What Working-class and Poor White People Need to Understand About Rich White People

Rich people do not care about you.

No, I’m not talking about your cousin who drives a Mercedes, has his own insurance business, and always picks up the tab when you go out for beers. I’m talking about super-rich people: the Walton family, the Koch brothers and, yes, the Trumps. I’m talking about people who continue to make money off the backs of the poor while convincing those same people to remain loyal no matter what. But the truth is they are never going to share or trickle down their money to you — regardless of how white you are, how loyal you are, or how much you support their companies or their politicians.

When a family like the Waltons, worth over $50 billion — that’s billion with a “b” — are fine knowing their employees are collecting food stamps to survive and they do nothing about it, that speaks volumes. It says loud and clear: I don’t fucking care about you!

When Donald Trump was willing to close down and bankrupt multiple small businesses because he couldn’t be bothered to pay his bills, all while living in a gilded penthouse and flying around New York City in a helicopter, that screamed: I don’t fucking care about you!

Creating jobs isn’t a thing to be praised.

Creating well-paying jobs is. Billion-dollar corporations like Walmart and McDonald’s don’t create healthy economies. They create mass poverty. Anyone can create a job. I’ll pay you $1 an hour to clean my house, do lawn care and general maintenance Monday through Friday for eight hours a day. There, I created a job. Have I contributed anything to society? No. Have I boosted the economy? No. All I’ve done is put one person in poverty.

“Job-creation” is nothing more than a catchphrase that politicians use to get votes. It doesn’t mean anything. Let’s say there is a small town with 500 people and a factory opens and pays minimum wage. If the company hires everyone in the area, the result will not be a thriving community. It will be a community of 500 poor people. Yes, the factory technically created jobs, but it also spread poverty. Never forget they need us more than we need them. Without us working their low-paying jobs, they have nothing. Make them pay fairly for your labor. Make them create well-paying jobs.

Black and Brown people are not the reason you’re poor, rich white people are the reason you‘re poor.

Corporations siphon money from profits to share with stockholders, upper management, and CEOs, leaving everyone else, regardless of color, scrambling at the bottom for crappy pay. The owner of the factory is the reason you are poor, not the person of color working beside you for the same wage. Don’t be angry at the immigrant trying to make a better life. Be pissed off at the company who exploits both of you so they can pay lower wages and maximize profits.

There is NO such thing as a “Welfare Queen.”

There never was. Politicians made this up. It is propaganda designed to make you think people of color are lazy and want a free ride at your expense. If you resent them, you are more likely to vote to eliminate programs that benefit them but could also benefit your own family. Generations and generations of white people have been programmed to be racist even if it’s to their own detriment. By helping to keep people of color down, you keep yourself down — and that’s how politicians want it. Consider how the GIF below uses racist propaganda to persuade you to think negatively about people who need government assistance. (And no, one example of a person buying steaks with food stamps does not prove the entire welfare system is corrupt.)

The “War on Drugs” and “The War on Crime” are fake.

These programs target minority communities and keep the private prison system making billions. As collateral damage, poor whites sometimes get sucked into the system, but not enough that anyone cares. Poor people are funneled through the prison system with plea deals. Incarcerated people work for pennies a day in a modern-day slave trade, making products for billion-dollar corporations.

The rehabilitation system has almost no programs for actual rehabilitation because the system wants ex-convicts to fail. It’s how they keep the money pouring in. The propaganda of these fake wars tries to convince white people that black and brown people commit more crimes, that white people should fear them, and that prison is where they belong. If you allow yourself to be brainwashed by racism, the system will continue to prey on poor people of all colors. Rich people hire lawyers to get out of prison time. Poor people are scared and pressured into plea deals. And no one cares until it happens to them.

Stop listening to people who say you need to boot-strap your way up, especially if they have never had to boot-strap their way anywhere.

This is a myth wealthy people have been telling poor people for centuries. It’s a way to keep poor and working-class people grinding away at jobs that create more wealth for them, not you. It’s a way to pit working class people and poor people against each other. Instead of showing each other compassion and joining together, we look down on anyone we see as “not working hard enough” — even when that mentality keeps us down too. Working hard is admirable; being made to feel lazy or less than because you lack equal opportunity is manipulation.

Rich people don’t have some magical way of thinking that makes them rich. They aren’t better, smarter, or more creative than poor people. They have more money, and more money offers greater opportunities. That’s it.

I’m not suggesting people shouldn’t try to better their lives. Never give up. What I’m saying is stop beating yourself up because you face a longer, tougher road to succeed than someone who was born into wealth and privilege. And try to have compassion for those who are struggling to make ends meet. Beating people down who are already exhausted isn’t just unfair — it’s cruel.

Wealthy white people love to see poor people fighting among ourselves.

If we dislike each other over things like race, sexual orientation, and religion, then we aren’t paying attention to what the billionaires and politicians are doing. They want you to get riled up over wedding cakes, who uses what bathroom, and what to say at Christmas time. By pumping out media stories that make you think you are losing something, or that your lifestyle is in danger, they can keep you focused on stuff that really makes no difference in your life.

I’ll put it like this: if I offered you $5 more per hour at your job on the condition you do not insert yourself in matters that don’t concern you, like gay couples getting married, would you accept it? Here’s another way to look at it: would you rather have a $100 Christmas bonus, or a $1000 Holiday bonus? When we take a step back, get honest, and ask ourselves if we genuinely care how other people live, the answer is usually no. We get fired up over the onslaught of shocking headlines, and that’s exactly what people in power want.

Rich people have convinced working class people that unions are bad.

Workers are stuck in low-paying jobs without the power to walk out and negotiate for better wages and benefits. News outlets (owned by rich people) frame stories of union walkouts as if workers are lazy or greedy. They often show workers of color on picket lines to reinforce the notion that black and brown people want “something for nothing.” That is one way to minimize wages for workers and maximize payouts to stockholders and CEOs.

If a CEO makes $120 million a year, in one year he or she has enough so they never have to work again for the rest of their life. They never have to work another day, and neither do their grandkids or great-grandkids. The entire family is set. Do you think they care if the company goes belly up? Why would they when they’ve got theirs? If you lose your job are you set? Corporations spend a great deal of time peddling fear in workers that the most important thing is the “health” of the company above all else. That’s just a tricky way to convince workers to take less, so those at the top can take more. What’s the best way to achieve that? Split up unions and take away workers’ power. There is power in numbers, and they know it, and do everything they can to keep us from seeing it. Remember: without your labor, they have nothing!

When the show Friends became a runaway hit it came time for the actors to renegotiate their contracts. David Schwimmer, who played Ross, went to the rest of the cast and suggested that, instead of negotiating individually, which could lead to resentment if some were paid more than others, they should negotiate as a single group. The result was the entire cast was paid the same for the run of the show. It was equal and fair, and no one left the show because of hurt feelings or resentment. That’s a union.

There is a myth that raising the minimum wage would allow unskilled workers to make as much as skilled workers and that wouldn’t be fair.

Again, this is more spinning of tales so that wealthy CEOs can keep worker pay at an all-time low while they make billions. The truth is if minimum wage went up, skilled wages would go up too. How? Let’s say you are an EMT working for $15.00 an hour and the minimum wage goes up. Now everyone working in retail and fast food is making the same as you. Pretty insulting, right? Wrong. That’s what corporations want you to think so you will fight to keep other poor people down. If the minimum wage rose to $15, you could get a job anywhere for the same pay. That would give you leverage to negotiate a higher wage by saying, essentially, “There is now an abundance of jobs paying what I make. I can leave and take one of those jobs unless you pay me more for my added skills.” Your skills are now worth more. Instead of $15, you may get $20, but you’ll never get the $20 if you keep fighting to keep others down. Lifting others lifts you up too.

Continuing to support politicians who give tax breaks to the rich is never going to make your life better.

When a company gains billions in tax breaks, the people at the top get multi-million-dollar bonuses. Workers at the bottom may (if they are incredibly lucky) get $1000 after 20 years of service. That’s $50 a year! A one-time bonus of a $1000 will do nothing to change a working person’s life. At best, it will alleviate a bit of stress for one month. One month for 20 years! Meanwhile, CEOs and other top executives are wondering if they should buy a yacht or another vacation home. While poor people are cheering over being thrown slop, the rich are pigging out at the buffet table.

If poor and working-class people stop fighting each other and band together, we have the numbers to make real change. Rich people know this, and it terrifies them. If we suddenly start demanding better wages, they may have to give up a bit of profit. If we start demanding health care and quality education, they may have to pay a bit more in taxes. If we start treating each other with respect and equality, they can no longer use fear, homophobia, racism, and propaganda to distract us.

We have the power. Now we need to stop giving it away.

Mike Nobody Eating A Hamburger

This is my tribute to Andy Warhol, on the 35th anniversary of his scene in the movie “66 Scenes From America” by danish filmmaker Jorgen Leth. The movie was shot in 1982 and has a total duration of 39 minutes. It consists of a series of shots (or moving postcards) that outline daily life  across the USA in the 1980’s.

Jorgen Leth did not know Warhol, but he was a bit obsessed with him so he definitely wanted to have him in his movie. Friends told Leth that he “should forget about it” and that he could never even approach Warhol.

Anyways – Leth was stubborn so when he came to New York for his movie he simply went to the “factory”, the building Warhol had rented to work at and despite all other claims simply managed to get to Warhol’s studio inside where he met Andy Warhol while he was currently working.

Leth just told Warhol about his movie and the idea of having Andy being one of the 66 scenes along with the highly “symbolic” burger. Warhol immediately liked the idea and agreed to the scene. Andy liked the scene as he said because it was such a real scene, something he would like to do.

So Andy Warhol agreed to come for filming a few days later.

Jorgen leth was a bit afraid that Warhol would not come. He had invited him to a photo studio in new York at 14th street/5th avenue that belonged to a friend of him.

Leth had his assistant buy some burgers and directly advised him to buy some in halfway neutral packaging as Leth was afraid that Warhol might reject some brands (Warhol always had an obsession with some of his favorite brands).

So Andy Warhol finally did arrive at the studio, of course along with his bodyguards, and when he saw the selection of burgers the assistant had brought he asked “Where is the McDonald’s?” and Leth – slightly in panic – was immediately like “I thought you would maybe not like to identify… “ and Warhol answered “no that is the most beautiful”. Leth offered to let his assistant quickly run to McDonald’s but Warhol refused like “No, never mind, I will take the Burger King.”

Directing the video was pretty simple. Leth said to him: “You simply have to eat this hamburger. And then after you finished, you have to eat it, after you finish you should just tell the camera, to the camera, my name is Andy Warhol, I have just eaten a hamburger. “

Leth was worried during the taking as he forgot to give Warhol a glass of water and the bottle of ketchup was brand new, so it was hard to get it out. But being a real Warhol there was only one take, one try, so Warhol pulled it through in just one take, roughly 5 minutes.

So, why a whopper from burger king?

A quote from Andy Warhol:

“What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it. “

 

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Today’s Blog

Music For The People

I haven’t posted much on my website blog in awhile. I have kept myself fairly occupied most of the time, despite outward appearances.

I’ve finally closed the door on The Island of Misfit Noise, as a recording group for good. It is still the title of a no-budget movie and comic book. But, for the purposes of collaborating with other musicians, it has outlived it’s usefulness. I will think of something else if I need it. I’m currently working on a new album with some friends and am keeping an eye out for available musicians to perform live with again.

My disability pay has not come yet. I’m annoyed. A mistake has been made by the Social Security Administration. I updated my account information with them over a month ago. But, they deposited this month’s payment into an account that is no longer active. I called their office and the bank. Hopefully, it will be straightened out soon. I need supplies to work on a few projects and it is holding me up. I have a lot of stuff to catch up on;

  • This week’s mail is ready to go out as soon as I get some postage.
  • My homemade drum kit (aka The ShitKit) is coming along really well. I need to get some parts from a hardware store to put it together.
  • I’m working on a short film to submit to a film festival next month. I need a few items for building props, sets, puppets, etc.
  • I have some incomplete paintings that require art supplies.
  • Someone is offering a free drafting table on Craigslist. I’m out of gas, though. Hopefully, it will still be there when I can refuel again.
  • I need funds to send my zines to the printers, if I am to have them ready in time for upcoming events.
  • I have VHS tapes that need to be transferred to my computer for editing. But, the VCR needs cleaning badly and I can’t find any tape head cleaners anywhere. I gotta get replacements.
  • Of course, there is also the matter of monthly bills and mundane household things; rent, phone, internet, debts, medications, food, dish soap, cat litter, paper towels, toilet paper, car insurance & license plate renewal, etc.

I recently sent out an email to those on my mailing list with a few details of upcoming events and a plea for financial support. I doubt that anybody will take me up on it. But, it never hurts to ask.

I’m writing a new horror story to be made into another low-budget movie, after “The Island of Misfit Noise” film is finished. It is a little more ambitious. It will actually require a REAL budget and not be made piecemeal like the IOMN.

Another project that I will undertake, a little bit later, is a compilation LP.  It will be funded collectively by the contributing artists. Everyone submits a song or two and their share of the budget to produce it. After the vinyl is pressed, everyone gets their percentage of the finished product, to sell at gigs. It is an old method of doing things, that I have participated in before. Another share of the records will be sent out for promotion, through radio and press.

But, before I embark on these and other projects, I need to finish up a couple of things and sort out my financial situation. I have enrolled in a debt consolidation program. So far, my credit cards seem to be under control. But, I have yet to get my payday loan debts arranged. I don’t believe that I can do that this month, because I have to buy a car insurance policy to renew my license plates. We will see how that comes along. Anyway, that is what I’m doing lately.

Timmy Vulgar

Timmy Vulgar ca-f-humaneye

Life is funny sometimes. It lands some odd coincidences in my lap a lot, it seems.

I had never listened to The Clone Defects, although they have been around the Detroit scene for a number of years. I did not know that guitarist / vocalist Timmy Vulgar was also in a bunch of other local groups. He has been around the block as much as I have (and then some). I also did not know that he & I had met before, when he was in his first band The Epileptix. I still have their debut 7″ EP that I purchased from him. We talked about the band Chrome and guitarist Helios Creed a little bit. That is all that I remember from our encounter.

Anyway, I got an invitation on Facebook to see his most recent band Timmy’s Organism play at the UFO Factory next month. I did a little research, and dang! This is my kinda guy. Mostly, he plays a kind of psychedelic punk and employs the style of low budget freakishness that I am known for. If he ever needs a bassist, or wants to collaborate, I think I am up for it… if he is.

Timmy Vulgar tim

The Island of Misfit Noise Movie and Comix

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Thus far, I hadn’t given the plot of our film much thought beyond the original premise that I gave TomCat Z. and John Pirog. I had assumed that we could just continue to add material until we had enough for a complete film. It is possible that we may still follow that method to some degree. It may be a financial necessity. But, it also occurred to me that having a few characters that we could build stories around wouldn’t be a bad idea, either. I mentioned the Teenage Mutant Ninja Turtles and all those 1990’s bands who styled themselves as superheroes for examples.

One of my big influences on The Island of Misfit Noise movie is Japanese Tokusatsu (特撮) shows like Ultraman, Giant Robot, and the Godzilla / Mothra franchises.

Oh yes, there will be giant fighting robots and monsters. There will be.

If this is a group of heroes getting into constant trouble, I could sorta model them after characters from Doctor Who, Star Trek, Lost In Space, Josie And The Pussycats, and Scooby Doo, Where Are You?, always arriving somewhere new and finding some shit to get into. If they are musicians, there will be four of them, like The Monkees or The Beatles. Each has their own character archetype, skills and abilities, like the Teenage Mutant Ninja Turtles or The Marx Brothers. When they get into deep shit beyond their capabilities, the giant robot comes to save them. Also, the robot is a fill-in drummer, because he keeps excellent time and doesn’t get tired. They are constantly losing and replacing drummers, like Spinal Tap.

Other big influences of mine is, of course, cheap B-movies and television programs. Sid & Marty Krofft‘s 1970’s Saturday morning children’s shows comes to mind as an excellent example. I even called the IOMN movie “H.R. Pufnstuf on crack”, once or twice.

So, there will be lots of green screen, cheap sets, cheap costumes, cheap, cheap, cheap. It is very likely that almost everything you see is gonna be made of cardboard, tinfoil, and papier-mâché if it isn’t something found or outright stolen.

Before we get started putting together any props or shit, I may publish the IOMN comics in my zine, Thee Urban SpaceCat. At the very least, it will give me an opportunity to work out some things that will eventually wind up in the movie. The Walking Dead TV series began as a comic. Hell, most of the movies out lately are based on comic books. They must be doing something right. It is also fitting, because the zine began as a concept for a comic book and I will probably be publishing through a printer that specializes in comic books. So, there is that too.

Tatsuya Yoshida, John Cage, and Boxes of Tapes

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I do not know where all of my old tapes are. Here are a few. Despite my reputation as a pack rat, I do discard and lose a lot of important things. There is still a lot here to dig through, some dating back to the 1970’s. There are more recent ones laying around from making memos to myself, quick jams, meeting up to jam with various musicians, etc.

I learned to read music in elementary school. I forgot how, though, after years of just jamming with bands who couldn’t read. Also, transcribed music never felt like an accurate representation of “music”, to me. I always visualized music in waves, shapes, and colors, like a rainbow oscilloscope!

John Cage wrote music kind of like that. I preferred how he wrote down music. It just made more sense to me than traditional transcribed music.

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Tatsuya Yoshida seems to have been influenced by Cage a lot. He even wrote a tribute song, composed in John Cage’s style. Of course Tatsuya Yoshida’s biggest influence would seem to be Christian Vander and Magma. His group, Ruins, borrows Magma‘s compositional style almost completely, adapting it to fit a drum & bass duo.

Tatsuya Yoshida
From Wikipedia, the free encyclopedia

Tatsuya Yoshida (吉田達也 Yoshida Tatsuya?) (born in Kitakami, Iwate is a Japanese musician; drummer and composer who is the only consistent member of the renowned progressive rock duo Ruins, as well as Koenji Hyakkei. He is also a member of the progressive rock trios Korekyojinn and Daimonji. Outside of his own groups, Yoshida is renowned for his tenure as drummer in the indie progressive group YBO2, a band also featuring guitarist KK Null, whom he also joins in the current line up of Zeni Geva and he has played drums in a late edition of Samla Mammas Manna. He has been cited as “[the] indisputable master drummer of the Japanese underground”.
Along with his participation in bands, he has also released several solo recordings.

I like the “cut & paste” style of composing. It offers a lot of freedom. I mean, it is nice when a complete song just hits you all at once. But, that seldom happens when playing in a group. I would be lucky if I found a really good drummer that I found a good groove with. Maybe composing alone will help me write more easily. I have plenty of raw material that I can draw from.