Is There a Mike Nobody Sound, or Visual Style? Maybe.

noisegiphy

When I am jamming with other people, they motivate me and kinda help focus what I am doing.

So, I am always bouncing ideas back-and-forth with them, trying to see where their talents and interests are.

If half of the group is into a specific style of music, that gives me a vague reference to work from.

I know what will work and what won’t.
My improvisational skills are kinda crappy, I admit, though.

Ironically, I need people to get out of my way and let me work alone when I am writing original music.

Cutting & pasting jam sessions into songs kinda works.

If I have no one to work with at all, I am kind of at a loss.

The music can go in all sorts of different directions.

So, finding my own “sound” can be difficult sometimes.

I am trying to shape what I do into a cohesive sound of my own, without tying my hands too much.

I would like to maintain the freedom to play whatever that I want.

Near as I can figure it, I guess that I kinda sound a little like Beck with a weird bass setup and tapes, maybe.

My working process, and limited resources, probably have more to do with any style that I may have than anything else.

I don’t have a drummer.

So, for percussion I must rely on drum machines, keyboard sounds, and whatever found objects that I can bang on.

I do not have other band members.

So, I rely on recordings of myself on guitars, noises, and assorted samples, to fill out the sound.

Compositionally, I like the cut & paste approach of artists like Magma, Cardiacs, Omoide Hatoba, Boredoms, Melvins, Ruins, Mr. Bungle, Frank Zappa & The Mothers of Invention, John Zorn, Carl Stalling, etc. and “mixtape style” of the Butthole Surfers, Ween, Faith No More, David Bowie, The Beatles, Led Zeppelin, etc.

I like a mixture of Hi-Fi and Lo-Fi in recordings = Mid-Fi!

But, I prefer a specific squashed compression sound found on early Primus, Ween, and Butthole Surfers records.

I was able to ask guitarist / producer Paul Leary once about how he achieved that sound for the Butthole Surfers.

He said it was due to cheap tape recorders, and only having one microphone.

So, I think they recorded directly from their preamps a lot.

I know that Primus did.

That works great for me, since I only have shitty cheap microphones anyway.

Vocally, I have a kinda nasally high-pitched voice that I never liked.

Kind of a bit like Neil Young, Wayne Coyne (Flaming Lips), Kurt Cobain (Nirvana), Curt & Chris Kirkwood (Meat Puppets), Marc Bolan (T. Rex), etc.

Although, I try to give it a little bit of a Tom Waits-like growl on the lower end.

I guess that I compensate for my voice with cheap microphones and whatever vocal effects that are available, trying to bury it.

Visually, of course, everything is very cheap by necessity.

I like papier-mâché and cardboard props and sets.

Puppets and miniatures can be very useful, too.

Green screen, data-bending, and other cheap effects.

My mixed-media paintings and artwork kinda have a cheapniz aesthetic, too, I suppose.

I use stuff from thrift stores, hardware stores, dollar stores, and found materials a lot.

I tend to visualize the exterior world, the “real” world, in black & white colors.

A cold, decaying, dying, world.

The interior world, the world of the mind and imagination, by contrast is warmer and more colorful.

It is vast and endless.

Duluth-lynching-postcard

bodies-of-deceased-concentration-camp-everett

Detroit_riot_-_arial

I will probably post more about my gear setup & playing techniques later.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s