Distorted Pony

distorted_pony

It has been quite awhile since I said anything about other bands that I like. So, I guess that it is overdue for me to mention Distorted Pony. They are an industrial / noise rock group that began in 1986, then disbanded in 1993. I began listening to them in the early 1990’s, but frankly knew nothing about them except that I liked their music. I looked into their background many many years later, after they had long since broken up. Surprisingly, they are very similar to my ideal group to be in; two guitarists, a bassist, and a guy banging on oil drums & metal junk. They began with just two people, bass player Dora Jahr and guitarist David Uskovich, accompanied by a drum machine. Eventually, they were joined by London May on drums, Theodore Jackson on percussion, and Robert Hammer on guitar.

I was also unaware, for a long time, that London May had played in so many other well-known groups (Samhain, Dag Nasty, Circle Jerks) and is an actor.

They have briefly reunited a few times, since 2010, and began to perform reunion shows. But, I think that their current European tour will be for the last time. So, check them out, if you can.

20th Anniversary + Birthday

Happy 20th Anniversary Birthday

I forgot to mention in the video that I received a hard copy of the comic book I contributed to, finally. It is called Heartman and was written & published by David Leibe-Hart, of Tim and Eric Awesome Show, Great Job! He invited 48 artists, including myself, to illustrate his story.

David Leibe-Hart - Heartman Comic

Further information can be found here.

I’m making a long-term creative decision, a new policy:

  • Say nothing.
  • Get it done, first.
  • Talk about it, later

This was something that Thomas Edison learned, the hard way, after making promises about his new inventions that took longer than expected for him to bring to fruition. He eventually stopped doing that and just surprised people, after the fact.

Since I am often delayed by external forces (money, supplies, equipment, etc.), as well as personal issues, it makes me look bad. It looks to everyone else like all I that do is talk about what I’m “gonna do” and not actually get anything done. I can’t really blame anyone for having that perception. Since I don’t show everything that I do and I discard unfinished work. Stress exacerbates my mental health problems. That cuts into a lot of my productivity, too. Finding internal balance is a personal high priority, if I want to get out of my own way. Managing where I focus my attention, I have found, is much more important than when I schedule it. Although, having a schedule is important, too, or I wouldn’t get ANYTHING done.

Another new policy that I am implementing is:

  • No collaborations without a deadline.

I was told that this is one of my mistakes when working with others. It is too open-ended. People require deadlines to get them off of their ass, apparently. That might be true. Unless someone says something to me, I will probably work alone and take forever doing it. There is that problem with focusing, again. I am still open to collabs. Don’t get me wrong. But, I think establishing a time frame for projects would make them go along faster. I’m usually easy to schedule because I have more free time available than everybody else. We just need to work around the other commitments of interested participants.

I am figuring out how to go about collaborations, using my new policies.
I don’t want to pressure anyone too much.
Keep it fun.
But, still have a predictable process on a schedule.
So, okay, here is what I have got:

I will keep on doing what I do, alone.
I shouldn’t say any more about that.
The less the better.
When it is done, you will know.

If someone wants to work on a track with me I will set my thing aside and work on the collab, instead.
Somehow, I will turn it into something.
I will try to take no longer than a week to finish it, more or less, and return a copy of the finished mix.
You can do whatever you want with it.
The finished track will go into the next Island of Misfit Noise video or album project.
I haven’t figured out how I’m gonna do that, yet
I guess when we have enough completed material gathered, it will just go out.

What do you think?
Does it sound like a plan?

We Make Zines (Relocated Site)

Mike Nobody

We Make Zines

I forgot to update everybody on this. A few months ago, the website for We Make Zines had to relocate when they lost their web hosting provider. I had been a member since 2014. So, I reopened an account at the new site. All of my previous postings have been lost. So, aside from my profile, there isn’t much of mine to look at yet. Zinesters and enthusiasts can find plenty of other information there, though. The link is above.

View original post

Happy New World Order Day

happy 9-11 cake

What We’ve Lost Since 9/11

PAUL J. RICHARDS VIA GETTY IMAGES

Taking Down the First Amendment in Post-Constitutional America

Cross-posted with TomDispatch.com

America has entered its third great era: the post-constitutional one. In the first, in the colonial years, a unitary executive, the King of England, ruled without checks and balances, allowing no freedom of speech, due process, or privacy when it came to protecting his power.

In the second, the principles of the Enlightenment and an armed rebellion were used to push back the king’s abuses. The result was a new country and a new constitution with a Bill of Rights expressly meant to check the government’s power. Now, we are wading into the shallow waters of a third era, a time when that government is abandoning the basic ideas that saw our nation through centuries of challenges far more daunting than terrorism. Those ideas — enshrined in the Bill of Rights — are disarmingly concise. Think of them as the haiku of a genuine people’s government.

Deeper, darker waters lie ahead and we seem drawn down into them. For here there be monsters.

The Powers of a Police State Denied

America in its pre-constitutional days may seem eerily familiar even to casual readers of current events. We lived then under the control of a king. (Think now: the imperial presidency.) That king was a powerful, unitary executive who ruled at a distance. His goal was simple: to use his power over “his” American colonies to draw the maximum financial gain while suppressing any dissent that might endanger his control.

In those years, protest was dangerous. Speech could indeed make you the enemy of the government. Journalism could be a crime if you didn’t write in support of those in power. A citizen needed to watch what he said, for there were spies everywhere, including fellow colonists hoping for a few crumbs from the king’s table. Laws could be brutal and punishments swift as well as extra-judicial. In extreme cases, troops shot down those simply assembling to speak out.

Among the many offenses against liberty in pre-constitutional America, one pivotal event, the Stamp Act of 1765, stands out. To enforce the taxes imposed by the Act, the king’s men used “writs of assistance“ that allowed them to burst into any home or business, with or without suspicion of wrongdoing. American privacy was violated and property ransacked, often simply as a warning of the king’s power. Some colonist was then undoubtedly the first American to mutter, “But if I have nothing to hide, why should I be afraid?” He soon learned that when a population is categorically treated as a potential enemy, everyone has something to hide if the government claims they do.

The Stamp Act and the flood of kingly offenses that followed created in those who founded the United States a profound suspicion of what an unchecked government could do, and a sense that power and freedom are not likely to coexist comfortably in a democracy. A balancing mechanism was required. In addition to the body of the Constitution outlining what the new nation’s government could do, needed was an accounting of what it could not do. The answer was the Bill of Rights.

The Bill’s preamble explained the matter this way: “…in order to prevent misconstruction or abuse of [the government’s] powers, that further declaratory and restrictive clauses should be added.” Thomas Jefferson commented separately, “[A] bill of rights is what the people are entitled to against every government on earth.”

In other words, the Bill of Rights was written to make sure that the new government would not replicate the abuses of power of the old one. Each amendment spoke directly to a specific offense committed by the king. Their purpose collectively was to lay out what the government could never take away. Knowing first-hand the dangers of a police state and unchecked power, those who wrote the Constitution wanted to be clear: never again.

It needs to be said that those imperfect men were very much of their era. They were right about much, but desperately wrong about other things. They addressed “humanity,” but ignored the rights of women and Native Americans. Above all, they did not abolish the institution of slavery, our nation’s Original Sin. It would take many years, and much blood, to begin to rectify those mistakes.

Still, for more than two centuries, the meaning of the Bill of Rights was generally expanded, though — especially in wartime — it sometimes temporarily contracted. Yet the basic principles that guided America were sustained despite civil war, world wars, depressions, and endless challenges. Then, one September morning, our Post-Constitutional era began amid falling towers and empty skies. What have we lost since? More than we imagine. A look at the Bill of Rights, amendment by amendment, tells the tale.

The First Amendment

“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”

The First Amendment was meant to make one thing indisputably clear: free speech was the basis for a government of the people. Without a free press, as well as the ability to openly gather, debate, protest, and criticize, how would the people be able to judge their government’s adherence to the other rights? How could people vote knowledgeably if they didn’t know what was being done in their name by their government? An informed citizenry, Thomas Jefferson stated, was “a vital requisite for our survival as a free people.”

That was how it was seen long ago. In Post-Constitutional America, however, the government strives to “control the message,” to actively thwart efforts to maintain a citizenry informed about what’s done in its name, a concept that these days seems as quaint as Jefferson’s powdered wig. There are far too many examples of the post-9/11 erosion of the First Amendment to list here. Let’s just look at a few important ones that tell the tale of what we have lost since 9/11.

(Lack of) Freedom of Information

In 1966, an idea for keeping Americans better informed on the workings of their government was hatched: the Freedom of Information Act (FOIA). Strengthened in 1974, it began with the premise that, except for some obvious categories (like serious national security matters and personal information), the position of the government should be: everything it does is available to the public. Like the Bill of Rights, which made specific the limits of government, FOIA began with a presumption that it was the government’s duty to make information available — and quickly — to the people, unless a convincing case could be made otherwise. The default position of the FOIA switch was set to ON.

Three decades later, the FOIA system works far differently. Agencies are generally loath to release documents of any sort and instead put their efforts into creating roadblocks to legitimate requests. Some still require signatures on paper. (The State Department notes, “Requests for personal information cannot be submitted electronically and should be submitted by mail.”) Others demand hyper-detailed information like the precise dates and titles of documents whose dates and titles may be classified and unavailable. The NSA simply denies almost all FOIA requests out of hand, absent a court order.

Most federal agencies now regard the deadline mandated for a response as the time period to send out a “request received” note. They tend to assign only a few staff members to processing requests, leading to near-endless delays. At the State Department, most FOIA work is done on a part-time basis by retirees. The CIA won’t directly release electronic versions of documents. Even when a request is fulfilled, “free” copying is often denied and reproduction costs exaggerated.

In some cases, the requested records have a way of disappearing or are simply removed. The ACLU’s experience when it filed an FOIA-style request with the Sarasota police department on its use of the cell phone surveillance tool Stingray could be considered typical. The morning the ACLU was to review the files, Federal Marshals arrived and physically took possession of them, claiming they had deputized the local cops and made the files federal property. An ACLU spokesperson noted that, in other cases, federal authorities have invoked the Homeland Security Act to prevent the release of records.

John Young, who runs the web site Cryptome and is a steadfast FOIA requester, stated, “Stonewalling, delay, brush-off, lying are normal. It is a delusion for ordinary requesters and a bitch of a challenge for professionals. Churning has become a way of life for FOIA, costly as hell for little results.”

Sealed Lips and the Whistleblower

All government agencies have regulations requiring employees to obtain permission before speaking to the representatives of the people — that is, journalists. The U.S. Intelligence Community has among the most restrictive of these policies, banning employees and contractors completely from talking with the media without prior authorization. Even speaking about unclassified information is a no-no that may cost you your job. A government ever more in lockdown mode has created what one journalist calls a “culture where censorship is the norm.”

So who does speak to Americans about their government? Growing hordes of spokespeople, communications staff, trained PR crews, and those anonymous “senior officials” who pop up so regularly in news articles in major papers.

With the government obsessively seeking to hide or spin what it does, in-the-sunlight contact barred, and those inside locked behind an iron curtain of secrecy, the whistleblower has become the paradigmatic figure of the era. Not surprisingly, anyone who blows a whistle has, in these years, come under fierce attack.

Pick a case: Tom Drake exposing early NSA efforts to turn its spy tools on Americans, Edward Snowden proving that the government has us under constant surveillance, Chelsea Manning documenting war crimes in Iraq and sleazy diplomacy everywhere, John Kiriakouacknowledging torture by his former employer the CIA, or Robert MacLean revealing Transportation Safety Administration malfeasance. In each instance, the threat of jail was quick to surface. The nuclear option against such truthtellers is the Espionage Act, a law that offended the Constitution when implemented in the midst of World War I. It has been resurrected by the Obama administration as a blunt “wartime” tool for silencing and punishing whistleblowers.

The Obama administration has already charged six people under that act for allegedly mishandling classified information. Even Richard Nixon only invoked it once, in a failed prosecution against Pentagon Papers whistleblower Daniel Ellsberg.

Indeed, the very word “espionage” couldn’t be stranger in the context of these cases. None of those charged spied. None sought to aid an enemy or make money selling secrets. No matter. In Post-Constitutional America, the powers-that-be stand ready to twist language in whatever Orwellian direction is necessary to bridge the gap between reality and the king’s needs. In the Espionage Act case of State Department contractor Stephen Kim, a judge departed from previous precedent, ruling that the prosecution need not even show that the information leaked to a Fox news reporter from a CIA report on North Korea could damage U.S. national security or benefit a foreign power. It could still be a part of an “espionage” charge.

A final question might be: How could a law designed almost 100 years ago to stop German spies in wartime have become a tool to silence the few Americans willing to risk everything to exercise their First Amendment rights? When did free speech become a crime?

Self-Censorship and the Press

Each person charged under the Espionage Act in these years was primarily a source for a journalist. The writers of the Bill of Rights chose to include the term “press” in the First Amendment, specifically carving out a special place for journalists in our democracy. The press was necessary to question government officials directly, comment on their actions, and inform the citizenry about what its government was doing. Sadly, as the Obama administration is moving ever more fiercely against those who might reveal its acts or documents, the bulk of the media have acquiesced. Glenn Greenwald said it plainly: too many journalists have gone into a self-censoring mode, practicing “obsequious journalism.”

For example, a survey of reporters showed “the percentage of U.S. journalists endorsing the occasional use of ‘confidential business or government documents without authorization,’ dropped significantly from 81.8% in 1992 to 57.7% in 2013.” About 40% of American journalists would not have published documents like those Edward Snowden revealed.

And the same has been true of the management of newspapers. In mid-2004, James Risen and Eric Lichtblau uncovered George W. Bush’s illegal warrantless eavesdropping program, but the New York Times held the story for 15 months, until after Bush’s reelection. Executives at the Times were told by administration officials that if they ran the story, they’d be helping terrorists. They accepted that. In 2006, the Los Angeles Times similarly gave in to the NSA and suppressed a story on government wiretaps of Americans.

Government Efforts to Stop Journalists

Reporters need sources. Increasingly, the government is classifying just about any document it produces — 92 million documents in 2011 alone. Its intelligence agencies have even classified reports about the over-classification of documents.  As a result, journalistic sources are often pressed into discussing, at great personal risk, classifiedinformation. Forcing a reporter to reveal such sources discourages future whistleblowing.

In one of the first of a series of attempts to make journalists reveal their sources, former Fox News reporter Mike Levine stated that the Justice Department persuaded a federal grand jury to subpoena him in January 2011. The demand was that he reveal his sources for a 2009 story about Somali-Americans who were secretly indicted in Minneapolis for joining an al-Qaeda-linked group in Somalia. Levine fought the order and the Department of Justice finally dropped it without comment in April 2012. Call it a failed test case.

According to Washington lawyer Abbe Lowell, who defended Stephen Kim, significant amounts of time have been spent by the Department of Justice in the search for a legal rationale for indicting journalists for their participation in exposing classified documents. A crucial test case is James Risen’s 2006 book, State of War, which had an anonymously sourced chapter on a failed CIA operation to disrupt Iran’s nuclear program. When Risen, citing the First Amendment, refused to identify his source or testify in the trial of the former CIA officer accused of being that source, the government sought to imprison him. He responded that the “Obama administration… wants to use this case and others like it to intimidate reporters and whistleblowers. But I am appealing to the Supreme Court because it is too dangerous to allow the government to conduct national security policy completely in the dark.”

In June 2014, the Supreme Court refused to take Risen’s case on appeal, essentially ratifying a U.S. Court of Appeals decision that the First Amendment didn’t protect a reporter from being forced to testify about “criminal conduct that the reporter personally witnessed or participated in.” That decision makes clear that a reporter receiving classified information from a source is part of the crime of “leaking.”

Risen has said he will go to prison rather than testify. It is possible that, having secured the precedent-setting right to send Risen to jail, the government will bring the suspected leaker to trial without calling on him. Attorney General Eric Holder recently hinted that his Justice Department might take that path — a break for Risen himself, but not for reporters more generally who now know that they can be jailed for refusing to divulge a source without hope of recourse to the Supreme Court.

The Descent Into Post-Constitutionalism

As with the King of England once upon a time, many of the things the government now does have been approved in secret, sometimes in secret courts according to a secret body of law. Sometimes, they were even approved openly by Congress. In constitutional America, the actions of the executive and the laws passed by Congress were only legal when they did not conflict with the underlying constitutional principles of our democracy. Not any more. “Law” made in secret, including pretzeled legal interpretations by the Justice Department for the White House, opened the way, for instance, to the use of torture on prisoners and in the Obama years to the drone assassination of Americans. Because such “legalities” remain officially classified, they are, of course, doubly difficult to challenge.

But can’t we count on the usual pendulum swings in American life to change this? There were indeed notable moments in American history when parts of the Constitution were put aside, but none are truly comparable to our current situation. The Civil War lasted five years, with Lincoln’s suspension of habeas corpus limited in geography and robustly contested. The World War II Japanese internment camps closed after three years and the persecuted were a sub-set of Japanese-Americans from the West Coast. Senator McCarthy’s notorious career as a communist-hunter lasted four years and ended in shame.

Almost 13 years after the 9/11 attacks, it remains “wartime.” For the war on terror, the driver, excuse, and raison d’être for the tattering of the Bill of Rights, there is no end in sight. Recently retired NSA head Keith Alexander is typical of key figures in the national security state when he claims that despite, well, everything, the country is at greater risk today than ever before. These days, wartime is forever, which means that a government working ever more in secret has ever more latitude to decide which rights in which form applied in what manner are still inalienable.

The usual critical history of our descent into a post-constitutional state goes something like this: in the panic after the 9/11 attacks, under the leadership of Vice President Dick Cheney with the support of President George W. Bush, a cabal of top government officials pushed through legal-lite measures to (as they liked to say) “take the gloves off” and allow kidnappingtortureillegal surveillance, and offshore imprisonment along with indefinite detention without charges or trial.

Barack Obama, elected on a series of (false) promises to roll back the worst of the Bush-era crimes, while rejecting torture and closing America’s overseas “black sites,” still pushed the process forward in his own way. He expanded executive power, emphasized drone assassinations (including against American citizens), gave amnesty to torturers, increased government secrecy, targeted whistleblowers, and heightened surveillance. In other words, two successive administrations lied, performed legal acrobatics, and bullied their way toward a kind of absolute power that hasn’t been seen since the days of King George. That’s the common narrative and, while not wrong, it is incomplete.

Missing Are the People

One key factor remains missing in such a version of post-9/11 events in America: the people. Even today, 45% of Americans, when polled on the subject, agree that torture is “sometimes necessary and acceptable to gain information that may protect the public.” Americans as a group seem unsure about whether the NSA’s global and domestic surveillance is justified, and many remain convinced that Edward Snowden and the journalists who published his material are criminals. The most common meme related to whistleblowers is still “patriot or traitor?” and toward the war on terror, “security or freedom?”

It’s not that Americans are incorrect to be fearful and feel in need of protection. The main thing we need to protect ourselves against, however, is not the modest domestic threat from terrorists, but a new king, a unitary executive that has taken the law for its own, aided and abetted by the courts, supported by a powerful national security state, and unopposed by a riven and weakened Congress. Without a strong Bill of Rights to protect us — indeed, secure us — from the dangers of our own government, we will have gone full-circle to a Post-Constitutional America that shares much in common with the pre-constitutional British colonies.

Yet there is no widespread, mainstream movement of opposition to what the government has been doing. It seems, in fact, that many Americans are willing to accept, perhaps even welcome out of fear, the death of the Bill of Rights, one amendment at a time.

We are the first to see, in however shadowy form, the outlines of what a Post-Constitutional America might look like. We could be the last who might be able to stop it.

Peter Van Buren blew the whistle on State Department waste and mismanagement during Iraqi reconstruction in his first book, We Meant Well: How I Helped Lose the Battle for the Hearts and Minds of the Iraqi People. A TomDispatch regular, he writes about current events at his blog We Meant Well. His new book, Ghosts of Tom Joad: A Story of the #99Percent, is available now.  In future pieces at TomDispatch he will consider other amendments being dismantled in the post-9/11 era.

Follow TomDispatch on Twitter and join us on Facebook and Tumblr. Check out the newest Dispatch Book, Rebecca Solnit’s Men Explain Things to Me.

Hardhead

never-give-up-cbfb

One of my biggest strengths (and weaknesses) is persistence. I have been told several times that I “don’t know when to quit.” That can be either a good thing or a bad thing, I guess, depending on the circumstances. I may have setbacks, which slow me down, change how I do things, or have to fight with my own brain, sometimes. But, I still keep trying.

A really cool drummer guy has unfriended me on FB and dropped out of our FB group. Admittedly, it is entirely my fault. I have been lost in my own headspace again, losing touch with everybody for too long. He feels like I have used and neglected him, which wasn’t my intention at all. I honestly get fixated on one thing or another and lose track of everything else. It happens to me all of the time. Does that make me a bad person or just a bad friend?

My social skills are shit and my behavior can sometimes be erratic.
So, I don’t think being in bands long-term are ever gonna work out for me.
It never does. But, the music scene is just about the only social life that I have, playing with other musicians, performing at gigs, etc. So, I guess doing short-term projects with other people is the only way I’m going to remain active in that community. I mean, I’m stubborn. I know this shit isn’t going to work out. But, I keep doing it anyway. Maybe admitting that, to myself, is the only way for me to move forward with anything.

 

New Comic Book Available!

timanderic_cc_402_pt2-02

Hello, I received a message from David Liebe Hart, from the Tim & Eric Awesome Show Great Job! He finally raised enough funds to publish the comic book that I and others contributed to several months ago. The text is below, if you are interested.


Hello friends of David.  We are excited to announce the Kickstarter campaign for our comic book, Heartman, starring David as the superhero who, along with his sidekick Chip, must save the universe from his evil nemesis Dr. Pain.  Each of the beautiful 44 pages is illustrated by a different artist including DLH himself.  With about 5 days to go we’ve reached our goal to raise enough money to order 250 full-color, finely crafted copies for $1500.  You can order your David-signed copy now.  There are also some exclusive rewards for donating extra $.  https://www.kickstarter.com/projects/884844058/david-liebe-hart-of-tim-and-eric-in-heartman-comic

August’s west coast tour will go from San Diego CA to Bellingham WA, and will have David joined by a 3-piece space-rock band led by Mo Troper.  September-October’s tour, ranging from Las Vegas to Detroit to Boise, will feature me, Jonah, playing David’s backing music and video projection, along with support acts Chip The Black Boy and Whatever Your Heart Desires.  Details and tickets for all the shows will gradually be updated at http://ArtByLiebeHart.com/shows in the coming weeks, but at the bottom of this I’ll paste complete details for the August shows.
And your subscriber’s exclusive this month is an alternate version of the song “Martin Lawrence Show Dream” from the forthcoming David & Jad Fair album – http://hartandhartmann.com/martin%20lawrence%20show%20dream%20-%20draft2.mp3
❤ Jonah
for David Liebe Hart

LOS ANGELES CA 8/5
The Virgil, 4519 Santa Monica Blvd, $10 advance, $12 door, 8pm (7pm doors), 21+
Support: Adult Karate, Martin Martins, R. Clown
 
SAN DIEGO CA 8/6
Queen Bee’s, 3925 Ohio St, $10 advance, $12 door, 9pm (8pm doors), all ages
Support: Legion X, The Gay Agenda
 
PALM SPRINGS CA 8/7
Ace Hotel, 701 E Palm Canyon Dr, FREE, 9pm, 21+
 
SANTA CRUZ CA 8/8
Blue Lagoon, 923 Pacific Ave, $8 advance, $10 door, 9pm (8pm doors), 21+
Support: TBA
 
SAN FRANCISCO CA 8/9
Knockout, 3223 Mission St, $10 advance, $12 door, 9pm (8pm doors), 21+
Support: Chaki, Tabor Mountain, Eric Cash
 
SACRAMENTO CA 8/10
Highwater, 1910 Q St, $10 advance, $12 door, 9pm (8pm doors), 21+
Support: Skrrt, Vandalaze, Awkward Cougar, Mike Calvin, Mars Parker
 
ARCATA CA 8/11
The Miniplex @ Richard’s Goat, 401 I St, $10 advance, $12 door, 9pm, 21+
Support: Dr. Foxmeat, TBA
 
MEDFORD OR 8/12
Johnny B’s, 120 E 6th St, $10 advance, $12 door, 8pm (7pm doors), 21+
Support: Iconoplasty, The Juniper Berries, Sound Of The Skeptic
 
EUGENE OR 8/14
Secret location TBA, $8 advance, $10 door, 
Support: Steak Richardson, Turtlenecked
 
SALEM OR 8/15
The Space, 1128 Edgewater St NW, $10 advance, $12 door, 6:30pm (6pm doors), all ages
Support: Chief Crow & The Flat Earthworms, Percy Lounge, Vortex Remover
 
PORTLAND OR 8/16
Star Theater, 13 NW 6th Ave, $10 advance, $12 door, 8pm, 21+
Support: Nasalrod, Dim Wit, Tig Bitty, Jay Shingle
 
OLYMPIA WA 8/17
Le Voyeur, 404 4th Ave E, $8 advance, $10 door, 7:55pm (7:30 doors), all ages
Support: The Deceptives, Sunstang, Skrill Meadow, Bananas Foster
 
SEATTLE WA 8/18
Highline Bar, 210 Broadway E, $12 advance, $14 door, 9pm, 21+
Support: Hangry Hayrabs, Porn Bloopers
 
BELLINGHAM WA 8/19
Bellingham Alternative Library, 519 E Maple St, $10 advance, $12 door, 8:30pm (7:30 doors), all ages
Support: TBA
 
SPOKANE WA 8/20
Big Dipper, 171 S Washington St, $8 advance, $10 door, 7:30pm (7pm doors), 18+
Support: Itchy Kitty, Bandit Train, The Midnight Goats

Punk Voter

Punx In Solidarity

Short history, this was an organization founded by a handful of big names in punk to turn the tide of the political climate during the G.W. Bush era and it made a lot of waves. But Barackstar Obama won, punk got complacent and lazy and we’re here now. So the idea is to get dissatisfied you (the 18 to 20 somethings) engaged in the political process. We can do this again. You don’t need a Fat Mike or Jello Biafra to get it going. You yourself can get your local scene and others in the community engaged. The mid term elections are this fall and There’s actual Nazis running for Senate and Congress. We gotta fight this at the ballot box. Use your social media with #punkvoter to help initiate a conversation. Anti-Fascism isn’t all about putting on a mask and smashing shit. The real fight is to ensure that…

View original post 47 more words

What’s A Schedule? (Top 10 Videos)

avoidance

I’m not dead, yet. Just thought I would remind everybody….who gives a shit. Family members sometimes call me every couple of months, to be sure that I haven’t passed away, unnoticed, since I keep to myself a lot. I can’t really blame them.

Anyhow, been stressing myself out to get things done and, counterintuitively, I got less actually done. I talked with a motivational coach about this, a few weeks ago. Getting an outside perspective sometimes helps. I have considered finding a new therapist, not having seen one in several years. But, this consultation was free. So, I tried him out first.

Basically, he suggested I break the problems I’m having down into more manageable pieces, working my way up to bigger chunks as I feel better. Most importantly, I just need to take my time, take my mind off what’s bothering me, and come back to what I’m doing later – when I feel like doing it. So, I’ve been spending more time with some hobbies, trying to chill the fuck out. Financially, I’m back in the hole again. That is adding some of the stress that I’m feeling, lately. I’m trying not to let it get to me, though. I’m trying to have fun… if I can remember how.

I have been rearranging my daily schedule, after I fell off of it for awhile. I missed doing a lot of things that I wanted to do. Maybe this will make it easier for me to stick to my plans and build better habits. We will see.

On a side note, I have been playing along with a FB request to list my top 10 albums. I am enjoying that. I thought about listing my favorite music videos, afterward. But, why wait? I will just list them here for you. I have different reasons for liking each one. These are chosen for being the best music videos overall, not just because I like the songs. It began as a Top 10. But, I kept adding more. Maybe I’ll do another one of these, sometime in the future.

Commander Cody – Two Triple Cheese Side Order of Fries

Barnes & Barnes – Fish Heads

The Residents – Third Reich

FIDLAR - 40oz. On Repeat

Billy Joel – Pressure

Cyndi Lauper – She Bop

Weird Paul & Ben Blanchard – Maybe You’ll Find Some In the Garbage 

ZZ Top – TV Dinners

They Might Be Giants – Istanbul (Not Constantinople)

Voivod – Psychic Vacuum

Twisted Sister – Be Chrool To Your Scuel (ft. Alice Cooper, Brian Setzer, and Billy Joel) 

Van Halen – Hot For Teacher

Katy Perry – California Gurls (ft. Snoop Dogg)

Björk – Human Behaviour

Making Movies, For the Hell of It

horror

I don’t remember how long I have been interested in filmmaking. I’ve always loved movies, of every kind. You can combine every other artform together into it, if you are creative. I never had ambitions to be an actor, though. I fell into that by accident.

As a young child living in Detroit, I fantasized about becoming a stuntman. This could be because of the then-popularity of daredevil Evel Knievel, action films like Hooper (1978), and TV shows like The Fall Guy My favorite stuntman was the legendary Dar Robinson. His untimely death after shooting Lethal Weapon (1987) permanently put an end to that idea, for me. Though, I had become far more interested in playing music by then.

The size of a film’s budget or the skill of the actors involved were never really a big deal to me, if the script was still good. A bad actor in a great movie will still get by. But, a great actor in a bad movie is totally screwed (That philosophy can be applied to so many other things). Nonetheless, I still watch a lot of cheesy bad movies, seeking out their redeeming qualities.

I don’t remember how I got into underground independent films. It may have been through watching funky old horror, science fiction, and grindhouse movies on local UHF stations as a kid (before cable TV came along). The VHS revolution in the 1980’s also opened up a whole new universe of adventurous filmmakers, no longer restricted by studio gatekeepers. My mom would bring home all sorts of insane stuff she found at mom & pop video stores. Her taste in low-budget weird movies probably rubbed off on me a lot. I grew an increasing appreciation for DIY directors / producers making their visions a reality against all odds.

The Island of Misfit Noise has evolved from a 1990’s rock band into a 21st Century multimedia project, based around making videos and movies instead of performing live. I guess, in that way,  it shares some similarities to The Banana SplitsThe Archies, or Green Jellö. Not having a permanent band makes it an ideal vehicle to try new things out and bring in different collaborators. There is also less pressure figuring out how to do everything onstage, in front of an audience.

I have no idea how to do film distribution or anything technical. It is all learn-as-I-go. I have no budget or crew. I use whatever stuff I can get for free. Does it look like cheap crap? Probably. Will anybody ever see it? Maybe. Maybe not. But, it will get done and be out there for those who are curious. It may take awhile to finish without access to those things, though.

My short video “I Dream of SpaceCat” was a good learning experience, not just in producing content. But, also in presentation to an audience. I hope to do more.

Okie-Dokie Lokie

everything will be ok

Hi folks,

I thought I would give you some GOOD news, for a change.

My van has been returned and drives better than it did before. My aunt loaned me enough money for the tire. I think they tightened something up to stop the wheel from wobbling. It helps. But, I got an estimate for repairs to the damaged tie rod and related issues that still need fixing. I do not think I can do this by myself. It looks like more than I can handle. The van still has trouble starting up. Someone said that the teeth on the starter may be worn out. I have a new one to replace it with. I couldn’t get the old one off. It is too tight and I’m not strong enough. But, it doesn’t have as much of a transmission problem as it did before. That could just be because they added enough fluid to it, finally.

My bank account balance is not in the red for the first time in months! I think I’m finally catching up, at least a little bit.

I’ve gotten a bunch of new pen pal letters, lately. I’m looking forward to replying to all of this mail. I’ve also been mentioned by some very prominent YouTubers, lately (Wow!). Maybe I’ll get more traffic on my site.

I have found and fixed my webcam problem. It was a system glitch. Not sure yet if I will include a vlog with today’s blog. Maybe I will post one after I finish this new painting I’m working on.

Today’s song from my collection is a Nirvana cover by Flipper. Enjoy!

 

 

 

 

Bad Car Mojo

bad car mojo

Vehicle repair has been the bane of my existence, for decades. I can usually only afford cheap transportation. So, I get nickel-and-dimed to death keeping them running. On the rare occasions that I have had decent quality cars, they always got totalled within a year. My current ride, a 1994 Chevy Astro Van, has been with me for four years. That is a pretty long time compared to most of the others I have owned, which were replaced very frequently. I’ve made a few modifications, like taking out the rear seats and discarding some panels. But, that is an ongoing process. I had hoped to prepare it for full-time living, for extended periods of time, should I suddenly become homeless. I’m paranoid like that.

I bought it in 2014, from an aunt’s neighbor, for $700. It had been dormantly parked in her driveway, untouched, for several years. I knew it would cost me a lot more, over time. When I bought it, it already had a bent frame, oil leaks, radiator problems, and a thousand other things wrong with it. Most of those I STILL haven’t fixed. Then, there are more pieces falling apart all of the time.

A few days ago I had a flat tire, again. The same wheel keeps going flat. I have replaced that tire at least five times, by now. The rim was inspected and I was told that it was okay. So, I just kept replacing tires when the old ones gave out. This tire kept getting low every couple of days and I would air it up at a nearby Belle Tire before it went completely flat. But, this last time, I tried to inflate the tire and it was totally shredded! I had no way to get the van home without bending the holy fuck out of the wheel. So, I went inside and told them my problem. I also told them about the wheel wobbling all of the time, possibly due to a bad tie rod or ball joint. So, maybe they will look at that, too. It could cost a few hundred dollars. But, either way, I have no money… AT ALL, to pay for it. I applied for credit there, hoping to make payment arrangements. Haven’t heard back from them, yet, about the van or the credit. I’m not very optimistic.

I asked if they would check my transmission. But, they don’t do transmissions. I’m still hoping that it is something minor I can fix by myself.

Things like this keep me perpetually in a bad mood. As negative as I always am, I don’t need much to already be in one and this doesn’t help. I’m trying to take my mind off of it with music & art. I opened a Ko-Fi account online, specifically for such repairs, if anybody wants to chip in a few bucks. There are no obligations. It isn’t a monthly pledge service, like Patreon. I’m only using it for specific goals – in this case, fixing the van.

Guess I will get back to work and leave you alone. Later.

download

Third Day Blackout

eyes-in-the-dark1

Our electricity went out three days ago. Still waiting for it to come back on. We are running on generator, with only half-power. Nothing really works, though, except the computer and dim lights. Microwave won’t work. Coffee maker won’t work. The refrigerator is barely functioning. I hope nothing gets spoiled. Even the pilot lights on the stove aren’t working. I had to use a bic lighter. It has been pretty much ramen and sandwiches with lukewarm water everyday.

The internet went out, as well. But, I got it back on a few minutes ago.

Mostly, I’ve played with my cat and watched a My Little Pony: Friendship is Magic marathon. I really like the guest stars they’ve had on so far, like ‘Weird Al’ Yankovic and John de Lancie (Q from Star Trek: The Next Generation).

I did a little reading.

Sent out a few letters to friends.

Did some editing on my zine.

Worked on song ideas.

Usual stuff.

 

 

Do-Over Again

Foolish Mortal Mouth

I posted a blog yesterday, immediately regretted it, then promptly went back and deleted everything. It was just too negative (more than I usually am). I know that I can be a downer, sometimes. You don’t need to be reminded of that. But, I did want to leave a few updates for this overdue blog.

I spent a couple of days trying to shoot a vlog. But, the webcam is broken. I kept fiddling with it and looking for a software solution. It has got to be the hardware, though. Everything else is fine.

The transmission on my van is going out and the wheels wobble. I don’t know why, yet. Yesterday, I aired up a flat tire, drove my decrepit van to the post office, got the mail, changed the cat’s litterbox, fed her a can of food, busted a guitar string, wrote some letters, etc. Mostly, I’ve been sleeping a lot. I think I missed taking my meds three or four times this week, including today (and I really feel it). I hate when I do that.

Tom Zarzecki, of Death Cat, is planning another film festival later this year. I think I will pass on that this time. I wasn’t very happy with how my previous contribution turned out and the festival itself last year was kind of a bust. Practically no one but the filmmakers themselves showed up. It was an insightful experience, though. Now I’m more aware about some mistakes to avoid when I’m performing live.

My homemade drum kit (aka The ShitKit) has a problem. The bass drum pedal is totally broken. I was building a wooden base for the kit when I noticed that pieces of the kick pedal were missing. Shit. I don’t have any money to replace it. Maybe someone would accept a trade? They could possibly repair it if they have the parts.

My friend Max Grean is putting together a Glam-Core group (whatever that means). Not exactly sure where he is going with that. He asked me to contribute to it. So, I guess that I am the keyboardist. I have one decent quality keyboard (on loan from my ex). The rest that I own are cheap crap. We will see what happens.

OLYMPUS DIGITAL CAMERA

This is a mixed-media painting that I finished a few months ago. It will probably end up as a zine cover, at some point, eventually. Just to have SOME consistency here, I will continue to show you my paintings & artwork in each blog, w/ a song from my record collection included. Maybe that will help me, somehow, to remain in a better mental state.