Rush, Canadian Prog – eh?

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I dig the steampunk stage design they have been rocking!

When I was a kid I HATED Rush.

Aside from a few hits, I flatly despised them.

Geddy Lee’s high-pitched singing voice was so annoying and their albums in the 1980’s were so over-saturated with synthesizers.

I am not a big fan of synths made in the 1980’s.

I prefer synths made in the 1960’s-1970’s.

They just had more warmth and bottom end to them.

The band were vocal supporters of that cunt Ayn Rand.

Everything about them was just so pompous and yuppiefied, it seemed.

But, after getting into groups like Primus and Ruins, I went back and gave them another chance.

I decided that I kinda liked them in some ways, but still disliked them in others.

Even when I hated Rush, I respected their musicianship.

They could write complex music and they could really play.

It was Geddy’s voice that grated on my nerves.

But, after awhile, after listening to Les Claypool’s singing it didn’t seem so bad after all.

In fact, Geddy’s voice has deepened with age over the years, making it a little more to my liking.

They have also distanced themselves from Ayn Rand’s bullshit “philosophy” of objectivism, over time.

So, that is a relief.

They also seem to have grown a sense of humor with age.

And, in contrast with their former headlining tourmate Ted Nugent, they are actually nice guys.

So, I guess, people can change and grow on you.

Maybe there is hope for us after all.

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