Making Movies, For the Hell of It

horror

I don’t remember how long I have been interested in filmmaking. I’ve always loved movies, of every kind. You can combine every other artform together into it, if you are creative. I never had ambitions to be an actor, though. I fell into that by accident.

As a young child living in Detroit, I fantasized about becoming a stuntman. This could be because of the then-popularity of daredevil Evel Knievel, action films like Hooper (1978), and TV shows like The Fall Guy My favorite stuntman was the legendary Dar Robinson. His untimely death after shooting Lethal Weapon (1987) permanently put an end to that idea, for me. Though, I had become far more interested in playing music by then.

The size of a film’s budget or the skill of the actors involved were never really a big deal to me, if the script was still good. A bad actor in a great movie will still get by. But, a great actor in a bad movie is totally screwed (That philosophy can be applied to so many other things). Nonetheless, I still watch a lot of cheesy bad movies, seeking out their redeeming qualities.

I don’t remember how I got into underground independent films. It may have been through watching funky old horror, science fiction, and grindhouse movies on local UHF stations as a kid (before cable TV came along). The VHS revolution in the 1980’s also opened up a whole new universe of adventurous filmmakers, no longer restricted by studio gatekeepers. My mom would bring home all sorts of insane stuff she found at mom & pop video stores. Her taste in low-budget weird movies probably rubbed off on me a lot. I grew an increasing appreciation for DIY directors / producers making their visions a reality against all odds.

The Island of Misfit Noise has evolved from a 1990’s rock band into a 21st Century multimedia project, based around making videos and movies instead of performing live. I guess, in that way,  it shares some similarities to The Banana SplitsThe Archies, or Green Jellö. Not having a permanent band makes it an ideal vehicle to try new things out and bring in different collaborators. There is also less pressure figuring out how to do everything onstage, in front of an audience.

I have no idea how to do film distribution or anything technical. It is all learn-as-I-go. I have no budget or crew. I use whatever stuff I can get for free. Does it look like cheap crap? Probably. Will anybody ever see it? Maybe. Maybe not. But, it will get done and be out there for those who are curious. It may take awhile to finish without access to those things, though.

My short video “I Dream of SpaceCat” was a good learning experience, not just in producing content. But, also in presentation to an audience. I hope to do more.

Happy Thanksgiving

I’ve been kinda busy lately, helping my aunt and ex-gf move. I was also not feeling well for a week or so. Then, my van broke down. I’m behind on my projects, including providing this month’s MP3 for Patrons. I’m doing my best to catch up.

I received a small batch of comics, recently, that I contributed to. It’s called Five O’Clock Shadow. This is issue #25. I’m including them with orders and donations on my Bandcamp page, while they last.

I am recording a bunch of exclusive music for my supporters on Patreon, as well as contributions to The Residents, David Liebe Hart (“Tim and Eric Awesome Show, Great Job!”), and some new collaborators who want to put a band or something together with me. Lots of stuff going on!

Issues of “Theee Urban SpaceCat” Cassette-Zine have been held back for an absurd amount of time, mostly for financial reasons. I’m always broke. Just to get them out there in some form, any form, I will be releasing the first couple of issues digitally (PDF & MP3). They may get printed physically at a later time. But, look on the bright side. At least you can download them instantly instead of waiting by your mailbox.

Another project that I’m working on is a series of paintings, each including a compact disc of unique material. I will show them for you on future videos. Plus, there is all of the other art that I’m making every day. So, perhaps good things are happening.

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Please Share, Like, and Subscribe!!!

Send me some mail (drawings, pictures, souvenirs, letters etc.):

Mike Nobody

c/o Theee Urban SpaceCat

P.O. Box 1201

Taylor, MI 48180

USA

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Follow on:

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✓ Instagram https://www.instagram.com/mikedamnnob…

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DOES MY CONTENT BRING VALUE TO YOUR LIFE?

If you want to support the channel and my other work,

you can pick up some music & merch by going to

★ Bandcamp https://mikenobody.bandcamp.com/

…become a patron

★ Patreon https://www.patreon.com/MikeNobody

…or you can make a donation:

★ PayPal https://www.paypal.me/MikeNobody

You can also support by sharing any

video you like on your social profiles.

Spread Mike Nobody far and wide!!!

Thanks,

Mike

\,,/(^_^)\,,/

Oh and if you’re a troll coming here to give me any shit…

ᶠᶸᶜᵏ♥ᵧₒᵤ

My Routine, Paintings, Records, and Halloween

 

I’d love to get any feedback from you.

When I get stuff in the mail, it also gives me fodder for making zines and things.

 

 

Blogging Painting Drawing Noise Music Schedule

 

SCHEDULE2

now o'clock

Hi.

Yo.

Hello.

Konnichiwa.

I know that I need to put myself out there more if I want to accomplish my goals. My natural inclination is avoid everybody, though.

Procrastination is another big problem of mine. I “rack disiprine.”

I try REALLY hard to do better. But, I’m my own worst enemy. I self-sabotage everything.

I have put myself on a regular schedule, of sorts, to take care of everyday things, so I don’t have to think about it much. I make myself a daily to-do list. Otherwise, I don’t think I’d get anything done. But, it isn’t foolproof. I still get sidetracked with something else a lot. I tend to fixate on something, to the exclusion of everything else, and lose track of time.

intps

I was thinking about the creative process, the thinking process. If I document it, publicly, maybe this will help to keep me motivated, creative and honest. When I write to friends or collaborate with other people I seem to get more stuff done. It helps, I guess. I might be less likely to throw everything away before I’m finished.

I’m blogging for my Patreon-supporters (the Superduper Secret SpaceCat Blog) almost every week-ish . I share things to keep it interesting.

I had a busy week or two, making a bunch of horror movie themed paintings for a show at the Phoenix Cafe’ and putting together a short movie for the Planet 9 Film Festival. Now that it’s over I’m catching up on neglected housework and van repairs.
Moving on to the next thing or so;

  • Working on issues #1-3 of “Theee Urban SpaceCat” cassette-zine. It has been held up for a ridiculous length of time already. It was always my intent to publish new issues every three or four months. But, I never have any money to do so. I’m considering just posting MP3/PDF versions online until I can get enough cash together. I have a growing backlog of material to do something with or discard.
  • Building new custom instruments, ShitKit 2.0 and miscellaneous noise machines. Everything was taking up space and had to be moved. My grandmother needs her garage back.
  • “The Island of Misfit Noise” movie might make a little more progress. The recent experience of making and showing a short film has been educational.
  • Recording new music for collaboration albums: David Liebe Hart (“Tim and Eric Awesome Show, Great Job!”) and The Residents!
  • Of course, I will continue to collaborate on other things as well. I may have found a new drummer!

I doubt if I will perform alone again for awhile. Had a bad experience a few weeks ago. Was offered another gig in two months. But, I’ll pass, just stick to recording for the time being.

I Dream of Space Cat

 

Recently, I showed my art and submitted a last-minute entry into the Planet 9 Film Fest, I Dream of SpaceCat. The festival is appearing in Detroit, Chicago, and Los Angeles. The Detroit date did not go as planned. Well, the event got relocated three times and was scheduled as a matinee. A few of the bar regulars and the filmmakers themselves showed up. But, I think that was about it. Oh well. Maybe it will get played in the other cities. I dunno.

If you were unable to see this short video in the full context of the festival, maybe you would like to see it here. I doubt that I will ever commercially release it, as-is. Maybe elements will resurface in other projects, someday. It’s possible. Admittedly, it’s not a cinema masterpiece by any measure. But, all things considered, for what it is it turned out pretty good, I think.

 

Machine Gun TV @ Gold Dollar (1997)

I saw these two perform at the Gold Dollar twenty years ago, today.
I could not find a single bit of information about them beyond their discography.
But, anyway, here is a link to their Discog page. Enjoy!

https://www.discogs.com/artist/233493-The-Machine-Gun-TV

Mike Nobody Eating A Hamburger

This is my tribute to Andy Warhol, on the 35th anniversary of his scene in the movie “66 Scenes From America” by danish filmmaker Jorgen Leth. The movie was shot in 1982 and has a total duration of 39 minutes. It consists of a series of shots (or moving postcards) that outline daily life  across the USA in the 1980’s.

Jorgen Leth did not know Warhol, but he was a bit obsessed with him so he definitely wanted to have him in his movie. Friends told Leth that he “should forget about it” and that he could never even approach Warhol.

Anyways – Leth was stubborn so when he came to New York for his movie he simply went to the “factory”, the building Warhol had rented to work at and despite all other claims simply managed to get to Warhol’s studio inside where he met Andy Warhol while he was currently working.

Leth just told Warhol about his movie and the idea of having Andy being one of the 66 scenes along with the highly “symbolic” burger. Warhol immediately liked the idea and agreed to the scene. Andy liked the scene as he said because it was such a real scene, something he would like to do.

So Andy Warhol agreed to come for filming a few days later.

Jorgen leth was a bit afraid that Warhol would not come. He had invited him to a photo studio in new York at 14th street/5th avenue that belonged to a friend of him.

Leth had his assistant buy some burgers and directly advised him to buy some in halfway neutral packaging as Leth was afraid that Warhol might reject some brands (Warhol always had an obsession with some of his favorite brands).

So Andy Warhol finally did arrive at the studio, of course along with his bodyguards, and when he saw the selection of burgers the assistant had brought he asked “Where is the McDonald’s?” and Leth – slightly in panic – was immediately like “I thought you would maybe not like to identify… “ and Warhol answered “no that is the most beautiful”. Leth offered to let his assistant quickly run to McDonald’s but Warhol refused like “No, never mind, I will take the Burger King.”

Directing the video was pretty simple. Leth said to him: “You simply have to eat this hamburger. And then after you finished, you have to eat it, after you finish you should just tell the camera, to the camera, my name is Andy Warhol, I have just eaten a hamburger. “

Leth was worried during the taking as he forgot to give Warhol a glass of water and the bottle of ketchup was brand new, so it was hard to get it out. But being a real Warhol there was only one take, one try, so Warhol pulled it through in just one take, roughly 5 minutes.

So, why a whopper from burger king?

A quote from Andy Warhol:

“What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it. “

 

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Please Share, Like, and Subscribe!!!

Send me some mail (drawings, pictures, souvenirs, letters etc.):

Mike Nobody
c/o Theee Urban SpaceCat
P.O. Box 1201
Taylor, MI 48180
USA

▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄

Follow on:
✓ Website https://mikenobody.com/
✓ Facebook https://www.facebook.com/MikeNobodyIsHere
✓ Twitter https://twitter.com/MikeNobody
✓ Tumblr http://mikenobody.tumblr.com/
✓ Instagram https://www.instagram.com/mikedamnnobody/

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DOES MY CONTENT BRING VALUE TO YOUR LIFE?
If you want to support the channel and my other work,
you can pick up some music & merch by going to
★ Bandcamp https://mikenobody.bandcamp.com/

…become a patron
★ Patreon https://www.patreon.com/MikeNobody

…or you can make a donation:
★ PayPal https://www.paypal.me/MikeNobody

You can also support by sharing any
video you like on your social profiles.
Spread Mike Nobody far and wide!!!

Thanks,

Mike

\,,/(^_^)\,,/

Oh and if you’re a troll coming here to give me any shit…

ᶠᶸᶜᵏ♥ᵧₒᵤ