Hardhead

never-give-up-cbfb

One of my biggest strengths (and weaknesses) is persistence. I have been told several times that I “don’t know when to quit.” That can be either a good thing or a bad thing, I guess, depending on the circumstances. I may have setbacks, which slow me down, change how I do things, or have to fight with my own brain, sometimes. But, I still keep trying.

A really cool drummer guy has unfriended me on FB and dropped out of our FB group. Admittedly, it is entirely my fault. I have been lost in my own headspace again, losing touch with everybody for too long. He feels like I have used and neglected him, which wasn’t my intention at all. I honestly get fixated on one thing or another and lose track of everything else. It happens to me all of the time. Does that make me a bad person or just a bad friend?

My social skills are shit and my behavior can sometimes be erratic.
So, I don’t think being in bands long-term are ever gonna work out for me.
It never does. But, the music scene is just about the only social life that I have, playing with other musicians, performing at gigs, etc. So, I guess doing short-term projects with other people is the only way I’m going to remain active in that community. I mean, I’m stubborn. I know this shit isn’t going to work out. But, I keep doing it anyway. Maybe admitting that, to myself, is the only way for me to move forward with anything.

 

Making Movies, For the Hell of It

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I don’t remember how long I have been interested in filmmaking. I’ve always loved movies, of every kind. You can combine every other artform together into it, if you are creative. I never had ambitions to be an actor, though. I fell into that by accident.

As a young child living in Detroit, I fantasized about becoming a stuntman. This could be because of the then-popularity of daredevil Evel Knievel, action films like Hooper (1978), and TV shows like The Fall Guy My favorite stuntman was the legendary Dar Robinson. His untimely death after shooting Lethal Weapon (1987) permanently put an end to that idea, for me. Though, I had become far more interested in playing music by then.

The size of a film’s budget or the skill of the actors involved were never really a big deal to me, if the script was still good. A bad actor in a great movie will still get by. But, a great actor in a bad movie is totally screwed (That philosophy can be applied to so many other things). Nonetheless, I still watch a lot of cheesy bad movies, seeking out their redeeming qualities.

I don’t remember how I got into underground independent films. It may have been through watching funky old horror, science fiction, and grindhouse movies on local UHF stations as a kid (before cable TV came along). The VHS revolution in the 1980’s also opened up a whole new universe of adventurous filmmakers, no longer restricted by studio gatekeepers. My mom would bring home all sorts of insane stuff she found at mom & pop video stores. Her taste in low-budget weird movies probably rubbed off on me a lot. I grew an increasing appreciation for DIY directors / producers making their visions a reality against all odds.

The Island of Misfit Noise has evolved from a 1990’s rock band into a 21st Century multimedia project, based around making videos and movies instead of performing live. I guess, in that way,  it shares some similarities to The Banana SplitsThe Archies, or Green Jellö. Not having a permanent band makes it an ideal vehicle to try new things out and bring in different collaborators. There is also less pressure figuring out how to do everything onstage, in front of an audience.

I have no idea how to do film distribution or anything technical. It is all learn-as-I-go. I have no budget or crew. I use whatever stuff I can get for free. Does it look like cheap crap? Probably. Will anybody ever see it? Maybe. Maybe not. But, it will get done and be out there for those who are curious. It may take awhile to finish without access to those things, though.

My short video “I Dream of SpaceCat” was a good learning experience, not just in producing content. But, also in presentation to an audience. I hope to do more.

Happy Thanksgiving

I’ve been kinda busy lately, helping my aunt and ex-gf move. I was also not feeling well for a week or so. Then, my van broke down. I’m behind on my projects, including providing this month’s MP3 for Patrons. I’m doing my best to catch up.

I received a small batch of comics, recently, that I contributed to. It’s called Five O’Clock Shadow. This is issue #25. I’m including them with orders and donations on my Bandcamp page, while they last.

I am recording a bunch of exclusive music for my supporters on Patreon, as well as contributions to The Residents, David Liebe Hart (“Tim and Eric Awesome Show, Great Job!”), and some new collaborators who want to put a band or something together with me. Lots of stuff going on!

Issues of “Theee Urban SpaceCat” Cassette-Zine have been held back for an absurd amount of time, mostly for financial reasons. I’m always broke. Just to get them out there in some form, any form, I will be releasing the first couple of issues digitally (PDF & MP3). They may get printed physically at a later time. But, look on the bright side. At least you can download them instantly instead of waiting by your mailbox.

Another project that I’m working on is a series of paintings, each including a compact disc of unique material. I will show them for you on future videos. Plus, there is all of the other art that I’m making every day. So, perhaps good things are happening.

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Mike Nobody

c/o Theee Urban SpaceCat

P.O. Box 1201

Taylor, MI 48180

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\,,/(^_^)\,,/

Oh and if you’re a troll coming here to give me any shit…

ᶠᶸᶜᵏ♥ᵧₒᵤ

My Routine, Paintings, Records, and Halloween

 

I’d love to get any feedback from you.

When I get stuff in the mail, it also gives me fodder for making zines and things.

 

 

Support Trans Rights with Bandcamp!

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On Friday, purchasing music through Bandcamp will be donating money to the Transgender Law Center, a nonprofit organization that works tirelessly to change law, policy, and culture for the more equitable.
Learn more here and explore the Mike Nobody Bandcamp page.

Vlogging Update: May 2017

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Hey y’all,

Sorry for the long absence.

My computer died.

I gave it to my aunt to work on.

She does IT work for the local school district.

Unable to fix it, she gave me another one that a school was getting rid of.

I tried to salvage what I could from the old one.

But, most of my programs and files were lost.

I’ve been searching for the missing software and restoring what I can.

My scanner/printer didn’t want to cooperate with the new computer.

I tried replacing it.

But, the replacements didn’t work either.

After a couple of days messing with it, I finally got it running.

My van has a million problems.

But, at least I got the front tire fixed that kept going flat.

I’ve replaced that tire THREE TIMES and it still kept going flat.

I thought maybe the rim was bent.

I had it looked at and they found a piece of metal lodged inside.

They patched it up.

Now, it shouldn’t be a problem anymore.

Only cost me $15 bucks (thank God)!

I tried to repay my grandmother $700 dollars I owe her.

She forgave some of it.

My ex forgave the $200 I owed her, too, since I’ve been helping her relocate and move her stuff.

Not sure how I’ll get my other debts paid.

But, I try not to get stressed out about it.

That really fucks up my creativity.

Groundhog Day

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I was gonna record a vlog to go with this (including a new song!). But, I didn’t get around to it. I’ll try to get it out this weekend, maybe. I have been digging through my old practice tapes and recording new demos for a couple of months now. I am not happy with a lot of it. But, you always have to dig through a lot of shit to find anything useful. Since I haven’t put out anything in a long time, I have been contributing to other people’s projects. I was asked by Uncle Ghoulie to provide some artwork and sounds to Truth Porn MilitiaNo Budget Radio Podcast. So, that is cool. I will be getting that out soon. There have also been some zines and other things requesting my input. So, I haven’t been completely unproductive, I guess.

I’m really beginning to wonder if maybe I should just give away my notes & artwork to let someone else make my movies. At least then they would get produced SOMEHOW. Tim Burton had almost nothing to do with making Tim Burton’s The Nightmare Before Christmas, yet his name is still in the title. He just gave his old sketchbook to another director and said, “Here. Knock yourself out.” Good idea? Bad idea? I don’t know. But, it looks like if I’m gonna produce it, it will likely be a few years until it it is done. Even if I cut costs to the absolute bone and it looks like dogshit, I don’t think I can get it done.

I’m crossing my fingers and hoping that I can get Theee Urban SpaceCat finally going this month. I should have enough raw material for a few issues already. I’ve been continually painting, drawing, recording, writing, etc. It really comes down to paying for putting it out there. I’ll deal with other expenses later, if it becomes necessary.

After over a year of keeping my stuff in storage, lacking enough funds, I recently had to let go of my storage unit. I have downsized a lot of it. So, at least I can fit everything in my grandmother’s garage (between the Christmas decorations and patio furniture). She gave me a nice bookshelf that was no longer wanted. So, I finally have somewhere to keep what is left of my vinyl LPs. I was very disappointed to realize how much of my collection that I’ve sold off.

She also gave me a free pizza promotional card that she got in the mail from Domino’s Pizza. I later brought the pizza back to her house. She, my nephew Michael, and I enjoyed a large deluxe. Mmmmmm.

I gotta finish cleaning up here, soon. There is an apartment inspection coming Monday. The landlord is making sure that no bed bugs have returned. Thankfully, the place has been pest-free for a year now. As a matter of fact, it was during the bug extermination last winter that I began renting my storage unit. So, it lasted one whole year.

I just got a small loan to cover my rent problem (last month’s check bounced!). I needed to pay two month’s rent and late/returned check fees IMMEDIATELY or I would get evicted. I’m not sure how much more financial Jiu-Jitsu I can pull off before it finally catches up with me. The van has a lot of mechanical problems needing fixing. I still cannot afford to put insurance on it. I’m risking jail time for driving without it (a misdemeanor in Michigan!). I’m in debt to my eyeballs to doctors & hospitals, credit cards, collection agencies, etc.

I set up a Patreon account. Maybe, I can find a little help from some folks, to fix my money situation. It is a long shot, I guess. But, what have I got to lose? I will post music, videos, and other stuff for patrons that won’t get released anywhere else. I’ll be adding more bonuses for supporters (t-shirts, stickers, magnets, flamethrowers, meat cannons, etc.) when I have them available. Any assistance is appreciated! Thanks.

Become A Patron!

Spring Has Sprung

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I was watching some YouTube videos lately.

I got very annoyed.

Other bands are doing stuff that I wanna do.

But, they keep beating me to it.

I hate when that shit happens.

Maybe it is just that everything has already been done to death and we keep repeating and reinterpreting what came before us.

I dunno.

I know that, financially, I am gonna be screwed for the foreseeable future.

I am robbing Peter to pay Paul for as long as I have to.

I seriously doubt that I will break even before summer begins.

I keep putting off working on and publishing the zine until I can get ahead a little.

But, that doesn’t look like it is going to happen very soon.

I may do a cheaper version, than what I had in mind, until it begins to pay for itself.

Just a thought.

I will probably raid my boxes of old tapes that I have in storage and dig around for some incomplete material to finish.

I have a lot of it, going back nearly forty years.

Since I have been tinkering with the analogue multi-track machine, maybe I will include some fresher stuff with it, too.

I dunno.

A guitarist whom I have not played with in years contacted me and is eager to jam again.

So, maybe he can give me a morale boost and help me get my shit done.

Maybe.

I am always willing to jam with other people if they are interested.

I need to find somewhere that I can paint and make loud noises too.

Maybe somebody can help me with that.

Bombs Away!

Valentine’s Day

Timmy Vulgar

Timmy Vulgar ca-f-humaneye

Life is funny sometimes. It lands some odd coincidences in my lap a lot, it seems.

I had never listened to The Clone Defects, although they have been around the Detroit scene for a number of years. I did not know that guitarist / vocalist Timmy Vulgar was also in a bunch of other local groups. He has been around the block as much as I have (and then some). I also did not know that he & I had met before, when he was in his first band The Epileptix. I still have their debut 7″ EP that I purchased from him. We talked about the band Chrome and guitarist Helios Creed a little bit. That is all that I remember from our encounter.

Anyway, I got an invitation on Facebook to see his most recent band Timmy’s Organism play at the UFO Factory next month. I did a little research, and dang! This is my kinda guy. Mostly, he plays a kind of psychedelic punk and employs the style of low budget freakishness that I am known for. If he ever needs a bassist, or wants to collaborate, I think I am up for it… if he is.

Timmy Vulgar tim

No Budget

Russ Meyer

I like cheepnis.

Maybe it is growing up on a steady diet of bad movies and shitty TV shows.

We would go to the drive-in back when they had double features, triple features, all nighters, etc.

When home video tapes and cable TV became a thing, my mom got us to watch some the worst movies ever made.

So bad, they’re good… and went back around to being bad again.

Some of the films used on Mystery Science Theater 3000 are Shakespeare, by comparison.

I used to stay up late and try to watch midnight movies on TV, before cable came along.

Then, there was The Ghoul and Sir Graves Ghastly for cool weekend shows.

Ed Wood, Roger Corman, Herschell Gordon Lewis, John Waters, Lloyd Kaufman, Richard Kern, Nick Zedd, Russ Meyer, it’s all good.

Jobless Zine Tapes

FUN

I applied for another job again, Value World (aka Value Village).

Not sure if it will do any good.

They were the only place that required applicants to apply in person, instead of online like everywhere else.

I later walked to the store for pop & bread and actually did some housecleaning today, too.

Wow!

I’m on a roll.

♛ ★★★★★★★★★☆★☆★☆★☆☆★☆★☆★☆★☆★☆★★★★★★★★★ ♛

I am feeling kinda brave and pulled the Roland workstation out… seeing if I could operate it at all.

I may dig through some boxes of old tapes and see if there is anything that I wanna work on again.

I may lift some material directly from them for the zine.

Maybe.

I am thinking that I will just keep accumulating material as I go along.

Then, when I have enough cash to publish I will put a new issue out, hopefully every three to four months.

It would be easier if I had some extra income for this.

But, I am working with what I have for now.

Thee Urban SpaceCat CassetteZine may be printed by a company that did Death Cat comics, Ka-Blam is their name I think.

It seems like they work in all sorts of volumes with good quality.

The tapes may be recorded, mixed, mastered, and dubbed totally DIY, though.

I am undecided if I want to get them made at a duplicating plant or just dub them myself.

I guess it depends what the demand is for them.

If I get too many orders I will have to go with the duplicating plant.

I am making a distinction between the CassetteZine and the RecycleTapes, though.

The CassetteZine will use fresh normal bias cassettes, probably Sony.

They seem to be the most readily available.

RecycleTapes are hard copy recordings of Mike Damn Nobody’s noise albums, dubbed on reused tapes and re-labelled by me.

I may have to create new artwork for the older titles.

I cannot find the originals.

I was thinking of when I want to take my recordings into a legitimate studio.

Money is a factor, of course.

But, when I am ready, I am thinking that I may only release vinyl singles and EPs like that for awhile.

If they do well, I can compile them onto CDs later.

The Weirdos are an LA punk band from way-y-y back.

They released only vinyl singles for twenty years before they put out their first full-length album.

“Weird Al” Yankovic says that he will no longer release full length albums.

He is only doing singles now.

It seems like that is the direction that the music industry will be going, eventually.

I haven’t been in a record store for years.

So, it is a little tough for me to gauge.

♛ ★★★★★★★★★☆★☆★☆★☆☆★☆★☆★☆★☆★☆★★★★★★★★★ ♛

I am probably gonna upgrade my my video capture software and get a chromakey program added to it.

I need to get a green screen or some fluorescent green paint.

I have a few leftover projector screens that I could paint if I had something for fabric, that wouldn’t crack and peel off.

Hello!

“All the various styles are organically connected to one another. I’m an additive person—the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can’t see the connections, but they are there.” ~ John Zorn

“Cute, cool, and creepy”, is how I have been described by some folks.

Usually, I am classified by my contemporaries as an outsider artist-musician.

Davin Brainard (time Stereo) and Warren DeFever (His Name Is Alive) shared their observation about me that I don’t intentionally TRY to be perceived as weird, I just naturally AM, making comparisons to Wesley Willis and Daniel Johnston. I guess that I will just go along with those descriptions.

Outsider Artist / Musician;

  • Music, Art, and Zines
  • Videos, Movies, and Multi-Media
  • Voice, Tapes, and Noise
  • Bass, Baritone, and other Guitars
  • Keyboards, Computers, and Custom Instruments
  • Plunderphonics, Electronics and Junk Percussion

I enjoy creating what I refer to as “Prog-Punk Noise-Rock”, a strange pastiche of styles tied together. I have collaborated with plenty of other artists over the years with wide degrees of proficiency in many genres.

I have been obsessively into art and music my whole life; drawing, painting, playing with tape recorders and making noise. I built my first guitar from a badly beaten-up body & neck that I found in someone’s trash. A friend’s dad gave me the electrical guts from an unknown 1950’s guitar. Additional parts were improvised from pieces of found junk and purchased from a music store.

When I was a twelve year old kid, back in the 1980’s, I was just a runt of the Detroit hardcore punk / heavy metal scene . Lacking enough money to buy any good equipment, I purchased a cheap microphone at a pawn shop, built a homemade mic stand, and passed myself off as a vocalist. I sang in whatever groups that I could find, gaining experience and learning whatever that I could. Mostly, it was shitty cover bands, playing in basements, getting yelled at by uninvited drunks that we suck. Eventually, I improved my bass & guitar skills, playing in many short-lived groups that went nowhere.

I was a writer / photographer for The Jam Rag, a widely-read local music paper, while still a teenager and made friends with other artists along the way. During the 1990’s I was a cameraman, roadie, and occasional collaborator with Princess Dragon-Mom, Mog Stunt Team, His Name Is Alive, etc.. I also performed in a few experimental noise groups; Edible Audio (with drummer Mick Stone of 500 ft of Pipe) and Bionics (with John Nevermind of Fresh Farm Raised Catfish), etc.

The Island of Misfit Noise began in the summer of 1998 with only Mystic MarshaKat and myself. She played keyboards & guitar. I played bass & guitar. Both of us were former members of N2-Submission, backing band for The Impaler “Detroit’s Vampire Poet.” Our duo’s name changed a couple of times, before settling on the IOMN.  Other musicians came and went during a period of 15 years, with she & I being the only constant members of the group. She also left in early 2013. MarshaKat and I remain friends. She may continue to assist in some capacity, just not as a full-time band member.

I resurrected the IOMN as a recording project in late 2014, with collaborators from Michigan to Australia. We exchanged material back-and-forth until some music was completed. The style that we made is very freeform. A few collaborators from the IOMN have joined me in other projects.

MickeyBugsBand_1

♛ ★ ★ ★ ★ ★ ★ ☆ Prog ☆ Punk 🐱 Noise ☆ Rock ☆ ★ ★ ★ ★ ★ ★ ♛

Some of my current projects;

  • Island of Misfit Noise is an ongoing multimedia project, begun in 1998 as a musical group, with a constantly rotating membership. It has since expanded into music videos, film-making, performance art, and comic books. I will continue to add material to this as I go along, with additional collaborators.
  • Theee Urban SpaceCat (Cassette-Zine) is a publication of my artwork, ramblings, stories, correspondences, miscellaneous found objects, music, commentary, and anything else packaged with a cassette tape of my recordings (compact disc optional)… whatever they may be. It is an outlet for all of my artistic endeavors, combined into one package, modeled after decades of correspondence with my friends.
  • Mike Damn Nobody is my experimental noise project; incorporating tape loops, circuit-bending, custom instruments, and anything else available. Recordings are available on RecycleTapes (cassettes handmade from re-purposed materials) and digital download formats.
  • Painting, Drawing, Visual Art, etc.

This post was a little long, containing influences, gear, personal info, etc.. It has been relocated to About / FAQ / Press – Details.

Subscribe to this blog and I will show & tell you more about the past, present, and future. If you want to check out upcoming events or new stuff available, and get some freebies, add yourself onto the mailing list in the sidebar. There is also a Ko-Fi fundraising link there for anybody who wants to support my creative efforts.

Thanks!

Mike Nobody =^.^=

The Liberal Majority and How To Win With It

The Liberal Majority and How To Win With It
By Ian Welsh Friday Sep 18, 2009 5:00pm One constant theme which needs dealing with is the idea that the country is more conservative than liberal and that centrists are needed to hold off horrible conservative things from happening.

More than that, this is an argument for oligarchy. What I see is that the majority of people, in poll after poll, want single payer. A huge majority want the public option, yet odds are decent you won’t even get that.

When people talk of left-center coalitions the center part include a large number of Senators (like Diane Feinstein) who won’t do what the majority of their constituents want them to do. At this point centrist = captured by monied interests.

Odds are if Obama wanted single payer, the House could pass it. It’d be close, but they could get it done. The House is the more representative body of the two bodies, the Senate is deliberately retrograde.

When I look at the US what I see is a banana republic, because it doesn’t act like a democracy. I see people who think that the Senate, or even the House, actually does what the American people want. Again and again, Congress does things that the majority disagree with. In 2006 the Dems were elected to end the war in Iraq, for example, and refused to do so (though again, the House at least went through the motion, the Senate didn’t even make an effort). Oh, Congress will sometimes do what the majority want—when that’s what it was going to do anyway.

The plan to fix this is simple enough and always has been.

Obama was a right wing democrat and this was clear early. This was clear even in the primaries and certainly into the election. Once he was chosen as the nominee the best idea was to not to work for him or give him money, because he could win or lose without netroots or progressive support (it was a drop in the bucket compared to what he was getting elsewhere and was not decisive for him), and to instead take that time and money and spend it on electing progressive members of Congress, where that amount of money and volunteers could be decisive.

People who hold progressive and liberal policy views are a much larger proportion of the population than the right wing crazies are, they are in fact a majority of the population, though you’d never know it from listening to the gnashing of teeth of some folks.

If the right wing crazies could capture the Republican party, liberals and progressives, who already make up the largest block in the House, and who massively outnumber Blue Dogs, can certainly do the same to the Democratic party.

If, of course, they stop telling themselves self-excusing lies about how the country doesn’t agree with them on basic issues like healthcare, when, in fact, the country does. Americans may not call themselves liberals, but when you look at their actual policy positions they are more liberal on most (not all, but most) issues than they are conservative. That’s a gap in self-perception it should be possible to jump.

It takes real work for the centrists and right wing to keep Liberals and Progressives down. Notice that almost all of Obama’s whipping is towards the left, towards progressives, not to the right. The right wing of the Democratic party is more or less doing what he wants (forget the rhetoric, again, look at who he and Rahm whip), it’s the left wing he’s scared of, because if they got their act together they could stop him from passing anything. The Blue Dogs in the House do not currently have a veto, the Progressives, if they want to use it, do. And that’s why they get the back side of Obama and Rahm’s hand so often.

The left is the most dangerous force in American politics today. The entire resources of the lobbying industry and of centrist Democratic interests are required to keep it in check, not just during legislative season, but during elections, when the DCCC and the DSCC do their very best to make sure that progressives don’t win primaries, and when they do, that they’re starved of resources.

So time to spine up. If you’re a left wing Democrat, you belong to the scariest force in American politics. The crazy right will have some good cycles yet to come, mainly due to Democratic establishment incompetence and preference for mushy middle candidates but demographics are against them. Don’t write Republicans off yet, but they are failing. You—the left—is the rising force, and everyone in the center and the right, is doing everything they can to keep you down.

Don’t let them, and don’t believe lies about how you’re some tiny minority whom the American people don’t agree with.


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