Time still flies when you aren’t having any fun. I am absolutely certain that time speeds up as you age. That is why old people wear clothes that are out of style. It was still in fashion just a minute ago, for them.
I was planning to include a vlog today, since vlogging is meant to be half of these posts. But, honestly, I don’t have anything worth videotaping right now. I also don’t have any new paintings to show.
2019 is speeding by, just like the past few years have. WTF is wrong with me? Besides the usual shit? Things actually are going pretty okay right now. I had a few rough months between December and February. That mess is finally settled, notwithstanding my growing piles of debt.
I have a list of folks waiting for Theee Urban SpaceCat cassette-zine. I have been digging through stacks of demo tapes and gigabytes of incomplete data trying to finish it. I have enough material already done for a complete issue or two… or three. But, I have spread it out over several zines. I didn’t like the way it was when I compiled it all together. So, I am filling each issue, finishing each song, one-at-a-time. A friend suggested that I do this to get myself focused, instead of hopping all over the place like I usually do. Get one thing done. Then, move on to the next thing. This approach seems to be pushing the process along, I suppose. Creating the equivalent of two double albums every few months is kinda hard when doing it all alone and you keep shooting yourself in the foot. Everything is absurdly late getting it out.
I asked around about getting my mixes mastered. But, I cannot afford to do it, not entire albums anyway. I might have one or two singles mastered for radio… maybe. The rest will just have to be a raw mix.
I am waiting for the government to process some of my tax shit, so I can finish setting up the business side of things. They’re still catching up from the Trumptard shutdown a few weeks ago. It has delayed everything. I’m never happy dealing with that sort of stuff. But, I anxiously want to get it done and out of the way.
Here is a Daniel Johnston song from my record collection for you. I get the same feeling myself sometimes. I am always starting my life over again… and again… and again… and again….
One of my biggest strengths (and weaknesses) is persistence. I have been told several times that I “don’t know when to quit.” That can be either a good thing or a bad thing, I guess, depending on the circumstances. I may have setbacks, which slow me down, change how I do things, or have to fight with my own brain, sometimes. But, I still keep trying.
A really cool drummer guy has unfriended me on FB and dropped out of our FB group. Admittedly, it is entirely my fault. I have been lost in my own headspace again, losing touch with everybody for too long. He feels like I have used and neglected him, which wasn’t my intention at all. I honestly get fixated on one thing or another and lose track of everything else. It happens to me all of the time. Does that make me a bad person or just a bad friend?
My social skills are shit and my behavior can sometimes be erratic.
So, I don’t think being in bands long-term are ever gonna work out for me.
It never does. But, the music scene is just about the only social life that I have, playing with other musicians, performing at gigs, etc. So, I guess doing short-term projects with other people is the only way I’m going to remain active in that community. I mean, I’m stubborn. I know this shit isn’t going to work out. But, I keep doing it anyway. Maybe admitting that, to myself, is the only way for me to move forward with anything.
I don’t remember how long I have been interested in filmmaking. I’ve always loved movies, of every kind. You can combine every other artform together into it, if you are creative. I never had ambitions to be an actor, though. I fell into that by accident.
As a young child living in Detroit, I fantasized about becoming a stuntman. This could be because of the then-popularity of daredevil Evel Knievel, action films like Hooper (1978), and TV shows like The Fall Guy My favorite stuntman was the legendary Dar Robinson. His untimely death after shooting Lethal Weapon (1987) permanently put an end to that idea, for me. Though, I had become far more interested in playing music by then.
The size of a film’s budget or the skill of the actors involved were never really a big deal to me, if the script was still good. A bad actor in a great movie will still get by. But, a great actor in a bad movie is totally screwed (That philosophy can be applied to so many other things). Nonetheless, I still watch a lot of cheesy bad movies, seeking out their redeeming qualities.
I don’t remember how I got into underground independent films. It may have been through watching funky old horror, science fiction, and grindhouse movies on local UHF stations as a kid (before cable TV came along). The VHS revolution in the 1980’s also opened up a whole new universe of adventurous filmmakers, no longer restricted by studio gatekeepers. My mom would bring home all sorts of insane stuff she found at mom & pop video stores. Her taste in low-budget weird movies probably rubbed off on me a lot. I grew an increasing appreciation for DIY directors / producers making their visions a reality against all odds.
The Island of Misfit Noise has evolved from a 1990’s rock band into a 21st Century multimedia project, based around making videos and movies instead of performing live. I guess, in that way, it shares some similarities to The Banana Splits, The Archies, or Green Jellö.Not having a permanent band makes it an ideal vehicle to try new things out and bring in different collaborators. There is also less pressure figuring out how to do everything onstage, in front of an audience.
I have no idea how to do film distribution or anything technical. It is all learn-as-I-go. I have no budget or crew. I use whatever stuff I can get for free. Does it look like cheap crap? Probably. Will anybody ever see it? Maybe. Maybe not. But, it will get done and be out there for those who are curious. It may take awhile to finish without access to those things, though.
My short video “I Dream of SpaceCat” was a good learning experience, not just in producing content. But, also in presentation to an audience. I hope to do more.
I haven’t posted much on my website blog in awhile. I have kept myself fairly occupied most of the time, despite outward appearances.
I’ve finally closed the door on The Island of Misfit Noise, as a recording group for good. It is still the title of a no-budget movie and comic book. But, for the purposes of collaborating with other musicians, it has outlived it’s usefulness. I will think of something else if I need it. I’m currently working on a new album with some friends and am keeping an eye out for available musicians to perform live with again.
My disability pay has not come yet. I’m annoyed. A mistake has been made by the Social Security Administration. I updated my account information with them over a month ago. But, they deposited this month’s payment into an account that is no longer active. I called their office and the bank. Hopefully, it will be straightened out soon. I need supplies to work on a few projects and it is holding me up. I have a lot of stuff to catch up on;
This week’s mail is ready to go out as soon as I get some postage.
My homemade drum kit (aka The ShitKit) is coming along really well. I need to get some parts from a hardware store to put it together.
I’m working on a short film to submit to a film festival next month. I need a few items for building props, sets, puppets, etc.
I have some incomplete paintings that require art supplies.
Someone is offering a free drafting table on Craigslist. I’m out of gas, though. Hopefully, it will still be there when I can refuel again.
I need funds to send my zines to the printers, if I am to have them ready in time for upcoming events.
I have VHS tapes that need to be transferred to my computer for editing. But, the VCR needs cleaning badly and I can’t find any tape head cleaners anywhere. I gotta get replacements.
Of course, there is also the matter of monthly bills and mundane household things; rent, phone, internet, debts, medications, food, dish soap, cat litter, paper towels, toilet paper, car insurance & license plate renewal, etc.
I recently sent out an email to those on my mailing list with a few details of upcoming events and a plea for financial support. I doubt that anybody will take me up on it. But, it never hurts to ask.
I’m writing a new horror story to be made into another low-budget movie, after “The Island of Misfit Noise” film is finished. It is a little more ambitious. It will actually require a REAL budget and not be made piecemeal like the IOMN.
Another project that I will undertake, a little bit later, is a compilation LP. It will be funded collectively by the contributing artists. Everyone submits a song or two and their share of the budget to produce it. After the vinyl is pressed, everyone gets their percentage of the finished product, to sell at gigs. It is an old method of doing things, that I have participated in before. Another share of the records will be sent out for promotion, through radio and press.
But, before I embark on these and other projects, I need to finish up a couple of things and sort out my financial situation. I have enrolled in a debt consolidation program. So far, my credit cards seem to be under control. But, I have yet to get my payday loan debts arranged. I don’t believe that I can do that this month, because I have to buy a car insurance policy to renew my license plates. We will see how that comes along. Anyway, that is what I’m doing lately.
On Friday, purchasing music through Bandcamp will be donating money to the Transgender Law Center, a nonprofit organization that works tirelessly to change law, policy, and culture for the more equitable.
Learn more here and explore the Mike Nobody Bandcamp page.
“Cute, cool, and creepy”, is how I have been described by some folks.
Usually, I am classified by my contemporaries as an outsider artist-musician.
Davin Brainard (time Stereo) and Warren DeFever (His Name Is Alive) observed that I do not intentionally TRY to be perceived as weird, that I just naturally AM….. making comparisons to Wesley Willis and Daniel Johnston. I guess that I will just go along with those descriptions.
Music, Art, and Noise /
Videos, Movies, and Multi-Media /
Voice, Tapes, and Reed Trumpet /
Bass, Baritone, and other Guitars /
Keyboards, Computers, and Custom-Made Instruments /
Plunderphonics, Electronics and Junkyard Percussion
I enjoy creating what I refer to as “Prog-Punk Noise-Rock”, a strange pastiche of styles tied together. I have collaborated with plenty of other artists over the years with wide degrees of proficiency in many genres.
I have been obsessively into art and music my whole life; drawing, painting, playing with tape recorders and making noise. I built my first guitar from a badly beaten-up body & neck that I found in someone’s trash. A friend’s dad gave me the electrical guts from an unknown 1950’s guitar. Additional parts were improvised from pieces of found junk and purchased from a music store.
When I was a twelve year old kid, back in the 1980’s, I was just a runt of the Detroit hardcore punk / heavy metal scene . Lacking enough money to buy any good equipment, I purchased a cheap microphone at a pawn shop, built a homemade mic stand, and passed myself off as a vocalist. I sang in whatever groups that I could find, gaining experience and learning whatever that I could. Mostly, it was shitty cover bands, playing in basements, getting yelled at by uninvited drunks that we suck. Eventually, I improved my bass & guitar skills, playing in many short-lived groups that went nowhere.
I was a writer / photographer for The Jam Rag, a widely-read local music paper, while still a teenager and made friends with other artists along the way. During the 1990’s I was a cameraman, roadie, and occasional collaborator with Princess Dragon-Mom, Mog Stunt Team, His Name Is Alive, etc.. I also performed in a few experimental noise groups; Bionics, Edible Audio, Fresh Farm Raised Catfish, etc.
The Island of Misfit Noise began in the summer of 1998 with only Mystic MarshaKat and myself. She played keyboards & guitar (classically trained) and I played bass & guitar (mostly self-taught). Both of us were former members of N2-Submission, the backing band for our then-roommate The Impaler “Detroit’s Vampire Poet.”Our duo’s name changed a couple of times, before settling on the IOMN. Other musicians came and went during a period of 15 years, with she & I being the only constant members of the group. She also left in early 2013. MarshaKat and I remain friends. She may continue to assist in some capacity, just not as a full-time band member.
I resurrected the IOMN as a recording project in late 2014, with collaborators from Michigan to Australia. We exchanged material back-and-forth until some music was completed. The style that we made is very freeform. A few collaborators from the IOMN have joined me in other projects. Some of them have experience in film & television and are producing low-budget movies with me.
I tried for ages to put a band together. But, I could never manage it for very long. I always needed to be collaborating with somebody, whether an individual or a group. It gave me confidence and motivation. I would bounce ideas off of bandmates, get a feel for their capabilities and preferences, to find which direction that we were going in. I depended a lot on their input to filter my ideas through. I was always looking for feedback, trying to be as democratic as possible. But, this approach slowed us down. In hindsight, it was a mistake, like driving a car with the parking brake on.
After years of trial-and-error, I have come to the conclusion that I simply lack the necessary social skills to keep a stable group together. I am focusing primarily on composition and recording, for the time being. I will return to live performance when I am certain that the project won’t immediately disintegrate. Assembling the right line-up and keeping it intact is a big obstacle for me. I tried for a long time to arrange having dual drummers play together in a band. We managed to do it a few times, which was great while it lasted. Most drummers are not into that, though. I would like to eventually have a live group again. At minimum, I would prefer having (at least) a decent drummer to accompany me. I get uneasy being on stage alone. But, an ideal line-up would include:
Myself on bass, vocals, and tapes.
A creative drummer. Someone who is comfortable playing with additional percussionists, drum machines, noise, or other unusual stuff.
Maybe two guitarists who could also contribute more percussion, keyboards, samplers, vocals, or whatever other talents they may possess.
Maybe I will just go back to replacing musicians as I go along…. again.
Some of my current projects;
Island of Misfit Noise is an ongoing multimedia project, begun in 1998 as a musical group, with a constantly rotating membership. It has since expanded into no-budget film-making, music videos, and a series of comics. I will continue to add material to this as I go along, with additional collaborators. There are no other permanent group members. Live performances are very unlikely.
Theee Urban SpaceCat (Cassette-Zine) is a publication of my artwork, ramblings, stories, correspondences, miscellaneous found objects, music, commentary, and anything else packaged with a cassette tape or compact disc of my recordings… whatever they may be. It is an outlet for all of my artistic endeavors, combined into one package, modeled after decades of correspondence with my friends. I wish to publish an issue every three or four months. The lack of adequate funding has rendered publication more sporadic than originally intended, though. I’m posting digital versions online until I can get enough cash together for printing physical copies. So, they will be available, eventually. But, I have no idea when.
Mike Damn Nobody is my experimental noise project; incorporating tape loops, circuit-bending, custom instruments, and anything else available to make a racket with. Live events have a more chaotic theatrical presentation than my other projects. Recordings are available on RecycleTapes (homemade cassettes, from re-purposed materials) and digital download formats.
Mike Nobody Superstar is just me, by myself, performing somewhere with my crazy setup as a one-man-band. I’ll make that work, somehow, for now. This doesn’t apply to other Mike Nobody output.
MykNobody is an alternate spelling sometimes used when I’m painting or making other art, just because.
This intro post was a little long, containing information that really belonged in the FAQ section. It was relocated to a new page there.
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