!
Issues of “Theee Urban SpaceCat” Cassette-Zine have been held back for an absurd amount of time, mostly for financial reasons. I’m always broke. Just to get them out there in some form, , I will be releasing the first couple of issues digitally (PDF & MP3). They may get printed physically at a later time. But, look on the bright side. At least you can download them instantly instead of waiting by your mailbox.
Another project that I’m working on is a series of paintings, each including a compact disc of unique material. I will show them for you on future videos. Plus, there is all of the other art that I’m making every day. So, perhaps good things are happening.
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