This was originally intended for a compilation. But, I missed the deadline. So, I reworked it into something different, a bit longer, for an upcoming issue of “Theee Urban SpaceCat” #3 cassette-zine. I’m working on more material that I can perform live. But, this plunderphonics style track is still pretty good and I didn’t want to waste it.
Time still flies when you aren’t having any fun. I am absolutely certain that time speeds up as you age. That is why old people wear clothes that are out of style. It was still in fashion just a minute ago, for them.
I was planning to include a vlog today, since vlogging is meant to be half of these posts. But, honestly, I don’t have anything worth videotaping right now. I also don’t have any new paintings to show.
2019 is speeding by, just like the past few years have. WTF is wrong with me? Besides the usual shit? Things actually are going pretty okay right now. I had a few rough months between December and February. That mess is finally settled, notwithstanding my growing piles of debt.
I have a list of folks waiting for Theee Urban SpaceCat cassette-zine. I have been digging through stacks of demo tapes and gigabytes of incomplete data trying to finish it. I have enough material already done for a complete issue or two… or three. But, I have spread it out over several zines. I didn’t like the way it was when I compiled it all together. So, I am filling each issue, finishing each song, one-at-a-time. A friend suggested that I do this to get myself focused, instead of hopping all over the place like I usually do. Get one thing done. Then, move on to the next thing. This approach seems to be pushing the process along, I suppose. Creating the equivalent of two double albums every few months is kinda hard when doing it all alone and you keep shooting yourself in the foot. Everything is absurdly late getting it out.
I asked around about getting my mixes mastered. But, I cannot afford to do it, not entire albums anyway. I might have one or two singles mastered for radio… maybe. The rest will just have to be a raw mix.
I am waiting for the government to process some of my tax shit, so I can finish setting up the business side of things. They’re still catching up from the Trumptard shutdown a few weeks ago. It has delayed everything. I’m never happy dealing with that sort of stuff. But, I anxiously want to get it done and out of the way.
Here is a Daniel Johnston song from my record collection for you. I get the same feeling myself sometimes. I am always starting my life over again… and again… and again… and again….
I know that I need to put myself out there more if I want to accomplish my goals. My natural inclination is avoid everybody, though.
Procrastination is another big problem of mine. I “rack disiprine.”
I try REALLY hard to do better. But, I’m my own worst enemy. I self-sabotage everything.
I have put myself on a regular schedule, of sorts, to take care of everyday things, so I don’t have to think about it much. I make myself a daily to-do list. Otherwise, I don’t think I’d get anything done. But, it isn’t foolproof. I still get sidetracked with something else a lot. I tend to fixate on something, to the exclusion of everything else, and lose track of time.
I was thinking about the creative process, the thinking process. If I document it, publicly, maybe this will help to keep me motivated, creative and honest. When I write to friends or collaborate with other people I seem to get more stuff done. It helps, I guess. I might be less likely to throw everything away before I’m finished.
I’m blogging for my Patreon-supporters (the Superduper Secret SpaceCat Blog) almost every week-ish . I share things to keep it interesting.
I had a busy week or two, making a bunch of horror movie themed paintings for a show at the Phoenix Cafe’ and putting together a short movie for the Planet 9 Film Festival. Now that it’s over I’m catching up on neglected housework and van repairs.
Moving on to the next thing or so;
Working on issues #1-3 of“Theee Urban SpaceCat” cassette-zine. It has been held up for a ridiculous length of time already. It was always my intent to publish new issues every three or four months. But, I never have any money to do so. I’m considering just posting MP3/PDF versions online until I can get enough cash together. I have a growing backlog of material to do something with or discard.
Building new custom instruments, ShitKit 2.0 and miscellaneous noise machines. Everything was taking up space and had to be moved. My grandmother needs her garage back.
“The Island of Misfit Noise” movie might make a little more progress. The recent experience of making and showing a short film has been educational.
Recording new music for collaboration albums: David Liebe Hart (“Tim and Eric Awesome Show, Great Job!”) and The Residents!
Of course, I will continue to collaborate on other things as well. I may have found a new drummer!
I doubt if I will perform alone again for awhile. Had a bad experience a few weeks ago. Was offered another gig in two months. But, I’ll pass, just stick to recording for the time being.
I was gonna record a vlog to go with this (including a new song!). But, I didn’t get around to it. I’ll try to get it out this weekend, maybe. I have been digging through my old practice tapes and recording new demos for a couple of months now. I am not happy with a lot of it. But, you always have to dig through a lot of shit to find anything useful. Since I haven’t put out anything in a long time, I have been contributing to other people’s projects. I was asked by Uncle Ghoulie to provide some artwork and sounds to Truth Porn Militia – No Budget Radio Podcast. So, that is cool. I will be getting that out soon. There have also been some zines and other things requesting my input. So, I haven’t been completely unproductive, I guess.
I’m really beginning to wonder if maybe I should just give away my notes & artwork to let someone else make my movies. At least then they would get produced SOMEHOW. Tim Burton had almost nothing to do with making Tim Burton’s The Nightmare Before Christmas, yet his name is still in the title. He just gave his old sketchbook to another director and said, “Here. Knock yourself out.” Good idea? Bad idea? I don’t know. But, it looks like if I’m gonna produce it, it will likely be a few years until it it is done. Even if I cut costs to the absolute bone and it looks like dogshit, I don’t think I can get it done.
I’m crossing my fingers and hoping that I can get Theee Urban SpaceCat finally going this month. I should have enough raw material for a few issues already. I’ve been continually painting, drawing, recording, writing, etc. It really comes down to paying for putting it out there. I’ll deal with other expenses later, if it becomes necessary.
After over a year of keeping my stuff in storage, lacking enough funds, I recently had to let go of my storage unit. I have downsized a lot of it. So, at least I can fit everything in my grandmother’s garage (between the Christmas decorations and patio furniture). She gave me a nice bookshelf that was no longer wanted. So, I finally have somewhere to keep what is left of my vinyl LPs. I was very disappointed to realize how much of my collection that I’ve sold off.
She also gave me a free pizza promotional card that she got in the mail from Domino’s Pizza. I later brought the pizza back to her house. She, my nephew Michael, and I enjoyed a large deluxe. Mmmmmm.
I gotta finish cleaning up here, soon. There is an apartment inspection coming Monday. The landlord is making sure that no bed bugs have returned. Thankfully, the place has been pest-free for a year now. As a matter of fact, it was during the bug extermination last winter that I began renting my storage unit. So, it lasted one whole year.
I just got a small loan to cover my rent problem (last month’s check bounced!). I needed to pay two month’s rent and late/returned check fees IMMEDIATELY or I would get evicted. I’m not sure how much more financial Jiu-Jitsu I can pull off before it finally catches up with me. The van has a lot of mechanical problems needing fixing. I still cannot afford to put insurance on it. I’m risking jail time for driving without it (a misdemeanor in Michigan!). I’m in debt to my eyeballs to doctors & hospitals, credit cards, collection agencies, etc.
I set up a Patreon account. Maybe, I can find a little help from some folks, to fix my money situation. It is a long shot, I guess. But, what have I got to lose? I will post music, videos, and other stuff for patrons that won’t get released anywhere else. I’ll be adding more bonuses for supporters (t-shirts, stickers, magnets, flamethrowers, meat cannons, etc.) when I have them available. Any assistance is appreciated! Thanks.
When I am jamming with other people, they motivate me and kinda help focus what I am doing. So, I am always bouncing ideas back-and-forth with them, trying to see where their talents and interests are. If half of the group is into a specific style of music, that gives me a vague reference to work from. I know what will work and what won’t.
My improvisational skills are kinda crappy, though. Ironically, I need people to get out of my way and let me work alone when I am writing original music. Cutting & pasting jam sessions into songs kinda works. If I have no one to work with, I am kind of at a loss. The music can go in all sorts of different directions. So, finding my own “sound” can be difficult sometimes.
I am trying to shape what I do into a cohesive sound of my own, without tying my hands too much. I would like to maintain the freedom to play whatever that I want. Near as I can figure it, I guess that I kinda sound a little like Beck with a weird bass setup and tapes, maybe.
My working process and available resources probably have more to do with any real style that I may have than anything else. I don’t have a drummer. So, for percussion I must rely on drum machines and whatever found objects that I can bang on. I do not have other band members. So, I rely on recordings of myself on guitars, noises, and sampling, to fill out the sound. I dabble quite a bit in plunderphonics.
Compositionally, I like the free jazz “cut & paste” approach of artists like John Zorn, Carl Stalling, Magma, Cardiacs, Omoide Hatoba, Boredoms, Melvins, Ruins, Mr. Bungle, The Mothers of Invention, etc. and “mixtape style” of the Butthole Surfers, Ween, Faith No More, David Bowie, The Beatles, Led Zeppelin, etc.
I like a mixture of Hi-Fi and Lo-Fi in recordings = Mid-Fi! But, I prefer a specific squashed compression sound found on early Primus, Ween, and Butthole Surfers records. I was able to ask guitarist / producer Paul Leary once about how he achieved that sound for the Butthole Surfers. He said it was due to cheap tape recorders, and only having one microphone. So, I think they recorded directly from their preamps a lot. I know that Primus did. That works great for me, since I only have shitty cheap microphones anyway.
Vocally, I have a kinda nasally high-pitched voice that I never liked. It’s kind of a bit like Neil Young, Wayne Coyne (Flaming Lips), Kurt Cobain (Nirvana), Curt & Chris Kirkwood (Meat Puppets), etc. I try to give it a little bit of a Tom Waits-like growl on the lower end. I also compensate for my voice with cheap microphones and whatever vocal effects that are available, trying to bury it.
Visually, of course, everything is very cheap by necessity. I like papier-mâché and cardboard props and sets. Puppets and miniatures can be very useful, too. Green screen, data-bending, and other cheap effects.
My mixed-media paintings and artwork kinda have a cheapniz aesthetic, too, I suppose. I use stuff from thrift stores, garage sales, dollar stores, and found materials a lot.
I tend to visualize the exterior world, the “real” world, in black & white colors. A cold, decaying, dying, world.
The interior world, the world of the mind and imagination, by contrast, is warmer and more colorful. It is vast and endless.
I will probably post more about my gear setup & playing techniques later.
I do not know where all of my old tapes are. Here are a few. Despite my reputation as a pack rat, I do discard and lose a lot of important things. There is still a lot here to dig through, some dating back to the 1970’s. There are more recent ones laying around from making memos to myself, quick jams, meeting up to jam with various musicians, etc.
I learned to read music in elementary school. I forgot how, though, after years of just jamming with bands who couldn’t read. Also, transcribed music never felt like an accurate representation of “music”, to me. I always visualized music in waves, shapes, and colors, like a rainbow oscilloscope!
John Cage wrote music kind of like that. I preferred how he wrote down music. It just made more sense to me than traditional transcribed music.
Tatsuya Yoshida seems to have been influenced by Cage a lot. He even wrote a tribute song, composed in John Cage’s style. Of course Tatsuya Yoshida’s biggest influence would seem to be Christian Vander and Magma. His group, Ruins, borrows Magma‘s compositional style almost completely, adapting it to fit a drum & bass duo.
Tatsuya Yoshida From Wikipedia, the free encyclopedia
Tatsuya Yoshida (吉田達也 Yoshida Tatsuya?) (born in Kitakami, Iwate is a Japanese musician; drummer and composer who is the only consistent member of the renowned progressive rock duo Ruins, as well as Koenji Hyakkei. He is also a member of the progressive rock trios Korekyojinn and Daimonji. Outside of his own groups, Yoshida is renowned for his tenure as drummer in the indie progressive group YBO2, a band also featuring guitarist KK Null, whom he also joins in the current line up of Zeni Geva and he has played drums in a late edition of Samla Mammas Manna. He has been cited as “[the] indisputable master drummer of the Japanese underground”.
Along with his participation in bands, he has also released several solo recordings.
I like the “cut & paste” style of composing. It offers a lot of freedom. I mean, it is nice when a complete song just hits you all at once. But, that seldom happens when playing in a group. I would be lucky if I found a really good drummer that I found a good groove with. Maybe composing alone will help me write more easily. I have plenty of raw material that I can draw from.
I found an extra set of strings and replaced the old ones, FINALLY! They were deader than dead. They were Beetlejuice Night of The Living Dead. I cleaned-up the crud around the pickups while I was at it, too.
Not everything was sold by my grandmother. I still had this one PA and the cabinets from the other one. I didn’t have anywhere to store the cabs. So, I donated them to my grandmother’s church.
Three projector screens were also left behind. That is okay. I may still use them if I can get some projectors. The big industrial monochrome projector and stand got sold. But, it was only in green color. I would prefer to get full-color replacements. Also, the industrial projector was very big and heavy, requiring a steel stand to be put into position. I need something lighter and more portable.
“Our life is frittered away by detail… simplify, simplify.” – Henry David Thoreau
I am stripping my rig down a bit.
Still a work in progress.
I am trying to fit everything onto the pedalboard.
There may still be a few things sticking out.
Ideally, I should be able to set up my gear in about ten minutes, give or take a few.
Fewer parts, fewer complications.
Gotta think like a NASCAR pit mechanic, in & out.
“The more they overthink the plumbing, the easier it is to stop up the drain.”
– Scotty (Star Trek III: The Search For Spock)
My equipment has evolved a lot over time.
At one point, I had a built-up a huge Frankenrig from two old PAs, some preamps, and pieces of my current Mini-rig.
I got inspiration for my setup from a bunch of different bass & guitar players; Bootsy Collins, Chris Squire, Cliff Burton, Greg Ginn.
Some players have elaborate switching systems, with tons of pedals and rackmount effects.
Some players have truckloads of gear, insane shit.
Sonic Youth had a different guitar for EACH SONG.
I am trying to pare it down to whatever my live sound will be.
What do I REALLY need?
Other effects and sounds that I use I will probably just record samples of.
This changes the dynamics of composing quite a lot.
It is gonna sound way different than if I had everything plugged into the bass.
You can sort of hear how this is shaping my sound, so far.
But, this is for demonstration purposes ONLY (sorry that I got fat):
This is an unfinished song that The Riverviews were working on a couple of months ago.
I might re-purpose it into an Island of Misfit Noise song, if Mike Hayes doesn’t mind.
Stripping down the mini-rig.
Trying to find a compromise between my “live sound” and “studio sound”.
The strings are long overdue to be changed.
But, I haven’t got enough money for replacements.
“All the various styles are organically connected to one another. I’m an additive person—the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can’t see the connections, but they are there.” ~ John Zorn
“Cute, cool, and creepy”, is how I have been described by some folks.
Usually, I am classified by my contemporaries as an outsider artist-musician.
Davin Brainard (time Stereo) and Warren DeFever (His Name Is Alive) shared their observation about me that I don’t intentionally TRY to be perceived as weird, I just naturally AM, making comparisons to Wesley Willis and Daniel Johnston. I guess that I will just go along with those descriptions.
Outsider Artist / Musician;
Music, Art, and Zines
Videos, Movies, and Multi-Media
Voice, Tapes, and Noise
Bass, Baritone, and other Guitars
Keyboards, Computers, and Custom Instruments
Plunderphonics, Electronics and Junk Percussion
I enjoy creating what I usually refer to as “Prog-Punk Noise-Rock”, kind of a strange post-postmodern pastiche of styles mixed together. I have collaborated with plenty of other artists over the years with wide degrees of proficiency in many genres.
I have been obsessively into art and music my whole life; drawing, painting, playing with tape recorders and making noise. I built my first guitar from a badly beaten-up body & neck that I found in someone’s trash. A friend’s dad gave me the electrical guts from an unknown 1950’s guitar. Additional parts were improvised from pieces of found junk and purchased from a music store.
When I was a twelve year old kid, back in the 1980’s, I was just a runt of the Detroit hardcore punk / heavy metal scene . Lacking enough money to buy any good equipment, I purchased a cheap microphone at a pawn shop, built a homemade mic stand, and passed myself off as a vocalist. I sang in whatever groups that I could find, gaining experience and learning whatever that I could. Mostly, it was shitty cover bands, playing in basements, getting yelled at by uninvited drunks that we suck. Eventually, I improved my bass & guitar skills, playing in many short-lived groups that went nowhere.
I was a writer / photographer for The Jam Rag, a widely-read local music paper, while still a teenager and made friends with other artists along the way. During the 1990’s I was a cameraman, roadie, and occasional collaborator with Princess Dragon-Mom, Mog Stunt Team, His Name Is Alive, etc.. I also performed in a few experimental noise groups; Edible Audio (with drummer Mick Stone of 500 ft of Pipe)and Bionics (with John Nevermind of Fresh Farm Raised Catfish), etc.
The Island of Misfit Noise began in the summer of 1998 with only Mystic MarshaKat and myself. She played keyboards & guitar. I played bass & guitar. Both of us were former members of N2-Submission, backing band for The Impaler “Detroit’s Vampire Poet.”Our duo’s name changed a couple of times, before settling on the IOMN. Other musicians came and went during a period of 15 years, with she & I being the only constant members of the group. She also left in early 2013. MarshaKat and I remain friends. She may continue to assist in some capacity, just not as a full-time band member.
I resurrected the IOMN as a recording project in late 2014, with collaborators from Michigan to Australia. We exchanged material back-and-forth until some music was completed. The style that we made is very freeform. A few collaborators from the IOMN have joined me in other projects.
Island of Misfit Noise began in 1998 as a musical group, with a constantly rotating membership. It has since evolved into, generally, a “Mike Nobody Collaboration Project”, expanding into; music videos, film-making, performance art, and comic books. I will continue to add material to this as I go along, with additional contributors.
Theee Urban SpaceCat (Cassette-Zine) is a publication of my artwork, ramblings, stories, correspondences, miscellaneous found objects, music, commentary, and anything else packaged with a cassette tape of my recordings (compact disc optional)… whatever they may be. It is an outlet for all of my artistic endeavors, combined into one package, modeled after decades of correspondence with my friends.
Mike Damn Nobody is my experimental noise project; incorporating tape loops, circuit-bending, custom instruments, and anything else available. Recordings are available on RecycleTapes (cassettes that are handmade from repurposed materials) and digital download formats.
MykNobody is a handle sometimes used when I am Painting, Drawing, creating Visual Art, etc.
This post was a little long, containing influences, gear, personal info, etc.. It has been relocated toAbout / FAQ / Press – Details.
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I found an extra set of strings and replaced the old ones, FINALLY! They were deader than dead. They were Beetlejuice Night of The Living Dead. I cleaned-up the crud around the pickups while I was at it, too.
Mike Nobody 