Hello!

Mike Nobody - GLITCH Portait 022

“All the various styles are organically connected to one another. I’m an additive person—the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can’t see the connections, but they are there.” ~ John Zorn

“Cute, cool, and creepy”, is how I have been described by some folks.
Usually, I am classified by my contemporaries as an outsider artist-musician.
Davin Brainard (time Stereo) and Warren DeFever (His Name Is Alive) observed that I do not intentionally TRY to be perceived as weird, that I just naturally AM….. making comparisons to Wesley Willis and Daniel Johnston. I guess that I will just go along with those descriptions.

Music, Videos, Paintings, and Art /

Bass, Baritone, and other Guitars /

Electronic & Junkyard Percussion /

Keyboards & Toys /

Plunderphonics & Noise

I enjoy creating what I refer to as “Prog-Punk Noise-Rock”, a strange pastiche of many styles. I have collaborated with plenty of other artists.

I have always been obsessively into art and music; drawing, painting, playing with tape recorders and making noise. I built my first guitar from a badly beaten-up body & neck that I found in someone’s trash. A friend’s dad gave me the electrical guts from an unknown 1950’s guitar. Additional parts were improvised from pieces of found junk and bought from a music store.

When I was a twelve year old kid, back in the 1980’s, I was just a runt of the Detroit hardcore punk / heavy metal scene . Lacking enough money to buy any good equipment, I purchased a cheap microphone at a pawn shop and passed myself off as a vocalist. I sang in whatever groups that I could find, gaining experience and learning whatever that I could. Mostly, it was shitty cover bands, playing in basements, getting yelled at by uninvited drunks that we suck. Eventually, I improved my bass & guitar skills, playing in many short-lived groups that went nowhere.

I wrote for The Jam Rag, a widely-read local music paper, while still a teenager and made friends with other artists along the way. During the 1990’s I was a cameraman, roadie, and occasional collaborator with Princess Dragon-Mom, Mog Stunt Team, His Name Is Alive, etc.. I also performed in a few experimental groups; Bionics, Edible Audio, Fresh Farm Raised Catfish, etc.

The Island of Misfit Noise began in the summer of 1998 with only Mystic MarshaKat and myself. She played keyboards & guitar (classically trained) and I played bass & guitar (mostly self-taught). Both of us were former members of N2-Submission, the backing band for our then-roommate The Impaler “Detroit’s Vampire Poet.” Our duo’s name changed a couple of times, before settling on the IOMN.  Other musicians came and went during a period of 15 years, with she & I being the only constant members of the group. She also left in early 2013. MarshaKat and I remain friends. An experienced professional photographer and business manager, she may continue to assist in some capacity, just not as a full-time band member.

I resurrected the IOMN as a recording project in late 2014, with collaborators from Michigan to Australia. We exchanged music back-and-forth until enough songs were completed for the EP, “Stone Soup & Mulligan Stew”. The style of music we made is very freeform. A few collaborators from the IOMN have joined me in other projects. Some of them have experience in film & television and are producing low-budget movies with me.

After years of trial-and-error, I have come to the conclusion that I simply lack the necessary social skills to keep a stable group together. I tried for ages to put a band together. But, I could never manage it for very long. I am focusing primarily on composition and recording, for the time being. I will return to live performance when I am certain that the project won’t immediately disintegrate. Assembling the right line-up and keeping it intact is a big obstacle. I would like to eventually have a live group again. At minimum, having a decent drummer to accompany me would be nice. I get uneasy being on stage alone. But, an ideal line-up would include:

  • Myself on bass / vocals / tapes.
  • A creative drummer. Someone who is comfortable playing with additional percussionists, drum machines, samples, noise, or other stuff.
  • Maybe two or more guitarists who could also contribute more percussion, keyboards, samplers, vocals, whatever.

Maybe I will just go back to replacing musicians as I go along…. again. I’m currently preparing a one-man-band type thing that I can perform by myself with just a bass and my crazy setup. I’ll make it work, somehow.

Some of my current projects;

  • Mike Damn Nobody is my solo noise project, similar to Merzbow, Masonna, MSBR, Incapacitants, The Haters, Solmania, Hanatarash, C.C.C.C., Violent Onsen Geisha, Evil Moisture, etc.. I might book some shows for this again. Recordings are available as “RecycleTapes”, as well as digital downloads.
  • Theee Urban SpaceCat (Cassette-Zine) is a publication of my artwork, ramblings, stories, correspondences, miscellaneous found objects, music, commentary, and almost anything else packaged with a cassette tape or compact disc of my recordings… whatever they may be. I wish to publish an issue every three or four months (depending on available funds). I might have to cut corners for awhile. It is intended as an outlet for all of my artistic endeavors combined into one package, modeled after my decades of correspondences with pen-pals.
  • Island of Misfit Noise is a musician collective, of sorts. It is basically whoever wants to collaborate with me. No long-term commitments are required.
  • The Island of Misfit Noise (Movie) is an on-again-off-again film production of an extremely low-budget (no budget) Sci-Fi Comedy. We are working on it, one piece at a time, as resources become available.
  • The Island of Misfit Noise (Comix) is a series of DIY comic books that I’m working on, at least until the movie gets made. I’m also sending art & writing to other zinesters seeking collaborations.
  •  MykNobody is an alternate spelling sometimes used when I’m writing or drawing…… without really any justifiable reason why.

♛ ★ ★ ★ ★ ★ ★ ☆ Prog ☆ Punk 🐱 Noise ☆ Rock ☆ ★ ★ ★ ★ ★ ★ ♛

Over time, I have received some frequently asked questions. So, I will add this below, if anybody really wants to know:

Gear Geek Stuff:

I don’t have a rehearsal space, just a tiny apartment.

I have two multi-track machines;

  • one cassette (Tascam 488 MKII 8-track Portastudio)
  • one digital (Roland VS-1688 Digital Audio Workstation)

On my computer, I use whatever freeware programs that are available online. Two old broken boomboxes serve as studio monitors. I also collect various cassette, micro-cassette, and reel-to-reel tape recorders.

I don’t have very high quality microphones;

  • A modified telephone receiver, with an XLR jack installed
  • an old abused Radio Shack mic
  • another stolen from a karaoke machine
  • and several cheaper models from 1970’s tape recorders

I prefer recording electrical instruments directly, via preamps or emulators, and mic-ing up an ambient “room sound” for acoustic tracks. Analog tape is good for getting a saturated compression sound, well-suited to percussion instruments or creating tape noises. Digital is good at getting a cleaner sound. I record the bulk of my material at home. I typically make demos during the week and begin multi-tracking by the weekend. My original plan was to lay basic tracks on tape, bounce them to digital, then either take the tracks to someone else for mixing (maybe at a higher quality studio with a good engineer) or figure out how to do it myself.

I used to have a homemade drum kit, affectionately referred to as my “ShitKit”. It was a hodgepodge of rusted crappy drums acquired from the Salvation Army. Instead of cymbals I added scrap metal and junk, for a clunkier sound. Unfortunately, it was mistakenly hauled away by scrappers from a friend’s garage. But, I am rebuilding another “new-and-improved” version, ShitKit 2.0!

I am always making improvements to my setup, when I can. I have some cheap keyboards and electronic drum pads. But, I would like to collect drum machines and samplers as I go along. There are some models of foot drum kits that look interesting. I also have a couple of ideas for custom basses / guitars that I would like to get built. Adding other instruments to my arsenal would be fantastic. Drooling over music equipment catalogs is an old pastime of mine.

My bass / guitar setup has evolved over time into an unusual hybrid rig, splitting the instrument signal three ways, combined with various effects into a “sonic sandwich”;

  • one through a bass amp (SWR)
  • one through a lead guitar amp (Marshall)
  • one direct to mixer (Line 6 POD)

Vocals are divided between common vocal microphones and a modified telephone receiver, with effects added.

Miscellaneous samples and noise collages are prepared on cassette tape and played back with a pair of foot-controlled Dictaphone machines fed directly into the mixer.

I have two basses;

  • 1987 Guild Pilot with tremolo bar. I use recycled copper/nylon picks, for more attack and articulation.
  • Jay Turser knock-off of the Hofner viola-style “Beatle Bass” model played by Paul McCartney. I use this shorter-scale bass mainly for cleaner fingerplaying techniques.

I have two guitars;

  • Line 6 Variax guitar, to achieve a wide variety of tones.
  • Ibanez RX-Series guitar with a Seymour Duncan Humbucker that I installed at the bridge. It is usually tuned down to “Drop-A”, like a baritone. But, I also use it for other alternate tunings.

I prefer Ground Roundwound strings, for their smooth feel – yet bright tone. Stainless steel armored instrument cables are also very durable and minimize ground noise.

I had accumulated more gear over the years. But, a lot of my pedals, instruments, and equipment were destroyed or sold. If I had the means, I could easily go overboard with using too much stuff. I will try almost anything that I can get my hands on. If I were able to, I’d probably have a mountain of pedals and rackloads of processors. But, realistically, I know that isn’t practical… especially in a live environment. So, a lot of my gear stays at home. I will likely just limit myself to what can fit onto one pedalboard.

Experiments in circuit-bending and homemade instrument building have yielded mixed results. But, I can get some interesting sounds out of them, if the darn things don’t self-destruct first.

Some of my ex’s gear is on loan while she looks for a new place to live. So, since it is being stored here, I can record with it. So, that is cool.

Creativity Stuff:

My songwriting style is a mix of eclectic influences juxtaposed together. I like combining a bit of everything, when I can.

Sometimes it is harmonious.

Sometimes it is schizophrenic.

Sometimes it is simple and accessible.

Sometimes it is noisy and irritating

It can be almost anything, depending on the song. I am now writing within three basic categories;

  1. Solo. Material that I can play alone without additional players.
  2. Band. Material that requires other musicians to perform live.
  3. Album. Material that is very difficult or impossible to be played live at all, recorded solely for album releases.

Lyrics are kind of an afterthought for me. I’ll write down any ideas I get and go back to them later if I am working on something. But, music comes first. Lyrics might be personal or political. They may be strange and surreal. Overall, it is “the little world”, “the big world”, and the English Language… or any language.

I’ve played with lots of different musicians, of almost every genre. Whatever my “sound” is, describing it would be exhaustingly long, like Frank Zappa’s Freak Out List  and the Nurse with Wound list combined! But, some notable influences include;

  • ¡Tchkung!
  • Alice Donut
  • Bad Brains
  • Bad Religion
  • Beatles
  • Beck
  • Jared Warren (KARP, Big Business, Melvins)
  • Bootsy Collins (Parliament-Funkadelic)
  • Bran Flakes
  • Robert Smith (The Cure)
  • Brian May (Queen)
  • Buzz Osbourne (Melvins)
  • Captain Beefheart (The Magic Band)
  • Carl Stalling
  • Caroliner
  • Chris Squire (Yes)
  • Chuck Mosley (Faith No More, Bad Brains)
  • Cliff Burton (Metallica)
  • Comets on Fire
  • Comparative Anatomy
  • Cop Shoot Cop
  • Crash Worship
  • Crass
  • Daft Punk
  • Dale Flattum (Steel Pole Bath Tub, Tumor Circus, Milk Cult)
  • Daniel Johnston
  • David Bowie
  • David Grohl (Scream, Nirvana, Foo Fighters)
  • Dennis Dunaway (Alice Cooper)
  • Destroy All Monsters
  • Gerald Casale (Devo)
  • Bob Log III (Doo Rag)
  • Doug Henderson (Krackhouse, Spongehead)
  • Dust Brothers (Beastie Boys, Beck)
  • East Bay Ray & Jello Biafra (Dead Kennedys)
  • Einstürzende Neubauten
  • Evolution Control Committee
  • Fat Mike (NOFX)
  • Wayne Coyne (The Flaming Lips)
  • Flipper
  • Frank Zappa (Mothers of Invention)
  • Geddy Lee (Rush)
  • Geezer Butler & Toni Iommi (Black Sabbath)
  • Gene Simmons & Ace Frehley (KISS)
  • Godheadsilo
  • Greg Ginn & Kira Roessler (Black Flag)
  • Grotus
  • Hazil Adkins
  • Helios Creed (Chrome)
  • Hide (Ultra Bidé)
  • Ian Mackaye (Minor Theat, Fugazi)
  • Ichirou Agata (Melt-Banana)
  • Iggy Pop & The Stooges
  • Jaco Pastorius (Weather Report)
  • Jad Fair (1/2 Japanese, Strobe Talbot)
  • Jerry Garcia (Grateful Dead)
  • Duane Denison & David Wm. Sims (The Jesus Lizard)
  • Jimi Hendrix
  • Joey Shithead Keithley (D.O.A.)
  • John Bonham & Jimmy Page (Led Zeppelin)
  • John Oswald (Plunderphonics)
  • John S. Hall & Bradford Reed (King Missile)
  • John Zorn (Naked City, Painkiller)
  • Juan Garcia Esquivel
  • Jucifer
  • Kevin Rutmanis (The Cows, Melvins, Hepa/Titus)
  • Killdozer
  • Larry Graham (Sly & the Family Stone, Graham Central Station)
  • Kevin Strickland & Larissa Strickland (Laughing Hyenas)
  • Lemmy Kilmister (Motörhead, Hawkwind)
  • Les Claypool (Primus)
  • Lightning Bolt
  • Black Pus
  • Malcolm Young & Angus Young (AC/DC)
  • Marc Bolan (T. Rex)
  • Mark Sandman (Morphine)
  • Masahiko Ohno (Solmania)
  • Masonna
  • Curt Kirkwood & Cris Kirkwood (Meat Puppets)
  • Masami Akita (Merzbow)
  • Mike Patton (Faith No More, Mr. Bungle, Fantomas, Tomahawk)
  • Mike Watt (Minutemen, fIREHOSE)
  • Negativland
  • Omoide Hatoba
  • Pat Smear (Germs, Nirvana, Foo Fighters)
  • Paul Leary (Butthole Surfers, Melvins)
  • Pussy Galore
  • R. Stevie Moore
  • The Ramones
  • Raymond Scott
  • The Residents
  • Rob Wright & John Wright (NoMeansNo)
  • Roky Erikson (13th Floor Elevators)
  • Root Boy Slim & The Sex Change Band
  • Scott Lucas (Local H)
  • Sebadoh
  • The Shaggs
  • Shannon Selberg (The Cows, Heroine Sheiks)
  • Shockabilly
  • Shonen Knife
  • Six Finger Satellite
  • Skeleton Key
  • Sonic Youth
  • Kim Thayil (Soundgarden)
  • Space Streakings
  • Stan Lee & Leonard Graves Phillips (The Dickies)
  • Stanley Clarke
  • Steve Albini (Big Black, Rapeman, Shellac)
  • Subhumans
  • Superconductor
  • Syd Barrett (Pink Floyd)
  • Tatsuya Yoshida (Ruins, Zeni Geva)
  • They Might Be Giants
  • Thin Lizzy
  • Throbbing Gristle
  • Thrones
  • Tom Morello & Tim Commerford (Rage Against The Machine)
  • Tom Waits
  • Tragic Mulatto
  • Trans Am
  • Victims Family
  • Violent Onsen Geisha
  • Ween
  • Weird Paul Petroskey
  • Wesley Willis
  • Wildman Fischer
  • Yamatsuka Eye (Boredoms, Hanatarash, UFO or Die)
  • Zach Hill (Hella)
  • Zen Guerrilla
  • ZZ Top
  • etc., etc., etc., etc., etc., etc.

I tried for years and years to arrange having dual drummers play together. We managed to do it a few times, which was great while it lasted. Most drummers are not into that, though. I have been told that they want to be guitarists, instead. But, I prefer performing with someone who enjoys learning the instrument that they are playing, who really spends time improving their skills. Y’know?

I always needed to be collaborating with somebody, whether an individual or a group. It gave me confidence and motivation. I would bounce ideas off of other bandmates, to get a feel for their capabilities and preferences, to find which direction that we were going in. I depended a lot on their input to filter my ideas through. I was always looking for feedback, trying to be as democratic as possible. But, this approach slowed us down, frustrating everyone. In hindsight, it was a mistake, like driving a car with the parking brake on.

My lifelong struggling with mental illness sometimes gets in the way as well. Clinical depression and social anxiety are a debilitating combination. Medications help to keep the highs and lows manageable. But, they aren’t a cure.

Techniques:

I will play almost any instrument available to me. I might not be good at it. But, I’ll play it anyway. My attempts at drumming have been pitiful. My foot coordination is terrible. I finally ended up positioning the bass drum sideways, playing it timpani-style.

My vocals tend to be on the high and nasally side. But, I give it a little growl on the low end. Adding effects makes for a little more variety and covers-up my natural voice a little bit, which I’ve never liked very much.

My guitar / bass playing skills are pretty good, not virtuoso… but still, pretty good. I believe that I’m a better bassist than a guitarist and a better composer than a musician.

I visualize music as abstract sounds, in waves, shapes and colors… like a rainbow oscilloscope. I’m re-learning to translate that into sheet music. On paper, though, it always seemed too rigid to me. Sometimes, I’ll jam out some riffs for demos and pick out the best ones to work with later. Sometimes, I’ll sing everything acapella, bang on stuff, make noises to tape, and interpret it later. On rare occasions, I’ve had entire songs pop into my head while I scramble to get it recorded before I forget.

“Thinking too much can ruin a good time” – D. Boon (Minutemen)

When I am creating music & art, I probably do my best when my brain is turned off, mental finger-painting. Everything that I am doing is sort of revealed to me as I am doing it. So, I don’t really know what it is until I am finished. Conscious messages don’t work very well for me.

I would like to release more completed material on a regular basis, like a daily drawing or a monthly video / blog. Something like that. I want to finish a new song each week, at least 50 per year. Can I adhere to that goal? I dunno. For now, it seems to be happening in short bursts. Stressing-out about money, transportation, food, housing, living conditions, or other distractions messes-up my mojo too easily.

I’m a little envious of more prolific artists who would constantly crank stuff out every day. That’s why Andy Warhol’s studio was called “The Factory.” I don’t really operate like that. It comes out when it wants to, not when I want it to. I mean, I feel better while I’m working on something. But, I feel like shit when I’m trying to get started. I also have a terrible habit of discarding incomplete creations. There’s tons of it out there, probably buried under a mountain of used diapers and coffee grounds in a landfill somewhere! I’ve reintroduced meditation into my daily routine and am searching for better methods to remain relaxed and avoid distractions.

Physical Appearance:

Having a standard uniform of your own is useful. People like Albert Einstein, Sigmund Freud, and Steve Jobs wore clothing everyday that was nearly identical to all of the other clothes that they owned. It saved time and brainpower finding something to wear, when their entire wardrobes were virtually the same.

 The Science Of Simplicity: Why Successful People Wear The Same Thing Every Day

My physical appearance doesn’t change very much, day-to-day, either. Nearly everything I own is secondhand, from yard sales, garage sales, and thrift stores. I’ve always been a t-shirt and jeans guy. If I can’t find an outfit for under $12, I probably won’t buy it.

Sometimes I try out new things, making small modifications to my so-called image (if I really have one). So, none of this is permanent. But, my typical everyday outfit includes;

  • Goatee & long hair (sometimes tied back). I’ve experimented with different hairstyles over the years; perms, dreadlocks, metal mohawk, dyes (pink, red, black), etc. I might dye it again, especially If I begin to get grey hair. My 80 year old grandmother stopped dying her hair, after forty years. It is now albino white and looks very odd.
  • Black goes with everything. So, I usually wear a pair of black jeans with a black button shirt. Sometimes, a bumflap is added if I’m going to be outside very much. It covers your butt from wet surfaces if you sit down.
  •  I like mixing it up a little with different t-shirts.
  • Cheap and comfortable Converse Chuck Taylors have always been my go-to shoes.
  • Recycled rubber belts adorned with a Captain America shield buckle look spiffy. I’ve had random strangers compliment me on it a lot, surprisingly.
  • Red glitter nail polish adds some color.

I seldom drink alcohol and I loathe beer. I don’t smoke tobacco or use drugs, other than prescription. It doesn’t really matter to me if anybody else does, unless it gets in the way of working or becomes obnoxious. Marijuana and hallucinogens are more tolerated than harder drugs.

There are not many groups that I believe I would fit into if I didn’t begin from scratch. I never had any delusions about “making it big” or getting rich. Making a decent living as a self-employed full-time artist / musician would be great, if possible. I am content if I make enough money to cover expenses, have a good dinner, and pay a few bills.

I have two Facebook groups for collaborating, exchanging music, and chatting (one public, one private). You can find that here.

If you want to check out upcoming events or new stuff available add yourself onto the mailing list in the sidebar. There are also fundraising links there, if you want to support my efforts.

Thanks!

Vlogging Update: May 2017

BIG EYES & MOUTH FIREPAINT.png

Hey y’all,

Sorry for the long absence.

My computer died.

I gave it to my aunt to work on.

She does IT work for the local school district.

Unable to fix it, she gave me another one that a school was getting rid of.

I tried to salvage what I could from the old one.

But, most of my programs and files were lost.

I’ve been searching for the missing software and restoring what I can.

My scanner/printer didn’t want to cooperate with the new computer.

I tried replacing it.

But, the replacements didn’t work either.

After a couple of days messing with it, I finally got it running.

My van has a million problems.

But, at least I got the front tire fixed that kept going flat.

I’ve replaced that tire THREE TIMES and it still kept going flat.

I thought maybe the rim was bent.

I had it looked at and they found a piece of metal lodged inside.

They patched it up.

Now, it shouldn’t be a problem anymore.

Only cost me $15 bucks (thank God)!

I tried to repay my grandmother $700 dollars I owe her.

She forgave some of it.

My ex forgave the $200 I owed her, too, since I’ve been helping her relocate and move her stuff.

Not sure how I’ll get my other debts paid.

But, I try not to get stressed out about it.

That really fucks up my creativity.

Boo Boo the Christmas Kitty

I have somebody living with me again.

Her name is Boo.

I named her after Boo Boo Kitty, the beloved stuffed animal on “Laverne & Shirley”… not Yogi Bear’s sidekick.

boobookittylaverne

A couple of years ago, about a week before Christmas, I stopped at a Kroger’s for some food and pop.

The weather was pretty bad.

It was really cold and the snow was kinda deep.

But, we were out of everything back at our apartment.

The first thing I saw upon entering is somebody holding a cardboard box with a meowing kitten inside.

The employees had found it by the dumpster behind the store.

There were no other cats in the area.

The clerks at Kroger’s were looking for somebody to give it a home, or else they were going to send it to the pound.

Animals aren’t kept there very long before they are put down.

My then-girlfriend and I already had four rescue cats.

But, I didn’t want the poor thing to be harmed.

So, I bought some cat food and took her home with me.

I put the box in the backseat and went home.

But, she managed to get the lid open halfway there.

Totally freaking out, because she never rode in a car before, she jumped onto my head and held on for dear life.

I was able to move her down to my chest, with her arms around my neck, and continued driving the car with her like that.

I put her back inside the box and walked in.

My girlfriend tried guessing what I had in the box.

But, it wasn’t long before Boo popped her head out, purring loudly.

We never had any extra money around to buy Christmas presents for each other.

But, I think Boo made up for it that year.

The other cats raised her, like a foster family.

The next year my girlfriend left, though.

It isn’t like we were fighting or anything.

We are still friends.

But, I think, between our disabilities and state of mind, we were bringing each other down.

She took three of the cats.

I was forced to give away one and euthanize the other, who was extremely sick.

It was very sad.

In the few years since we have lived apart, I have managed to get an affordable apartment of my own and somewhat stabilize my mental condition.

My ex was less fortunate.

She had many ups-and-downs after getting married, until finally their relationship seems to have acrimoniously ended.

She stayed with a friend for a few weeks, sleeping on the floor.

But, now, has a place of her own.

She couldn’t take all of the cats with her.

So, I got Boo back.

The building where I am only allows one pet per tenant, has costly pet fees, and the rules are kinda strict.

She had to get shots, a collar with a name tag, and a bunch of other stuff.

But, Boo is happy to be with me again.

I got her a cardboard scratching pad and a free cat tree from Craigslist someone was throwing away.

I made her litterbox from a plastic tray, construction grade trash bags, and a cardboard box that I found.

I can only afford dollar store cat food and litter.

But, she doesn’t mind.

She follows me around like a shadow and always wants attention.

She often sleeps on my chest or stomach while I’m in bed and curls up on my lap.

She has become my new meditation partner, reminding me to get started and joins me.

Sometimes, when she gets bored though, I can tell that she misses my ex and the other cats.

But, a little catnip and quality time cheers her up.

Boo 20170331_162202

Plunderphonics

 

This is a nice little introduction to the term PLUNDERPHONICS, if you don’t know what that is. I am not the first, nor will I be the last, to sample and mash-up sound from many borrowed sources. It isn’t ALL that I do, of course. But, it is a very useful, powerfully flexible, artistic technique that I keep in my toolbox.

I like sound collage.
Hell, I like almost any collage.
I will use a piece of trash found behind a dumpster in a mixed-media painting if I think that it looks right to me.
For decades, I have collected lots of DVDs, VHS tapes, 8mm films, used records / CDs / tapes, and like finding more stuff online from pirate sites and YouTube.
So, I have a LOT of raw material available to dig through, if I want to find good samples to work with.

However, copyright law is often vague and messy. It is REALLY easy to get into deep trouble. I’ve had numerous videos removed from YouTube and lost many accounts there. I got threatened by Disney’s lawyers once. So, I probably won’t be uploading many videos containing samples, unless I think it might be ignored by YouTube’s anti-infringement algorithm.

Generally, I look for samples that are difficult to recognize. Just a few seconds. I will manipulate them to sound less identifiable, with some exceptions. But, whatever works for the song, works for the song.

 

Downtime….Reboot!

Crumb Answer

I’m gonna be offline for a week or two.

I’m disconnecting my cable/internet for a short time.

But, I should return with a cheaper internet package and save a few bucks.

I really need it!

 

I’m looking for a part-time job to cover my increasing expenses.

I may have found something that could work out.

But, I haven’t gotten a reply yet.

 

My computer has been gone for a few weeks.

It died.

My aunt, who does IT work for the local school district, is trying to Frankenstein together a new one for me from that and other parts which I had laying around.

I’ve been using a tiny laptop, on loan, with very little memory and few capabilities.

It is basically just for reading email.

I may look into getting another, if I can get this job.

 

I need it for doing some of my work.

Between that and typical money problems, I think I will have to change some plans.

Theee Urban SpaceCat Cassette-Zine WILL get published….yes, really.

But, I will have to make a cheaper version; no color, no glossy paper, none of the slick extras that I intended to include with it.

A lot of stuff that I already completed will have go back into storage, I guess.

It’s a bummer.

But, it’s that or nothing.

I’m tired of nothing.

I’m tired of delays, delays, delays.

My greatest strengths and weaknesses are patience and persistence.

I never know when to quit.

I’d rather not do anything at all, than do something that I don’t wanna do, the way that I don’t wanna do it.

This is probably why I throw away so much stuff that I create, before it even gets finished.

 

But, when I get my computer back, when I get my internet back, I’m probably gonna put out a LOT more material.

I already have at least, like, five videos waiting to be edited and uploaded.

I have hours of demos to finish tracking and mixing.

Four blog posts are half-finished.

I have two filing cabinets full of other stuff that I’m working on.

So, shit is gonna happen.

Eventually, I will get everything done more to my liking.

But, at least temporarily, it is gonna have to be released econo-style.

 

The Island of Misfit Noise (Comix) will be published very close to the same time as Theee Urban SpaceCat Cassette-Zine.

The Island of Misfit Noise (Movie) is slowly being put together.

I found a makeshift green screen at a dollar store and may have found some chromakey freeware online.

This makes a HUGE difference between what I CAN and CANNOT do.

 

I don’t have anything really ready yet for live performing.

I will probably get to that while I’m mixing recordings for Theee Urban SpaceCat.

I have projection screens, a video mixer, and some VCRs.

I still need video projectors

But, putting on a decent video / light show with my set is getting to be more viable.

Maybe somebody can hook me up with some venues, when I’ve got this put together?

 

I’m gonna be Steve Austin on the comeback, man!

“We can rebuild him. We have the technology. We can make him better than he was. Better…stronger…faster.”

6milliondollarman

Why punk and skate?

My sentiments exactly!

Punx In Solidarity Blog

I was 15 years old. I was depressed and my home life was shit. I had been sent to a shrink. It was bull shit. I got a skateboard and a Bad Religion album. And for the first time Infelt fucking alive. This path has given me head injuries; bad ankles; trashed shoulder; lost nights; strained relationships and all other manner of insanity. I wouldn’t trade any of it. I have friends old and recent that are my fucking family. It is the one thing that has always It’s the reason I didn’t open my skin when I wasn’t able to feel comfortable in it. It has ALWAYS unquestionably and unconditionally made me feel loved. 19 years later I look back and realize the wreckage a board and punk tunes have drug me through. It’s allowed me to survive and love life!

C Fish

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Groundhog Day

monitor

I was gonna record a vlog to go with this (including a new song!). But, I didn’t get around to it. I’ll try to get it out this weekend, maybe. I have been digging through my old practice tapes and recording new demos for a couple of months now. I am not happy with a lot of it. But, you always have to dig through a lot of shit to find anything useful. Since I haven’t put out anything in a long time, I have been contributing to other people’s projects. I was asked by Uncle Ghoulie to provide some artwork and sounds to Truth Porn MilitiaNo Budget Radio Podcast. So, that is cool. I will be getting that out soon. There have also been some zines and other things requesting my input. So, I haven’t been completely unproductive, I guess.

I’m really beginning to wonder if maybe I should just give away my notes & artwork to let someone else make my movies. At least then they would get produced SOMEHOW. Tim Burton had almost nothing to do with making Tim Burton’s The Nightmare Before Christmas, yet his name is still in the title. He just gave his old sketchbook to another director and said, “Here. Knock yourself out.” Good idea? Bad idea? I don’t know. But, it looks like if I’m gonna produce it, it will likely be a few years until it it is done. Even if I cut costs to the absolute bone and it looks like dogshit, I don’t think I can get it done.

I’m crossing my fingers and hoping that I can get Theee Urban SpaceCat finally going this month. I should have enough raw material for a few issues already. I’ve been continually painting, drawing, recording, writing, etc. It really comes down to paying for putting it out there. I’ll deal with other expenses later, if it becomes necessary.

After over a year of keeping my stuff in storage, lacking enough funds, I recently had to let go of my storage unit. I have downsized a lot of it. So, at least I can fit everything in my grandmother’s garage (between the Christmas decorations and patio furniture). She gave me a nice bookshelf that was no longer wanted. So, I finally have somewhere to keep what is left of my vinyl LPs. I was very disappointed to realize how much of my collection that I’ve sold off.

She also gave me a free pizza promotional card that she got in the mail from Domino’s Pizza. I later brought the pizza back to her house. She, my nephew Michael, and I enjoyed a large deluxe. Mmmmmm.

I gotta finish cleaning up here, soon. There is an apartment inspection coming Monday. The landlord is making sure that no bed bugs have returned. Thankfully, the place has been pest-free for a year now. As a matter of fact, it was during the bug extermination last winter that I began renting my storage unit. So, it lasted one whole year.

I just got a small loan to cover my rent problem (last month’s check bounced!). I needed to pay two month’s rent and late/returned check fees IMMEDIATELY or I would get evicted. I’m not sure how much more financial Jiu-Jitsu I can pull off before it finally catches up with me. The van has a lot of mechanical problems needing fixing. I still cannot afford to put insurance on it. I’m risking jail time for driving without it (a misdemeanor in Michigan!). I’m in debt to my eyeballs to doctors & hospitals, credit cards, collection agencies, etc.

I set up a Patreon account. Maybe, I can find a little help from some folks, to fix my money situation. It is a long shot, I guess. But, what have I got to lose? I will post music, videos, and other stuff for patrons that won’t get released anywhere else. I’ll be adding more bonuses for supporters (t-shirts, stickers, magnets, flamethrowers, meat cannons, etc.) when I have them available. Any assistance is appreciated! Thanks.

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