Gear Geeked

Mike Nobody Bass 02 - Jaguar Urge Bass

I was going through my hard drive, looking at designs for new guitars and custom instruments. I didn’t know if anybody would care about this sort of thing, except other musicians… maybe. Of course, lacking any money, I build these things as opportunities come along. I can probably work on the cheaper ones for awhile.

I always liked the customized design of Jimmy Page’s Les Paul Guitars, with push-pull knobs enabling coil-tapping and phase-shifting. But, I like baritone guitars a lot, too. The first draft at my version went something like this:

NegativeM+ Mike Nobody Jimmy Page Les Paul Baritone Guitar

I kept making further refinements. Although Les Pauls have a nice tone, the original construction needs work. The headstocks are notorious for breaking easily. So, I changed it to a Zachary Guitars “samurai sword” style headstock. Also, I prefer guitar bodies with an offset waist, for comfort. So, I would keep the maple top mahogany body, just shape it more comfortably like a Fender Jazzmaster or Jaguar.

NegativeM+ Mike Nobody Jazzguar Baritone GuitarNegativeM+ Mike Nobody Jazzguar Baritone Guitar 2NegativeM+ Mike Nobody Jazzguar 3 Baritone Guitar

I played around with different pickup configurations, different woods, a graphite reinforced neck, etc.. I gave a Fender Bass VI style body a try.

MIKE NOBODY GUITAR 3

Mike Nobody Bass - Bass VIMike Nobody Bass 02 - Bass VI

Then, I moved on to basses. I want to combine a Fender Jazz, Precision, and Rickenbacker style tones together. Maybe a Gibson Thunderbird. Maybe not. But, I know it would not sound like any of them if I tried to do that. A close approximation would be nice, though.

NegativeM+ Mike Nobody Mike Nobody Jaguar bassMike Nobody Bass 01 - Jaguar Urge Bass

It is possible that the only way around this is to build a different one for each specific tone. But, I thought about including Line 6 Variax Bass wiring hooked to a piezo pickup for variety. Not sure if it would work.

This is all out of my price range, for now. I considered having the body made, then adding parts as I go along. The neck is the most expensive piece. I don’t know to what degree solid graphite necks can be customized. Having a comfortable neck is very important. I think a “Soft V” contour is the right shape for me. But, I’m not sure. If a pro shop could work out details like that with me it would be extremely helpful.

Making experimental “noise machines” is a lot easier for me to put together on a low budget. The most common that I like making are basically stringed instruments built from scrap wood and junk.

NEGATIVEM ELECTRIC HARP

Anything that makes a sound is fair game, though.

NegativeM Smash TableNegativem Rattle of DOOM!NegativeM Penny JarNegativeM Grinding PipeNegativeM Grinding MicNegativeM The WheelNegativeM Devil's DJ Turntable redNegativem CIRCUIT-BENT MYSTERY BOX

One thing that I thought about getting, for a long time, is a DJ rack case & table. It could store all sorts of effects, make room to operate small devices, and give me something to stand behind. But, they aren’t cheap. This is at the very bottom of my wishlist.

NegativeM+ Mike Nobody Rack

So, there it is. That is just some of the things I’ve been working on, for a long time. I’ll probably build the noise machines sooner than the rest. It would great if I could scrape together enough money to do the basses / guitars, though. I’ll just continue doing what I’m doing until then.

Online Punk Rock Radio Stations

Punx In Solidarity

Hardcore Punk Rock Radio Stations Update

10280


ONLINE RADIO STREAMS

STREAM FINDER

http://streamfinder.com/

TUNEIN ONLINE RADIO
http://tunein.com/

WEB RADIO CENTRAL
http://www.webradiocentral.com/

ROCK RADIO

http://www.rockradio.com/

RADIO TUNA
http://radiotuna.com/

07

PUNK ROCK STATIONS

WHATEVER 68 RADIO
http://www.whatever68radio.com/

STENCH RADIO
http://stenchradio.com//stream.php

UNDERGROUND SKANKING RADIO
http://skankingradio.blogspot.com/

GUTTER PUNK RADIO
http://www.gutterpun­kradio.com

CORE OF DESTRUCTION RADIO
http://www.coreofdestructionradio.com/

PUNK FM
http://www.punkfm.co.uk/

A-O-S RADIO
http://www.a-o-s.info

PODUNK RADIO
http://www.podunkradio.com/

ANARCHY OF SOUND

http://www.anarchyofsound.d­e

V103 ROCK RADIO
http://www.v103.net/

REAL PUNK RADIO
http://www.realpunkradio.co­m

POV RADIO
http://www.povradio.com/

Dancing Punker

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Zine Review: Wiseblood #37 The Cat-Sitting Issue

Sea Green Zines

Wiseblood 37

Wiseblood #37 The Cat-Sitting Issue
Fishspit
fuzzybunnyflatbunny@gmail.com

Sometimes you read a zine, and all you can do is experience it. Not think too much because it’s better for you to go along for the ride.

This is definitely one of those zines.

I received Wiseblood #37 (along with another) in a trade with Fishspit himself. After such charming short messages, how could I not be curious about a zine with this cover?

The content doesn’t disappoint from the cover expectation. Inside you’ll find three stream-of-consciousness style stories with a silly sort of humour that I think most people can appreciate. They remind me a little of Billy Connolly long, winding story humour (obviously less long and winding given the format).

I must know his cat-whisperer secrets. Haha.

I was a bit shocked a little at some of the content and language. It’s been a while since I’ve read anything that’s…

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Zine Review: Wiseblood #62

Sea Green Zines

wiseblood 62

Wiseblood 62
Fishspit
fuzzybunnyflatbunny@gmail.com

Today’s review is brought to you by an early morning run to the dental hospital for Wanderer’s emergency, followed by a very long day.

How much do you love this cover? I wish I’d had time to take a better photo, because it’s excellent.

Before I get into the content of this zine, I want to mention how cool it is to see a zine that is on issue 62. Last week I reviewed issue 37, and that was impressive in and of itself. But 62? I only just finished Don’t Call Me Cupcake 2.

The Wiseblood website says “A Zine Since 1984”. It’s strange and wonderful to think about how this zine series has been going longer than I have been alive.

Wowza.

Many zines on, and Fishspit still has a stream of consciousness style of writing that picks you up and carries…

View original post 103 more words

Zine Review: Wiseblood #64

Sea Green Zines

Wiseblood 64 Zine

Wiseblood 64
Fishspit
fuzzybunnyflatbunny@gmail.com

If there is anything I love about reading a perzine series for a while, it’s having my assumptions about a person challenged. This issue of Wiseblood certainly did that for me in regards to Fishspit.

I feel like Wiseblood #64 is a bit nostalgic in ways that other issues aren’t. Past mistakes, childhood memories… I like ‘reflection’ mixed in with the current stuff. Especially when it’s not all sunshine and flowers stuff.

It’s not easy to admit when you’ve wronged someone, even in the quiet of writing your own zine. Fishspit would (will?) likely brush off the statement, but I have to tip my fedora to someone who up and admits it.

“I was never mean to Jessie…I just wasn’t good for her.”

As much as I don’t like needing to hunt down details like websites and such, I do like it when I can look…

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Zine Review: Wiseblood #67

Sea Green Zines

Wiseblood 67
Fishspit
fuzzybunnyflatbunny@gmail.com

In Wiseblood 67, Fishspit talks about his experiences with depression and using ECT – electroconvulsive therapy – for treatment.

Fishspit has a writing style that isn’t for the easily offended, but he takes a different tone in this issue. I can’t help but feel for him for a number of reasons as he talks about his experiences. Right from the start, you really get a sense of the desperation to get past the depression no matter what the cost.

I find it interesting to read people’s stories about depression and how they describe it. Fishspit describes how, for him:

…sometimes it’s a mosquito…a small pestering depression…a tiny dark spot on the soul, but then! Oh my! It can become a gorilla! Consuming me absolutely.

I was incredibly angry while reading one part of this, as the idiocies and aggravations of insurance companies run far and wide…

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Making Something Out of Nothing

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I’ve been drawing & painting since I could walk. My parents even tried persuading me to turn professional and go into advertising as a career. PFFFFFFFTT! Fuck that. I cannot think of a more surefire way to suck out and destroy any enjoyment from creativity than having a boss tell you what to do, and when. Furthermore, selling your soul to marketing agencies adds insult to injury.

Usually, my artwork was given to friends or destroyed and discarded. I started selling my art locally in the 1990’s. But, not really understanding how the professional art world works, I only sold items in person at music venues or record stores (wherever I happened to be). I have been reluctant about taking it any further than that.

I don’t really have a lot of room to keep anything. I rented a storage unit for about a year, until I could no longer afford it. So, if no one wants what I make, it often goes into the garbage. Maybe the rats and seagulls at the landfill can use it for a nest.

I’m finally dipping my toe into the “real” art world. I was offered to showcase some paintings. So, I figured maybe I should sell some. I have an account online at ArtPal. There isn’t much there, yet. I’m only beginning, just now. But, I will continue to put pieces up there if it interests anybody. I thought about it for a little bit and decided to do commissions, too. If it doesn’t work out, I will stop.

I made a few updates to my Patreon account rewards, since I’m doing this. Patrons can get discounts on merchandise and original artwork. Details will be listed with items as they are posted.

We will see where this goes, then.

Mike Nobody Eating A Hamburger

This is my tribute to Andy Warhol, on the 35th anniversary of his scene in the movie “66 Scenes From America” by danish filmmaker Jorgen Leth. The movie was shot in 1982 and has a total duration of 39 minutes. It consists of a series of shots (or moving postcards) that outline daily life  across the USA in the 1980’s.

Jorgen Leth did not know Warhol, but he was a bit obsessed with him so he definitely wanted to have him in his movie. Friends told Leth that he “should forget about it” and that he could never even approach Warhol.

Anyways – Leth was stubborn so when he came to New York for his movie he simply went to the “factory”, the building Warhol had rented to work at and despite all other claims simply managed to get to Warhol’s studio inside where he met Andy Warhol while he was currently working.

Leth just told Warhol about his movie and the idea of having Andy being one of the 66 scenes along with the highly “symbolic” burger. Warhol immediately liked the idea and agreed to the scene. Andy liked the scene as he said because it was such a real scene, something he would like to do.

So Andy Warhol agreed to come for filming a few days later.

Jorgen leth was a bit afraid that Warhol would not come. He had invited him to a photo studio in new York at 14th street/5th avenue that belonged to a friend of him.

Leth had his assistant buy some burgers and directly advised him to buy some in halfway neutral packaging as Leth was afraid that Warhol might reject some brands (Warhol always had an obsession with some of his favorite brands).

So Andy Warhol finally did arrive at the studio, of course along with his bodyguards, and when he saw the selection of burgers the assistant had brought he asked “Where is the McDonald’s?” and Leth – slightly in panic – was immediately like “I thought you would maybe not like to identify… “ and Warhol answered “no that is the most beautiful”. Leth offered to let his assistant quickly run to McDonald’s but Warhol refused like “No, never mind, I will take the Burger King.”

Directing the video was pretty simple. Leth said to him: “You simply have to eat this hamburger. And then after you finished, you have to eat it, after you finish you should just tell the camera, to the camera, my name is Andy Warhol, I have just eaten a hamburger. “

Leth was worried during the taking as he forgot to give Warhol a glass of water and the bottle of ketchup was brand new, so it was hard to get it out. But being a real Warhol there was only one take, one try, so Warhol pulled it through in just one take, roughly 5 minutes.

So, why a whopper from burger king?

A quote from Andy Warhol:

“What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it. “

 

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Send me some mail (drawings, pictures, souvenirs, letters etc.):

Mike Nobody
c/o Theee Urban SpaceCat
P.O. Box 1201
Taylor, MI 48180
USA

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If you want to support the channel and my other work,
you can pick up some music & merch by going to
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★ Patreon https://www.patreon.com/MikeNobody

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Spread Mike Nobody far and wide!!!

Thanks,

Mike

\,,/(^_^)\,,/

Oh and if you’re a troll coming here to give me any shit…

ᶠᶸᶜᵏ♥ᵧₒᵤ

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trans-fundraiser-600-7
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